Here in St Louis - definitely two. First one slow, second one more in
tempo. Some callers usually "go back." Others usually "dance it from
here."
M
E
On Fri, Apr 30, 2010 at 1:29 PM, Bob Isaacs <isaacsbob(a)hotmail.com> wrote:
Hi All:
Chris Weiler wrote:
"I subscribe to the theory that if I need more than one walk thru, then
I'm calling a dance that is too difficult for the crowd. The main reason
that I might run a second walk thru is if there is a clump of beginners
and I need to get them progressed to new couples who can help them out. "
Aside from that good reason, whether or not I tailor my teaching to do 1 or
2 walkthroughs often depends on where I am calling and the expectations of
the local dancers. If I am calling at one of the zesty New England dance
series (lots of hotshots, few beginners, fast-paced evening) I better have a
darn good reason for any second walkthrough - the dancers expect
one-and-done. But if I am calling locally (NYC/NJ/PA) the same dance will
get two walkthroughs so comments on timing, flow, or style tips can be added
- the dancers are used to that. I can always tell when a New England caller
is touring through the area, as the locals are surprised early on by how
fast the walkthroughs are.
Part of this difference is regional, but that doesn't always apply. The
best example is Glen Echo - on Fridays, which can have up to 100 new
dancers, two walkthroughs are a very good idea; but the highly-experienced
Sunday series is more one-and-done. Another factor to consider is the
frequency of the dance series - dancers tend to need more teaching at a
monthly series than weekly ones. As Greg mentioned, Santa Cruz has a lot of
young/new dancers, but it's also a monthly series, so two are good there.
In contrast, a weekly mostly-experienced series such as Santa Barbara is a
one walkthrough crowd.
Just curious - what are the dancer expectations where you call?
Bob
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