), especially the section on what he calls black
boxes.
I think that is exactly what you are asking
about. He did a useful workshop on that subject at Pigtown Fling a few years ago.
David Harding
On November 15, 2017 at 11:39 AM Angela DeCarlis via
Callers <callers(a)lists.sharedweight.net> wrote:
Hello all,
I'm remembering a few workshops I'd taken with Rick Mohr a few years ago, and
also an occasion where I collected a dance from his calling. He happily gave me the name
and author of the dance, but was also quick to note that he had substituted out different
moves for 16 counts of the dance, so that it would work better with his evening's
program.
Now, someone like Rick can just do this in his head. He has a data base of common
combinations of dance moves, and where everyone ends up after executing them. As such, he
can easily make substitutions on the fly, because he knows offhand that A+B=X+Y.**
What I'm wondering is, has anyone bothered to write down and compile a list of
common choreography substitutions? I'm thinking a spreadsheet of some sort, where we
think about the net product of various combinations of dance moves, and categorize the
combinations based on their output.
For example: Neighbor Promenade across, Ladies Chain = Long Lines Forward and Back,
Gents Allemande L 11/2.
If no one has already done this, I'll start a new thread where we can begin to
collaboratively write one up!
Thanks, All!
Angela
**Yes, the momentum in each of these scenarios is probably different, and one might
be better than another. But this depends on the rest of the dance's choreography, and
for these purposes I don't especially care. :)
***Also worth acknowledging that substituting out an entire 16-count phrase could
easily result in calling a different dance written by a different author, but I'm more
concerned about using this technique for practical programming purposes.
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