This is a long term project of mine: to teach and encourage what I call
“the physical therapist approved” way to Allemande. I don’t seem to be
making much progress so am delighted that others care about it, too.
On Fri, May 17, 2019 at 8:55 PM Martha Wild via Callers <
callers(a)lists.sharedweight.net> wrote:
Hear, hear! My sentiments exactly! How on earth are
you supposed to “give
weight” (in the proper way, just a tiny bit so you are both part of a unit)
and get around each other with a flat, palm to palm contact? The only way
that works is that people bend their wrists so that they have some purchase
on the other person. Which hurts my now no longer flat wrist! So wrong,
painfully wrong. Please, please, please, stop teaching a flat hand
allemande. It doesn’t work. Curved fingers, straight wrist, the thumb is
just sort of loose and not doing much. Thank you for bringing that up, Erik!
Martha
On May 17, 2019, at 3:01 PM, Erik Hoffman via Callers <
callers(a)lists.sharedweight.net> wrote:
John Sweeny below hoped we callers would teach more about hand turns and
the like.
I’ve been thinking on this for quite a while. Years ago I had a discussion
with Brad Foster. We both lamented the loss of the allemande with mildly
interlocking thumbs to the modern overprotective thumb against the side of
the palm allemande. At that time I think I was still in Santa Barbara, thus
it must have been pre 1994. I wrote an article for our dance rag called,
“If Allemande Left, Where’d Allemande Go?”
I talked about what I do when someone grips my hand—and I think all of us
should remove that word, “grip” from our caller’s vocabulary…
But the most important thing I discussed is:
- Our Wrist is Strongest When It’s Straight
- Our Fingers are Strongest When Curved
- Thus, however one does an allemande, it should be a hook, with
curved fingers and a straight wrist.
Lately I’ve seen teachers promote the straight fingers, bent wrist, and
flat palm method. The almost always makes one person’s wrist uncomfortable.
Not as bad as when someone draws the others hand into that
almost-Aikido-put-them-on-the-ground position, but usually quite
uncomfortable.
Thus I hope most of us learn the curved fingers, straight wrist, no grip,
and, no thumb clamping allemande, ECD hand turn, two hand turn type hand
connections.
~Erik Hoffman,
Oakland, CA
*From:* Callers <callers-bounces(a)lists.sharedweight.net> *On Behalf Of *John
Sweeney via Callers
*Sent:* Friday, May 17, 2019 2:09 PM
*To:* 'Caller's discussion list' <callers(a)sharedweight.net>
*Subject:* Re: [Callers] Name that Dance
Hi Rich,
I would just call it a “Big Set Mixer”. It is a slight
variation of the one in the Community Dances Manual. Callers just make up
a 32 bar sequence that works for their dancers.
While it is a good example of all ages having fun together,
I really wish callers would teach the dancers just a tiny bit about how to
do better hand/arm turns and swings :-)
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
940 574
http://contrafusion.co.uk/KentCeilidhs.html for Live Music
Ceilidhs
http://www.contrafusion.co.uk for Dancing in Kent
http://www.modernjive.com for Modern Jive DVDs
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