Dave,
I believe there's a simple fix that'll retain the balance of your dance -
but it's double progression. Split your heys into halves with the first
half being on the diagonal (progresssion) and then straight across.
-Don
On Mon, Mar 27, 2017 at 8:49 AM, David Harding via Callers <
callers(a)lists.sharedweight.net> wrote:
Scratch that. Now that I look at it in light of
Tom's comments, I realize
that there is no progression. Doh!
On 3/26/2017 9:26 PM, David Harding via Callers wrote:
Here's something I envisioned last fall and have been meaning to post for
comment. There were conversations here about gents chains and about
balancing the activity levels of ladies and gents. At Squirrel Moon
Weekend, Tom Hinds called a dance whose details I don't remember, except
that it started with a gents chain across from Becket formation, followed
by gents chain on the right diagonal (I think). About 2/3 of the way
through the dance, he switched to start with a ladies chain across and then
on the left diagonal. It was dramatic how different the two versions of
the dance felt. That got me to thinking, why not switch each time through
to symmetrize the dance, the way modern dances with contra corners often
do? Perhaps that's sufficiently disorienting to be cutting edge.
I have not had the occasion to call this, but would be happy to hear if
anyone thinks it's worth giving a try. I haven't thought through the
teaching, but imagine that for a group that could handle it, two
walk-throughs would be useful.
The working title is "Both Sides"
Becket
A1 Gents allemande 1 1/2; Neighbor swing
A2 Long lines forward and back; Gents chain, courtesy turn
B1 Gents left shoulder full hey
B2 Partner balance and swing
Alternate with
A1 Ladies allemande right 1 1/2; Neighbor swing
A2 Long lines; Ladies chain, courtesy trun
B1 Ladies right shoulder full hey
B2 Partner balance and swing
Dave Harding
On 3/26/2017 8:26 PM, Maia McCormick via Callers wrote:
Hi choreographer folks,
I'm leading a session at NEFFA called "Cutting-Edge Contras", consisting
of un-premiered (or very sparsely called) contras. If anyone has any dances
they'd like to throw my way for consideration, please do so!
Cheers,
Maia
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