I would probably try to avoid multiple lines of 4 down the hall, but LL
F&B can actually be a really nice "reset" for new dancers. "All
together
now" moves like that can go a long way towards helping a set pull itself
out of chaos.
Jack
On 9/2/2012 3:21 PM, Kalia Kliban wrote:
I was calling for the Bay Area Queer Contra series
last night, at
their season-opener dance in Oakland, and they are both blessed and
challenged by having a huge group of beginners at almost every dance.
They're enthusiastic and ready to have a good time, but need a lot of
guidance and fairly simple material. I was noticing last night (and
I'm a newish caller with a small stock of dances still, but working on
fixing that) that a large percentage of the easier dances all feature
either long lines forward and back, or lines of 4 down the hall, or
both. This makes it a challenge to keep variety in the program.
When you're calling for an inexperienced group, do you still try to
limit the number of LL F&B and 4-in-line dances, or do you not worry
about it so much? There are just enough experienced dancers in this
particular community that I was trying to keep the program varied for
them, while still trying to keep it really accessible to the new
dancers. Had it been a completely brand-new crowd I would have felt
fine with a lot more repetition of figures from dance to dance, to
increase the comfort and familiarity of the material. But as it was,
I was stuck in that middle place, trying to satisfy a wide range of
experience levels. The eternal challenge...
Kalia
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