So ... social engineering, in a way that stake's a caller's reputation.
Fair enough. I can see how that can be valuable if that's one's goal.
It's better than shadow dances where you have more time with your shadow
than your partner - that's a personal gripe of mine as a dancer.
Follow-up question: Should a caller announce it as, essentially, a mixer
with a trail-buddy, and/or are there distinct pros / cons for / against
doing so?
In dance,
Ron T Blechner
On Mon, Mar 4, 2013 at 6:01 PM, Greg McKenzie <grekenzie(a)gmail.com> wrote:
Thanks to all,.
Ron asked:
Asking seriously:
Why?
WARNING: The following discussion assumes that most of human
behavior--including decision-making--is performed subconsciously. This
fact has been established for many years by numerous studies and much
observation. My experience is that there are many callers--as well as many
other lay people--who reject the basic research of cognitive science out of
hand and who reject any suggestion that they, and other dancers, will be
influenced by anything that they are not consciously aware of. If you
sincerely believe that all of your own actions are based solely upon
rational, conscious thought you should stop reading now and delete this
message. The information below will be seen as meaningless gibberish to
you. It could cause your head to explode. Don't do it! This is not a
debatable point. We are also often unaware of the subconscious reasons for
decisions that we, ourselves, regard as conscious and rational.
Good calling is subtle stuff.
Like mixers, dances with less partner interaction will contribute to an
environment where the partnering decisions made by dancers become less
significant. After only one or two dance slots with little partner
interaction, at least some of the regulars will "pick up" on the feeling
that finding that "special" partner is not such a big deal right now.
Combined with other subtle hints and actions this strategy by the caller
will encourage or allow more generous partnering decisions in the hall.
I refer to this feeling--that finding a particular kind of partner is
important, or the feeling that finding a partner *quickly *is important--as
"partnering pressure." There are numerous factors that increase partnering
pressure. A gender imbalance, for example, will increase partnering
pressure for both genders. Poor audio quality--which makes it difficult to
understand the caller, and which consequently makes dancing with first-time
dancers less satisfying--is another. There are many more factors that
affect partnering pressure.
High partnering pressure can cause a cliquish atmosphere in the hall. It
can encourage "center set syndrome" and it can interfere with efforts to
integrate newcomers into the hall. Lower partnering pressure is a
situation that almost all dancers will welcome and it is a worthy goal of
good callers.
The caller can work to lower partnering pressure using a number of
different strategies. Programming dances with specific qualities is one
such strategy. Choosing dances that minimize the importance of partner
interaction is one of those programming strategies. It will have little
effect on its own. But when used in conjunction with a number of other
actions it can foster a more community-spirited atmosphere. I use numerous
strategies when I see symptoms of high partnering pressure: People lining
up very quickly; center set syndrome, lots of folks "saving a place in
line" while their partner gets some water, etc.
The programming strategies are best used early in the evening because it
takes one or two dance slots for dancers to "get" the sense that your
partner is not the only person you are dancing with and that the folks
partnered with first-timers are having as much fun as--or even more fun
than--everyone else.
I want easy dances that will build the confidence of all of the dancers and
create a sense that everyone will have a good time no matter; where in the
hall they are dancing, the skill level of their partner, or their own skill
level. I try to program dances like this during the first half of the
evening. I try to avoid dances with no partner swing at all because they
engender complaints. But I will try to reduce the importance of partnering
decisions in the early part of the evening.
It is not the best strategy for this purpose. It is only one of many. You
need a toolkit of strategies to integrate the hall successfully.
Anyway, that's the way I do it.
Your Pal,
Greg McKenzie
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