Timing wise, both gypsy-swings are 14 beats, with the final pass taking up
the first two beats of the phrase. So no balance is really possible there.
The timing worked well last night, and the real confusion was a couple of
perpetual beginners who took more iterations to get it than others. I think
your teaching suggestion, Andrea, to add a pause, may help that.
On Sep 14, 2015 1:59 PM, "Andrea Nettleton" <twirly-girl(a)bellsouth.net>
wrote:
Hmm. Perry, I wasn't thinking the loop R was part of the hey at all, nor
that the timing needed any adjustment. I do think that the half hey
doesn't end with the gents in the center. Ron clearly wrote that the gents
pass R in the center. That theoretically puts them at the side or nearly
so, and heading that way. The ladies will be looping the back at that
point. A loop R will feel like turning to a hey the line, especially for
the ladies. My point is that it will take several iterations of the dance
for dancers to remember to flatten it out as they travel toward the next N
so they can gypsy R with them. If you told them to balance and swing, it
would happen more easily, but I can see that Ron is trying to keep it
glassy smooth. My experience suggests that whatever we intend, dancers
will interpret "loop" with varying degrees of curve, many making it deep
enough to spoil the transition to the R gypsy, unless the teach
specifically prevents this. if you just told the gents to pass L in the
middle, and continue to the side, then face the N and pass through to gypsy
the next, the curve would evolve on its own as people danced it, and be
just right. My opinion only.
As for timing, no matter what you call it, I'm betting that loop is going
to cross the phrase for many, and the new N gypsy will be short. Possibly,
just looping to a new N Sw would work. Might be a long swing for some.
Best,
Andrea
Sent from my iOnlypretendtomultitask
On Sep 14, 2015, at 1:31 PM, Perry Shafran <pshaf(a)yahoo.com> wrote:
I would agree with that, although the 1/2 hey is over when the gents pass
in the center, so it would be more like a 5/8 hey, with 2 beats of that hey
coming in the A2. "Loop right" seems to be a way to avoid calling it part
of the hey, and since it's the start of a new phrase, I can see why one
would want to differentiate it from the hey.
Perry
------------------------------
*From:* Andrea Nettleton via Callers <callers(a)lists.sharedweight.net>
*To:* Ron Blechner <contraron(a)gmail.com>
*Cc:* callers <callers(a)lists.sharedweight.net>
*Sent:* Monday, September 14, 2015 1:24 PM
*Subject:* Re: [Callers] Ye ole Does This Exist - Mad Robin 2 Hey dance
Ron et al,
In general, I really like this dance. That loop right will snag people at
least a few times through though, in that it will make them want to gypsy L
with the next, continuing the weave, when they need to make it feel like a
pass through so their body flow can take them into a R gypsy. It might be
worth pointing that out, or teaching them to finish the half hey face N,
pass through R Sh . Just a thought.
Andrea
Sent from my iOnlypretendtomultitask
On Sep 14, 2015, at 12:05 PM, Ron Blechner via Callers <
callers(a)lists.sharedweight.net> wrote:
Hi callers,
I was hoping this dance, or something very similar, might be identified:
Becket
A1: Gents Alle L 1.5 (8)
1/2 Hey (8) (NR, LL, PR, GL)
A2: N Gypsy R 1/2 (2)* (to face next N)
Next N Gypsy + Sw (14)
B1: Mad Robin (8)**
1/2 Hey (8) (GL, PR, LL, NR)
B2: Gents Pass L (2)
P Gypsy + Swing (14)
* Been debating teaching / calling this as a gypsy or "loop right". I
think either works, but ideas welcome.
** Gents in front, CW
Thanks,
Ron
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