Some good ideas in this thread
I like the drawbridge.
I use Galopde as a first dance and ask for well phrased music (with a 2bar,2bar,4bar feel
to the A e.g. Winster Gallop) to get people dancing to the music. Though other dances
particularly those with a Dip and Dive or Strip the Willow I’ll ask for a tune that can go
out of time with the dance (some of the Irish tunes don’t seem to have a definite A or B,
wouldn’t want a song tune).
Differing energy levels and balance can be a problem. It certainly was for my u3a group,
us 80 yr olds do try to keep up with the fit 60s
From: Rich Sbardella via Contra Callers
Thanks Erik,
I offer a lead down the center in lieu of a sashay, and I ask the people at the end to
accommodate those of us who are slow.
In Rural Felicity I teach: in the A1, if you don’t make it down to the bottom, just merge
into the line to do the A2 F&B, since you then gig to sashay back to the top.
Cheers,
~Erik
From: Rich Sbardella via Contra Callers <contracallers(a)lists.sharedweight.net>
One of my favorites does have arches but I let the dancers know the arches can be
drawbridges to accommodate different heights.
Rural Felicity
B2 Top pair goes through the tunnel and remains at bottom. Others move up.
When I call this at a wedding, I rename it to "The Tunnel of Love", and I ask
the Bride and Groom to be the first top pair.
On Wed, Oct 11, 2023 at 7:50 AM Katherine Kitching via Contra Callers
<contracallers(a)lists.sharedweight.net> wrote:
To add a bit more interest to these simple repetitive ONS dances, I do a Gallopede very
similar to Mo's, but with a mixer element.
When it's time for the sashaying/galloping down the middle, I say "make way for
the top Reindeer and the bottom Beluga!"
The top reindeer walks, skips, or does a silly dance down to the bottom of *their* line,
while the bottom beluga comes up from the bottom of their line doing the same - sometimes
they high five when they pass in the middle.
Once they reach the ends (of their own respective lines - no switching lines!), everyone
adjusts the line till everyone is facing a new partner.
If you have a long line you can send the two tops and bottoms (walking in single file)
together.
This is not to say I think arching dances are bad/shouldn't be used - but I am always
trying in my ONS dances to produce the same joyous, amusement-ride feel of a true contra
dance, so I personally like to favour figures that keep people flowing always. My
personal preference :)
KK