Interesting...
I try to avoid balances on one night stands - the dancers just don't seem to make the
firm connections they need to make them feel good
Your program looks like fun - but does not contain any dances that I use for those events
- so much good stuff available and variety is wonderful
Mac McKeeverSTLouis
On Sunday, November 19, 2023 at 01:36:11 PM CST, Angela DeCarlis via Contra Callers
<contracallers(a)lists.sharedweight.net> wrote:
Hello all,
I called an awesome one-off gig on Friday night (honestly the most fun ONS ever for me)
and used a lot of the dances mentioned in this thread — thanks everyone! I'll include
my program below.
I also called a Circle Mixer that I've had in my box for a long time, but I don't
remember where I got it and don't know its name or author — maybe one of y'all
will recognize it? It goes:
A1: Ladies in 3 steps, clap on the fourth beat (4) While Ladies back out, Gents in 3
steps, clap on the fourth beat (4) Gents face out, return to place to form a wavy
line (circle) (8)A2: Balance wave R, L (4), Allemande R 1x (4) Balance wave L, R (4),
Allemande L 1x (4)B1: New Partner (the person you turned by the Right) Balance &
SwingB2: All promenade CCW (Gents in the Center), face in as couples to reform the circle
This dance was a little harder to teach than most of the other things I called (it was
also the only dance I called with two roles) but was easily danced — the rhythm and timing
makes sense, and if you emphasize who promenades on the inside/outside in the B2, then
everyone stays in the same role regardless of the way the swing is done or where the
dancers end it. The timing overall has a lot of cushion, giving dancers plenty of time to
hit the beats in the A1 and (to a lesser extent) A2.
Here's the rest of my program:
- Lucky Number Seven
- Galopede
- Do Si Three
- Accretion Reel
- Waves of the Sea
- The Loon Dance
- [Circle Mixer above]
This got us through about 2 hours of dancing with some beefier-than-usual breaks in
between each set. I walked through all the dances twice.
Best,Angela
On Thu, Oct 12, 2023 at 7:25 AM Mo via Contra Callers
<contracallers(a)lists.sharedweight.net> wrote:
I have noticed that this part of Shared Weight work differently from e.g. ECD
I see some messages twice, others not at all except as a reply.
I deduce that you need to use Reply to all, or it just goes to whoever posted last
From: Mo via Contra Callers
Sent: 12 October 2023 12:12
Cc: Shared Weight Contra Callers
Subject: [Callers] Re: Favorite One Night Stand Dances
Some good ideas in this thread
I like the drawbridge.
I use Galopde as a first dance and ask for well phrased music (with a 2bar,2bar,4bar feel
to the A e.g. Winster Gallop) to get people dancing to the music. Though other dances
particularly those with a Dip and Dive or Strip the Willow I’ll ask for a tune that can go
out of time with the dance (some of the Irish tunes don’t seem to have a definite A or B,
wouldn’t want a song tune).
Differing energy levels and balance can be a problem. It certainly was for my u3a group,
us 80 yr olds do try to keep up with the fit 60s
From: Rich Sbardella via Contra Callers
Thanks Erik,
I offer a lead down the center in lieu of a sashay, and I ask the people at the end to
accommodate those of us who are slow.
In Rural Felicity I teach: in the A1, if you don’t make it down to the bottom, just merge
into the line to do the A2 F&B, since you then gig to sashay back to the top.
Cheers,
~Erik
From: Rich Sbardella via Contra Callers <contracallers(a)lists.sharedweight.net>
One of my favorites does have arches but I let the dancers know the arches can be
drawbridges to accommodate different heights.
Rural Felicity
B2 Top pair goes through the tunnel and remains at bottom. Others move up.
When I call this at a wedding, I rename it to "The Tunnel of Love", and I ask
the Bride and Groom to be the first top pair.
On Wed, Oct 11, 2023 at 7:50 AM Katherine Kitching via Contra Callers
<contracallers(a)lists.sharedweight.net> wrote:
To add a bit more interest to these simple repetitive ONS dances, I do a Gallopede very
similar to Mo's, but with a mixer element.
When it's time for the sashaying/galloping down the middle, I say "make way for
the top Reindeer and the bottom Beluga!"
The top reindeer walks, skips, or does a silly dance down to the bottom of *their* line,
while the bottom beluga comes up from the bottom of their line doing the same - sometimes
they high five when they pass in the middle.
Once they reach the ends (of their own respective lines - no switching lines!), everyone
adjusts the line till everyone is facing a new partner.
If you have a long line you can send the two tops and bottoms (walking in single file)
together.
This is not to say I think arching dances are bad/shouldn't be used - but I am always
trying in my ONS dances to produce the same joyous, amusement-ride feel of a true contra
dance, so I personally like to favour figures that keep people flowing always. My
personal preference :)
KK
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