Greetings to all of you!
My name is Richard Green and I have decided to come out of the lurking
closet and announce my intention of learning how to call. I discovered this
wonderful discussion list about a month ago and avidly read through the
multiple years of postings. Now, alas, I am up to date and finding it hard
to adjust to having only an occasional new post to read.
I live in Maine, and my calling interest began in January when I attended
John McIntire's calling workshops. At the time I thought it would be nice
to learn some calling skills because my wife and I have had some
opportunities to play music for some barn and family dances in the area, and
on one occasion the caller was not present and we didn't know how to
proceed.(He did eventually show up). At the end of the caller's workshop we
were given the opportunity to call at a live contradance, and despite a
rather anxious time spent worrying about the fiasco that was sure to occur,
it went quite well and I really had a good time. It was a breakthrough
moment for me, and it was then and there that I decided I would like to
pursue calling more seriously. I am grateful to John for giving me that
chance.
Since then I have doubled my calling experience by calling a mixer at a
recent family dance that we played at. John has also scheduled another
dance next month with guest callers which I will be one of. Other than that
I have spent time preparing by transcribing several dances that I have found
online,(several on this list), donning my mp3 player and practicing calling
as I jog around the neighborhood. It is a pretty good way to become
familiar with the timing of the calls, but doesn't really do much for the
stage fright that I will still have to deal with, although I suppose that
running around the streets shouting contradance calls in cadence does make
me an object of attention.
Despite my lack of experience I now have several gigs lined up to call.
They are all for family type and special dances that we have been asked to
play at. Since it is not very likely that much of this dancing is going to
be done to the phrasing of the music it takes a little pressure off the need
to be precise with timing, but in general I think that calling these types
of dances is actually more difficult in some ways because teaching, as well
as just maintaining the dance, can be a challenge.
I would like to say that I will be satisfied with calling these family
dances, but I really harbor a secret desire to make it to the big time and
call a "real" dance. I have always been pretty impressed by how the callers
could stand up there and make a dance happen, and now that I know more about
what goes into it I am even more in awe of you all.
Since it is too late to avoid being long-winded, I would like to add a few
random questions which I will throw out to see if they generate any
discussion:
Timing issues- I think that I have a pretty good handle on the eight and
sixteen beat figures, but how do you keep track of others? For example, the
petronella balance & spin are 4 & 4, I think. Do you call them together,
like a balance and swing, or try to separate the call a little? And for
that matter, for a balance and swing call, is it better to call that all at
once, or would it be good to call balance......and swing, with a separation.
And what about these dances that have other timing. Sometimes I see timing
of 7 or 9, or other odd numbers. Does the timing of the calls have to
change to reflect this?
Calling and Playing - Does anyone call and play an instrument at the same
time? Are you able to call and play simultaneously or do you do some
calling and then join the band when the calling is no longer needed. Any
hints on how to share these tasks?
Ending the Dance - Do most callers change the call at the end of the dance
so that you swing your partner or something to close the dance? I know Bill
Olson does, but I can't really remember if it is the common thing to do. If
so, do you have some special ending already prepared or do you just develop
something on the fly or with experience. In transcribing dances and I have
not included anything like that.
Varying your Calls - Is it a good thing to vary the words that you use when
calling a dance or is it better to use the exact same words each time
through? It seems like it would be a nice to avoid repetition, but on the
other hand it also seems like it would be easier to be consistently
understood if you stick to the same phrases. Also, should you always call
using the same phrases from dance to dance? It seems like the dancers would
get used to hearing things in the same way and understand them better, but I
wonder if it would make you seem limited or boring as a caller.
Judging the Dancer's Level - Any tips on how to judge the ability of the
dancers in order to introduce more complex dances? Is this something that
is obvious or does it take some special skills to observe, or is it
something that you develop over time?
Thanks in advance for your help.
Richard