To reiterate further I will elaborate on Meg's and Harris's points:
 "invasion" is not only a poor word choice, it's a dangerous mindset. Your
 attitude will be evident to _all_ the dancers, making the new folks feel
 uncomfortable, and encouraging some regulars to not be welcoming. Did you
 actually say the words "throw them out" if they kept being noisy? Both
 these scenarios make _me_ uncomfortable, even as a white woman. Words are
 very powerful. Word choice matters.
 I've called dances where what I call a "bus load" of beginners showed up
 after the lesson. They arrive together, they probably bused or carpooled
 together, they know one another. They will want to dance with each other,
 not just as couples, but in clumps of foursomes, not and necessarily with
 people they don't know. It's a challenge. It would be way more of a
 challenge if their cultural practices didn't allow them to touch someone
 appearing to be a different gender.
 For the noise, after politely asking for their attention one thing to try
 is to get quiet yourself, and see if they notice and follow suit. Then ask
 for their help with the noise level so everyone can enjoy the evening. Your
 calm attitude will be noticed by the regulars, and it will gain their
 respect. Hollering will do the opposite.
 I think a demonstration of contra dance on campus might be helpful. Do it
 in a public area, invite other clubs/groups to come watch. You wouldn't
 need to do a lesson, but could point out how the progression works, how
 contra is a very community-centered dance form, where you dance with
 everyone.
 Side note: this sounds like a good time to plan ahead for a similar
 situation, and collect, or write, dances that might work for them.
 I wish you good luck and growth for your community.
 -Amy
 On Sat, Jan 21, 2023, 8:36 AM Joe Harrington via Contra Callers <
 contracallers(a)lists.sharedweight.net> wrote:
  [I don't know why, but the top paragraph and
a half of my message
 somehow came through white on white in both my email readers, so I'm
 resending,]
 We had an interesting and challenging situation come up at Contra
 Knights, the UCF student contra club, last night. I’m interested in your
 thoughts and advice, in case it has come up before, which it must have. I’m
 going to relate it as I perceived it, though someone more perceptive might
 have made some observations early on that would have alerted them to the
 nature of the situation.
 Last night was the second dance of the semester and officer elections
 were scheduled during the break. Just at the end of my newbie lesson, a
 group of nine women dribbled in as a group. They were really enthusiastic
 to learn, and they were about 30% of the people in the room at that point,
 so I rewound the lesson a bit to at least teach them the swing.
 They had joined the teaching circle with their purses and backpacks.  I
 invited them to put their stuff on the chairs at the sides, including their
 jackets, as we dance to up-tempo pop music and it can get sweaty. That’s
 where it got interesting.  Some put their stuff down, but they couldn’t
 take off their jackets. That’s when I noticed some of them wearing
 headscarves. Ok, no worries, wear jackets, that’s fine. We love diversity
 here.
 I tried matching them with experienced dancers, which some accepted and
 some did not. Some said they just wanted to dance together and not with
 anybody else. O-kay. I explained that in this dance we all dance with each
 other in a sequence and we don’t control whom we’re dancing with. Well,
 that’s ok, as long as we don’t touch men.
 This, of course, explained the refused partners; they were all men.  How
 are we going to manage that in a gender-neutral dance?  It’s not like I
 could put them in the men’s role. Someone suggested they turn all moves
 into do-si-dos. I was at a momentary loss, when our club president-to-be
 (elected later in the night) suggested putting them in a line of their own.
 That made them happy, though it was a very short line.
 Then the rest of what turned out to be the Lebanese Student Society came
 into the room. Their meeting in a neighboring room had just ended. There
 were more women, enough to make the small line danceable. There were a lot
 of men, and they had a really difficult time taking partners. I had minor
 sets with five or six dancers (yes, experienced dancers can do it). I told
 them it would not work that way, but they said they’d make it work, and
 nothing I could say got anywhere. I was conscious of the original dancers
 who had been there 30 minutes now, had done the workshop, and were eager to
 dance.
 So, the men also got their own line, but things in that line got a bit
 crazy during the first walk-through. Possibly because of the discomfort
 some may have felt dancing with other men, many there were more interested
 in goofing off or boasting to one another than in paying any attention to
 me, even after I cranked the mic volume way up and admonished them to be
 quiet and listen.  There was some genuine interest in that line, and one of
 the louder argument points I heard was someone shouting to quiet the line,
 as they were here to learn.
 At this point there were around 30 Lebanese students in two lines of 3-4
 minor sets each and 20 originals, who had joined through the newbie
 session, which was evenly split between newbies and experienced dancers.
 Their line was quiet, but getting quite impatient at this point. I was
 afraid to lose them. I was really afraid of what would happen in the
 election later on if the Lebanese club stayed, as they outnumbered the
 originals.
 It became clear that the Lebanese men were not going to get far, but
 they didn’t realize it yet. I really didn’t want to throw them out, since
 some really did want to learn and we are an inclusive club with too few
 members. I did say I would kick them out if they didn’t quiet down, which
 worked momentarily.
 I decided to forge ahead and call to the group of 20. Either the guys
 were going to get it or they’d maybe leave. If their noise disrupted the
 line of originals, then I would ask them to leave. I put on a tune and
 called an easy dance, cranking the volume above the din. The originals
 danced it fine and seemed to have a good time. The guy line dispersed and
 said they’d come in time for the workshop next time. The ladies left with
 them.
