I really don't have time to get sucked into an interesting philosophical discussion
today, but it's catnip for
me and I can't resist.
I think we've got two different categories that have the same name (or at least the
same informal name).
Levi Jackson situation:
- It was written for ECD audiences with a tune of its own, by an Englishman, and it has
been a popular and beloved
dance at many American ECD dances for many years. (When I got to the Bay Area in 1985 it
was already something that the band could just play and regulars would form up and do.)
- It was deliberately written in American Contra style (as was "Long Pond",
where Shaw even says so) at a time when that style was very different from today, and it
was written specifically for a specific American location.
- It's been done successfully at some Contra dance events.
Some category questions (and my preliminary answers):
- Is it an "English" dance? Yes, an Englishman wrote it. (Are Colin Hume's
square dances, intentionally written as American squares, English dances? Yes, an
Englishman wrote it. But also no, not written to be an English country dance.) (But also
Americans, Canadians, Belgians write "English" dances in the sense of being
intended to fit into
that tradition.)
- Is it an "English country dance"? It is done at English country dances in the
US and England, so apparently a lot of people think so, and while it definitely fits into
the UK ECD parameters (where they do what we'd call chestnut contras and trad dances
with swings as well as what Americans would recognize as modern ECD all just mixed
together) and with all kinds of formations? The fact of it using square and contra dance
moves doesn't disqualify a dance from being ECD. (I'm unaware of any argument
that "Winter Dreams Waltz", which has stuff like pass through and courtesy turn
into a left hand star, isn't an ECD.)
- Is it a contra dance? Well, I guess, if it's being done at contra dances (and you
should youtube up the Berea dancers performing it, because the way they do it awesome.),
uses contra dance figures, etc. It's in an unusual formation for contra but if
triplets are contras and circle mixers are contras then LJR can be a costume. (It having
been designed for a specific tune is outside the usual modern contra categories, but you
can do Wizard's Walk to other tunes - it's a contra for sure.)
- Can something be both an English country dance and a contra dance? (I think in England,
at least, it can be, but the attitude and styling with which contra is done at an English
dance club isn't the same as at a dedicated contra series).
So I think what we've got is that dances have a cloud of attributes around them -
belongs to this category and that category and that category - rather than *essentially*
being a thing even if intended to be the thing - and the useful question for the caller
isn't "Is it an X" but "will it work at the kind of dance I'm
programming" - which varies between venues and also on whether the caller can put it
across.
-- Alan
________________________________________
From: John Sweeney via Contra Callers <contracallers(a)lists.sharedweight.net>
Sent: Wednesday, April 27, 2022 3:26 PM
To: 'Contra Callers'
Subject: [Callers] Re: [External] Fw: Need help fitting to a tune
Hi all,
Seth asked “Is "Levi Jackson Rag" an English Dance?”.
The answer is very simple. It was written by an English man so, yes, it is
an English dance!
Modern American ECD is a small subset of English country dancing!
See also:
http://contrafusion.co.uk/EnglishAmerican.html
I have asked many times for the American ECD callers to define exactly what
American ECD is, but no-one has been able to give an answer. Basically because it is the
subset of dances that a particular group want to use in their community at a particular
time.
The best definition I could come up with is the one I put in Wikipedia:
“While English Folk Dance Clubs generally embrace all types of country dance, American
English Country Dance (ECD) groups tend to exclude modern contra dances and square
dances.” I have been to American ECD sessions where a wider range of dances are used, and
if you look through some of the groups’ archives you will find a much wider range of
dances fifty years ago.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802 940 574
http://contrafusion.co.uk/KentCeilidhs.html for Live Music Ceilidhs
http://www.contrafusion.co.uk for Dancing in Kent
http://www.modernjive.com for Modern Jive DVDs