I think part of what makes this tricky is that while with the music
organizers (and dancers) put a lot of value on upside (new, interesting,
exciting, variety) with calling they mostly value avoiding downside
(reliable, solid, good judgement, few mistakes, great recovery). So it
looks to me like they tend to be pretty happy to book from a smallish pool
of callers that they trust, and are happy with the results.
If I were trying to get into calling dance weekends (which I'm not!) I
think the big thing would be figuring out how these organizers could learn
whether I did have the qualities they need. This is hard: a video doesn't
communicate that much to an organizer about how well you matched the
material to the situation, how well you communicated with the band, whether
you flub 1% of calls or 0.01%, etc. I think maybe endorsements from
widely trusted callers might be a way to handle this? Ideally someone who
has heard you call a ton and is confident enough to put their own
reputation on the line in vouching for you?
Jeff
On Thu, Mar 16, 2023 at 3:05 PM Isaac Banner via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
As someone who works full-time and has repeatedly
reached out to weekend
organizers in the past and gotten the standard "Oh, are you calling any
weekends soon?" and "It would be good if you could tour through [X/Y/Z
multi-city sprawling metro area] so dancers could get familiar with you."
... I 100% agree that it feels impossible to break into the scene unless
you're *already in the scene*. Weekend organizers holding on to the
original bookings that got pushed back because of the pandemic has made
this a bit worse, as well, with many weekends booked through the end of
2024 (this one I get - it's just also miring things further).
Following this thread with deep interest and hoping there's some deep
secret to get out of this Heller-ian whirlpool.
Cheers,
Isaac Banner
On Thu, Mar 16, 2023, at 10:38 AM, Winston, Alan P. via Contra Callers
wrote:
Hi, Julian --
I'll await other answers with interest, since I similarly don't have a
caller website and it's a Project I could theoretically do but am rather
overwhelmed by. (Pre-pandemic I was getting all the gigs I could
realistically handle with a full-time job, more outside of contra than in
****
I also want to empathize with you about being reluctant to self-promote,
reach out to organizers, etc, for fear of being obnoxious, although when I
have my series organizer hat on I'm usually happy to hear from out-of-town
callers/bands who will be coming to my area anyway. But I've never
programmed a weekend or camp so I don't know how that feels; my impression
locally is that programmers often have a vision and some favorites already.
-- Alan
________________________________________
From: Julian Blechner via Contra Callers <
contracallers(a)lists.sharedweight.net>
Sent: Thursday, March 16, 2023 8:51 AM
To: Shared Weight Contra Callers
Subject: [Callers] Asking For Website Help and Self-Promotion Question
Hi callers,
Website help request:
As I've been ramping up my accepting gigs again post-shutdown, I'm
realizing that I've put off my "get an actual website" too long.
Any suggestions for website designers for caller pages or contra performer
pages?
I can provide photographs myself, for what that's worth.
This is one of those things where, yeah, I could trudge through it myself
with a DIY site-builder attached to a standard web host or Square, but I do
UX Design as my 40-hour-a-week job and I already have many things on my
plate, and I just really haven't found motivation to take on Another
Project. So I really just want to be able to hand someone some money and
know I'll get a good product that isn't needlessly complex.
Self-promotion perspective request:
I'm also looking for ways to appropriately do self-promotion as a caller.
I love doing series dances, and also love doing the dances for groups with
lots of new folks, too. But I also would enjoy expanding doing more special
events, and am getting more comfortable with traveling again, pandemic-wise.
There's this sort of odd condition where the A-List Well-Known Callers
don't need to advertise, but to get there, you need to either/both
advertise and/or have your summers off so you can do All The Tours and All
The Summer Camps. On top of that, New England is kind of a funny area
because we have so many weekly/monthly series dances that we don't have big
dance weekends like pretty much everywhere else in the country.
And ... I dunno, for many of us, there's an unknown of "How much
self-promotion until you become pushy / obnoxious?"
I've been calling for 11 years. Before the pandemic I was doing 30-40 gigs
a year, including some wedding/One-Night-Stand events and smattering of
special events. I've headlined at Flurry in 2018 and got positive feedback.
I known where I'm at in terms of effectively choosing and teaching dances
from simple through advanced. I solicit feedback from organizers I call
dances for. And I know that being an advocate for Larks/Robins as well as
dancer-safety has been a black mark for me in some bookers' minds.
But I still get people being like "Oh, how long have you been calling?"
--- I realize part of this is the name change from Ron to Julian, but, part
of it is definitely hesitation to like, I dunno, email organizers I don't
personally know asking about dance weekends or whatnot. Maybe there's
partly the "imposter syndrome" in there as well.
One thing I do know is that I now have no recent good video of me calling,
which I'm earmarking as part of the website project.
Perspective on self-promotion is appreciated, and perspective for anyone
who also books dances is appreciated.
In dance,
Julian Blechner
he/him
(Western Mass, USA)
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