Look at Cary Ravitz's web page on contra dance choreography (
http://www.dance.ravitz.us/chor.php), especially the section on what he
calls black boxes.
http://www.dance.ravitz.us/chor.php#m I think that
is exactly what you are asking about. He did a useful workshop on that
subject at Pigtown Fling a few years ago.
David Harding
Thank you so much David! I think this is exactly the kind of information
I'm looking for, but I'm finding the format which Cary has everything set
in pretty difficult to digest. I'll have to set aside some time to parse
the information in a way that makes more sense to me.
Anyone else have any leads?
Thanks!
Angela
On Wed, Nov 15, 2017 at 1:00 PM, DAVID HARDING <dharding101(a)comcast.net>
wrote:
Look at Cary Ravitz's web page on contra dance
choreography (
http://www.dance.ravitz.us/chor.php), especially the section on what he
calls black boxes.
http://www.dance.ravitz.us/chor.php#m I think that
is exactly what you are asking about. He did a useful workshop on that
subject at Pigtown Fling a few years ago.
David Harding
On November 15, 2017 at 11:39 AM Angela DeCarlis via Callers <
callers(a)lists.sharedweight.net> wrote:
Hello all,
I'm remembering a few workshops I'd taken with Rick Mohr a few years ago,
and also an occasion where I collected a dance from his calling. He happily
gave me the name and author of the dance, but was also quick to note that
he had substituted out different moves for 16 counts of the dance, so that
it would work better with his evening's program.
Now, someone like Rick can just do this in his head. He has a data base of
common combinations of dance moves, and where everyone ends up after
executing them. As such, he can easily make substitutions on the fly,
because he knows offhand that A+B=X+Y.**
What I'm wondering is, has anyone bothered to write down and compile a
list of common choreography substitutions? I'm thinking a spreadsheet of
some sort, where we think about the net product of various combinations of
dance moves, and categorize the combinations based on their output.
For example: Neighbor Promenade across, Ladies Chain = Long Lines Forward
and Back, Gents Allemande L 11/2.
If no one has already done this, I'll start a new thread where we can
begin to collaboratively write one up!
Thanks, All!
Angela
**Yes, the momentum in each of these scenarios is probably different, and
one might be better than another. But this depends on the rest of the
dance's choreography, and for these purposes I don't especially care. :)
***Also worth acknowledging that substituting out an entire 16-count
phrase could easily result in calling a different dance written by a
different author, but I'm more concerned about using this technique for
practical programming purposes.
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