Hi Lark,
I concur with Lisa about teaching the blobs.
It would also be a good idea to really emphasize the progression.
From circles of 4, just pass thru and make a new circle
"this will be who you dance with the second time"
then just pass thru and
make a new circle "this will be...third time" then back to place.
It will give an opportunity to point out the end effects, too.
I did a dance very similar to the one Lisa proposed (Jefferson's Reel)
at my son's school's Colonial Day, and it was ok. (except for the kids who
wouldn't touch another gender:-)
Good Luck!
Bob
Message: 2
Date: Thu, 12 Feb 2009 06:33:09 -0500
From: Lisa Sieverts <lisa(a)lisasieverts.com>
Subject: Re: [Callers] Utterly Introductory dance input sought
To: larkspur(a)umich.edu, Caller's discussion list
<callers(a)sharedweight.net>
Message-ID: <D5F3DA83-EEB4-49D1-B41A-1D8B809E5C40(a)lisasieverts.com>
Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed
These people have never danced? And you have 5 minutes?
I'd recommend nothing harder than Blobs:
Blobs
longways sets, gender doesn't matter
1. F&B
2. F&B
BEGIN TEACHING HERE (Blobs begin at the top, make circles of 2, 4, or
6 people -- or more as long as they don't tell you about it!)
3. Blob Circle LEFT
4. Blob Circle RIGHT
5. Blob RIGHT hand STAR
6. Blob LEFT hand STAR
7&8. Blob sashay down, others move up
Note that it would take you 5 minutes to teach "cloverleaf turn
single away from partner" IMHO.
Good luck!
Lisa
On Feb 11, 2009, at 10:59 PM, Lark-Aeryn Speyer wrote:
Hi group,
Weird situation: I am supposed to put together a five-minute
presentation on
myself as a leader for a "Leadership & Organizational Behavior"
graduate
class, and I just think that perhaps the way to go is to create a VERY
SIMPLE English Country dance set to my favorite song--and teach it
to my
classmates.
Most of you don't know me, but I'll nonetheless spare you with
explanations
as to exactly how weird this is. And, yes, I realize, too, that it
may not
be an optimal ECD introduction for my classmates, but I hope it
will be
beautiful in some degree, and moving, and indeed an expression of
the kind
of leadership I am trying to develop (yes, I'm a budding caller).
In addition, the favorite song, Carrie Newcomer's "Bare to the Bone"
(see
http://carrienewcomer.com/chords/age_of_possibility_chords.pdf
<http://carrienewcomer.com/sheet_music/
Bare_to_the_Bone_sheet_music.pdf>
and
http://carrienewcomer.com/sheet_music/
Bare_to_the_Bone_sheet_music.pdf)
expresses everything I want to be as
a person.
So I'm writing for advice. Since I am supposed to take 5 minutes
for the
whole dang kit & kaboodle, I will probably only run the dance three
times
through--one verse, one bridge, and one more verse. I've written
moves for
8 bars of 4/4, and I do not think I need any additional moves for a
rank-beginner group:
***
"Bare to the Bone"
Lark-Aeryn Speyer, 2009
DRAFT
2-couple sets, facing across the hall; or 3-couple circle sets
1 taking hands in a ring, balance in and out
2 cloverleaf turn single away from partner
3-4 clockwise, single file circle 1/2 (step-pause step)
(If you're in a 3-couple circle set, just circle as far
as the
music suggests)
5 taking hands in a ring, balance in and out
6 taking 2 hands with your partner, balance in and out
7-8 2-hand turn partner once
(If in 2-couple sets, you are now on the other side of the set.
This passes
for a progression.)
***
The music (in case you don't know it) is sweet, soft, simple, and
healing.
The lyrics (I intend to sing one verse beforehand in lieu of
"let's listen
to the music once through") and the general feel of the tune are a
condition
of complete openness, an approach of utter goodwill. What I would
hope my
classmates could take away is a feeling of lightness, ideally even of
spiritual availability. (Of course, this also depends on my fiddler
classmate who has offered to learn the tune.)
And I'll bring along a handful of flyers for local English dances,
just in
case. :-)
Thoughts very much welcomed! I assure you that any other ideas I
have for
this presentation are much scarier to me!
Thanks,
Lark Speyer
--
There is no conceivable beauty of blossom so beautiful as words,--
none so
graceful, none so perfumed. It is possible to dream of combinations of
syllables so delicious that all the dawning and decay of summer
cannot
rival their perfection, nor winter's s
tainless white and azure
match their
purity and their charm.
--Thomas Wentworth Higginson
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