)
as AABB. He's not playing it the same each time through, and parts have
various fancy endings, but I still hear AABB.
Jeff
On Mon, May 2, 2022 at 12:23 PM jim saxe <jim.saxe(a)gmail.com> wrote:
Jeff,
How would you describe the phrase structure of the version of Beaumont Rag
that you just cited? A A B B? A1 A2 B1 B2? A B? Something else?
In the instructional video
https://www.youtube.com/watch?v=ZS2Wb6nIjlU
the narrator begins (0:00-0:39) by playing a similar version of the tune.
At about 1:19, he says, "It's in A B form." At about 2:00 tablature
appears
in the upper right corner for what the narrator describes as "measure
number one." The time signature isn't shown, but from the beaming of the
notes, I'd infer that it's 4/4. In any case, each "measure" of music in
the
tablature includes what contra dance writers and callers would typically
refer to as "four beats" or "four counts" or "two measures"
or "two bars"
of music.
--Jim
On May 2, 2022, at 7:48 AM, Jeff Kaufman via
Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
Here's a common version of Beaumont Rag that's square and well phrased:
https://www.youtube.com/watch?v=8FTuWotf7TQ
Jeff
<older merssages snipped>