6 Aug
2024
6 Aug
'24
12:05 a.m.
I don't have Bob's list handy, but I cribbed heavily from it to make this
(much less extensive) list of figures + timings
<https://contra.maiamccormick.com/assets/pdfs/esc-choreo-figures.pdf>, in
case it's useful to anyone!
(This reminds me of some more things I don't like, ha. Circle L and pass
through to swing -- IME the swing always gets truncated. Dosido 1.5x and
right shoulder round 1.5x don't quiiite fit in 8 counts of music and are
often frustrating. And I don't call couples' dosidos anymore, they're a
pain to execute correctly unless everyone in the hall is EXTREMELY on top
of it.)
--
Maia McCormick (she/her)
917.279.8194
On Tue, Aug 6, 2024 at 12:02 AM Joe Harrington <contradancerjoe(a)gmail.com>
wrote:
Is Bob Isaacs in the house? He has a giant
spreadsheet with every
possible move transition and a count of the number of times it occurs in a
set of dances that now numbers in the hundreds or maybe a lot more. It’s
interesting which unlikely combinations do occur and which rarely do. I
hope this someday sees the light of day.
—jh—
On Mon, Aug 5, 2024 at 11:29 PM Maia McCormick via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
Jeff, impressively bad, well done!
My biggest pet peeve is a RH chain (or promenade, or other move with a
CCW courtesy turn) into a circle L—though this is a very of-the-moment
style preference, as I know plenty of the classic dances have this combo.
(Likewise for dances where just the 1s do a figure while the 2s stand
around, doubly so if the dance doesn’t alternate active couples.)
Long lines followed by a chain is quite idiomatic—and probably in part
because of the strength that idiom, a chain (or other courtesy turn figure)
followed by long lines drives me up a wall.
I don’t love long lines into a circle—I’ll tolerate it if the rest of the
dance is really exceptional, ehhhh.
--
Maia McCormick (she/her)
917.279.8194
On Mon, Aug 5, 2024 at 10:31 PM Jeff Kaufman via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
Balance neighbor (4), swing partner (12)
Ones dosido below while twos seesaw above (8).
Long lines forward (4), swing on the side (8), long lines back (4).
Circle left 1x (6) pass through (2)
Jeff
On Mon, Aug 5, 2024 at 9:51 PM Tepfer, Seth via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
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- A right chain INTO a swing
- A swing into a circle right
- Standard right shoulder hey into a swing
Plenty other bad flow examples
Seth Tepfer, MBA, CSM, PMP (he, him, his)
Senior IT Manager, Emory Primate Center
<https://outlook.office.com/bookwithme/user/fcd3f5d71da848759228584d1a49babd@emory.edu?anonymous&ep=signature>
Book
time to meet with me
<https://outlook.office365.com/owa/calendar/SethTepfer@mscloud.emory.net/bookings/>
------------------------------
*From:* Jonathan Sivier via Contra Callers <
contracallers(a)lists.sharedweight.net>
*Sent:* Monday, August 5, 2024 9:48 PM
*To:* New Contra Callers List <contracallers(a)lists.sharedweight.net>
*Subject:* [External] [Callers] Re: Choreographic No-Nos
I don't agree with your list. Yes, swings on the first half of a
phrase are challenging and I might try to avoid them. There are dances
with this that generally work fine, especially if the caller is aware of
the potential issue and teaches and calls accordingly. The do-si-do across
can be a bit awkward in a crowded line, but only if everyone is doing the
do-si-do. If only the 1's or 2's are doing it then there is no problem.
Shadow swings seem to be a personal preference or dislike and not really a
choreographic issue. I actually think that a right chain after a swing can
work very well. If you end the swing with the pointy hands pointing across
then the right hands of the right hand dancers are right there ready to
pull by. I suppose you might say there is a momentum change, but that can
be very welcome in a dance where everything seems to be traveling the same
way. Not every dance has to have continuous motion in the same direction
all the time. I danced a dance with that set of figures just last Friday
and I was thinking to myself how well it seemed to work.
So I see #1 and #3 as more of a challenge than a problem. #4 is a
personal preference and #2 seems like a perfectly fine transition between
figures.
Jonathan
On 8/5/2024 7:37 PM, Michael Fuerst via Contra Callers wrote:
> I am accumulating a list of figures, or figure sequence that
significant dance writers (not necessarily a majority) consider
Choreographic No-Nos
> My list so far:
> 1. do-si-do across
> 2. right chain after a swing
> 3 short swings on an odd phrase
> 4. Shadow swings
> Does anyone have further suggestions?
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