 The originals nearly all stayed. We had a fun rest of our night and held
 our officer election. While last night was a unique event, 50% newbies is
 common and we think it’s why we get so few dancers to stay in the club more
 than three nights. So, one of the changes is a new, occasional, no-newbies
 night, so the experienced dancers can dance something more complex than
 Airpants.
 Are there ways to calm an unruly crowd? I have a fairly decent one-night
 stand routine, but I worried I’d lose my originals if we went over to that.
 I felt I could have taught them something if only I could just have gotten
 their attention. Throwing them out would have been uncomfortable, at best.
 So, could I have done this any better? Has your dance ever been invaded,
 and how did you handle it?
 Thanks,
 —jh—
 Joe Harrington
 Faculty advisor and caller to Contra Knights, the UCF contra club
 Organizer, Greater Orlando Contra Dance
 
Contraknights.org
 FB, Ig: Contra Knights
 contradancerjoe(a)gmail.com
 On Sat, Jan 21, 2023 at 10:24 AM Joe Harrington <
 contradancerjoe(a)gmail.com> wrote:
  We had an interesting and challenging situation
come up at Contra
 Knights, the UCF student contra club, last night. I’m interested in your
 thoughts and advice, in case it has come up before, which it must have. I’m
 going to relate it as I perceived it, though someone more perceptive might
 have made some observations early on that would have alerted them to the
 nature of the situation.
 Last night was the second dance of the semester and officer elections
 were scheduled during the break. Just at the end of my newbie lesson, a
 group of nine women dribbled in as a group. They were really
 enthusiastic to learn, and they were about 30% of the people in the room at
 that point, so I rewound the lesson a bit to at least teach them the swing.
 They had joined the teaching circle with their purses and backpacks.  I
 invited them to put their stuff on the chairs at the sides, including their
 jackets, as we dance to up-tempo pop music and it can get sweaty. That’s
 where it got interesting.  Some put their stuff down, but they
 couldn’t take off their jackets. That’s when I noticed some of them wearing
 headscarves. Ok, no worries, wear jackets, that’s fine. We love diversity
 here.
 I tried matching them with experienced dancers, which some accepted and
 some did not. Some said they just wanted to dance together and not with
 anybody else. O-kay. I explained that in this dance we all dance with
 each other in a sequence and we don’t control whom we’re dancing with.
 Well, that’s ok, as long as we don’t touch men.
 This, of course, explained the refused partners; they were all men.  How
 are we going to manage that in a gender-neutral dance?  It’s not like I
 could put them in the men’s role. Someone suggested they turn all moves
 into do-si-dos. I was at a momentary loss, when our club president-to-be
 (elected later in the night) suggested putting them in a line of their own.
 That made them happy, though it was a very short line.
 Then the rest of what turned out to be the Lebanese Student Society
 came into the room. Their meeting in a neighboring room had just ended.
 There were more women, enough to make the small line danceable. There were
 a lot of men, and they had a really difficult time taking partners. I had
 minor sets with five or six dancers (yes, experienced dancers can do it). I
 told them it would not work that way, but they said they’d make it work,
 and nothing I could say got anywhere. I was conscious of the original
 dancers who had been there 30 minutes now, had done the workshop, and were
 eager to dance.
 So, the men also got their own line, but things in that line got a bit
 crazy during the first walk-through. Possibly because of the discomfort
 some may have felt dancing with other men, many there were more interested
 in goofing off or boasting to one another than in paying any attention to
 me, even after I cranked the mic volume way up and admonished them to be
 quiet and listen.  There was some genuine interest in that line, and one of
 the louder argument points I heard was someone shouting to quiet the line,
 as they were here to learn.
 At this point there were around 30 Lebanese students in two lines of
 3-4 minor sets each and 20 originals, who had joined through the newbie
 session, which was evenly split between newbies and experienced dancers.
 Their line was quiet, but getting quite impatient at this point. I was
 afraid to lose them. I was really afraid of what would happen in the
 election later on if the Lebanese club stayed, as they outnumbered the
 originals.
 It became clear that the Lebanese men were not going to get far, but
 they didn’t realize it yet. I really didn’t want to throw them out, since
 some really did want to learn and we are an inclusive club with too few
 members. I did say I would kick them out if they didn’t quiet down, which
 worked momentarily.
 I decided to forge ahead and call to the group of 20. Either the guys
 were going to get it or they’d maybe leave. If their noise disrupted the
 line of originals, then I would ask them to leave. I put on a tune and
 called an easy dance, cranking the volume above the din. The originals
 danced it fine and seemed to have a good time. The guy line dispersed and
 said they’d come in time for the workshop next time. The ladies left with
 them.
 The originals nearly all stayed. We had a fun rest of our night and
 held our officer election. While last night was a unique event, 50% newbies
 is common and we think it’s why we get so few dancers to stay in the club
 more than three nights. So, one of the changes is a new, occasional,
 no-newbies night, so the experienced dancers can dance something more
 complex than Airpants.
 Are there ways to calm an unruly crowd? I have a fairly decent
 one-night stand routine, but I worried I’d lose my originals if we went
 over to that. I felt I could have taught them something if only I could
 just have gotten their attention. Throwing them out would have been
 uncomfortable, at best.
 So, could I have done this any better? Has your dance ever been
 invaded, and how did you handle it?
 Thanks,
 —jh—
 Joe Harrington
 Faculty advisor and caller to Contra Knights, the UCF contra club
 Organizer, Greater Orlando Contra Dance
 
Contraknights.org
 FB, Ig: Contra Knights
 contradancerjoe(a)gmail.com
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