Hi Andrea,
Absolutely. All moves should be taught explicitly as not a grip.
Amazing! There is always something new to learn. I have been dancing the
cupped elbow hold for over 50 years, and taught it to literally thousands of dancers. I
have never heard about there being a challenge regarding bust contact. I checked with my
wife and she has never encountered it either.
Just to clarify: I was not suggesting in any way that either forearm hold
should be used in modern American contra dancing. I was just clarifying the various
version of the move in response to someone’s query about what the hold is.
The cupped elbow hold definitely has its place in various parts of the
wonderful spectrum of traditional/folk/country/contra dancing.
I would only ever suggest it as an option in contra dancing if someone had
an injury and didn’t want to use the standard contra Allemande hold. It could also be
offered in self-defence, instead of the fist-to-fist “hold”, when encountering someone in
the line that you know is likely to hurt you.
The standard contra Allemande hold is undoubtedly here to stay. It is by
far the best option for moves like Rory O’More and Swing Thru, and it is established
across the world as the way to do a modern American contra dance Allemande.
So, all we can try to do is improve people’s technique.
Quite often a new caller will learn how to call a dance, get up in front of
an experienced crowd, walk through the dance calling the moves, then call the dance,
calling all the right words at the right time, and relying on the experienced dancers to
help the beginners through the dance. The dance works. The caller will then consider
themself to be a contra dance caller, without ever having actually taught anything at
all.
In the UK the EFDSS changed the name of the person holding the microphone
from “teacher” to “caller” some time in the 1950s.
I feel that very few modern callers realise that teaching is part of the
job.
We callers are the only ones who can improve the dancers’ technique. I just
wish that all callers realised this and took responsibility for it. It only takes a few
seconds during each walk-through to drop a pearl of wisdom into the mix. It doesn’t take
long to say one of these:
Allemande: It’s not arm-wrestling - if your hand moves towards you, you lose!
Allemande: Make a good connection then relax - your muscles are for fighting centrifugal
force, not your partner.
Allemande 1.5: Keep your hands mid-way between you with nice W-shaped arms and take bigger
steps.
Circle Left 3/4; Pass Through: It’s six steps for the circle and two to pass through -
don’t be late for your new neighbour.
Swing: Plan the end of the move so your are both facing the right way on time.
Wrist-Lock Stars: Make sure your thumb is on top with your fingers so that you can’t
grip.
Etc.
I have often though of putting a poster at the door saying, “Leave your
thumbs at the door!”
Maybe we could all share our favourite teaching phrases and make a database
of them to encourage all callers to do some teaching.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802 940 574
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