These are wonderful answers, thank you. I will share them with my friends.
I'm interested to see more responses, if anyone has anything else to add.
Thank you all!
On Fri, Sep 29, 2023 at 9:59 AM Jerome Grisanti <jerome.grisanti(a)gmail.com>
wrote:
It strikes me that demonstrations might go a long way,
and also that if
fellow dancers who spoke ASL were on the floor dancing, rather than
standing on stage, they'd be better placed to facilitate this. Also, this
is an opportunity for the whole community to learn how to help *** by doing
what the person requests rather than what the community thinks might be
helpful. ***
I wrote to a friend who teaches teachers of ASL at a university level, and
here is her full response:
" First, I think the caller should have a conversation with the deaf
participant to get their perspective on what might help them be more
successful.
There are a couple other interpreters I know who also know Contra dancing.
My concern is an unfamiliar interpreter would rely on watching a
demonstration before interpreting accurately.
I think showing or having a copy of the dance cards could be helpful.
As well as teaching the caller a different approach. Deaf individuals EYES
are their ears. Even if they have some residual hearing, taking in auditory
directions with little visual cues is not going to help.
A slower waltz is likely to be learned easier than a faster more complex
jig or reel.
If I were calling and had a deaf participant, I’d take the following
steps:
1) Talk with the participant well before the dance; come up with ideas for
signs or gestures for calls, other ideas for accommodations
2) ensure quality speakers on both ends of the line
3) Have an extra copy of the calling card
4) before the dance send/post the dance list with YouTube links to the
participants
5) When introducing and doing the walk thru make sure
a)the participant is with a slightly more experienced partner who also is
good with at least gesturing/miming attempting to support their partner
b) the band is silent during the first two or three walk thrus
c) first walk thru have an experienced couple(s) demonstrate slowly;
second and maybe third walk thru all join in; next have band play a bit of
the tune at tempo, 5th time we dance and have the band.
6) if possible adjust the audio inputs such that the band is turned down a
little and the caller’s mic is up a little."
She adds:
"A word of caution, do not physically move any body part of the deaf
participant without their permission to do so. Proper attention getting
procedures include tapping their shoulder, raising a hand on the air with a
wave, and a floor stomp might work if the band’s not playing and the caller
is on the same floor as the dancers."
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and
power and magic in it." --Johann Wolfgang von Goethe
On Fri, Sep 29, 2023 at 8:43 AM Allison Jonjak via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
I've been part of dance communities where
blind dancers are easily
accommodated (with claps during heys etc). Deafness seems like it will take
extra brainstorming to make useful accommodation. (Not only because some
deaf people lip read preferentially over sign language.)
Is it possible to let a deaf dancer take a look at the caller's card
before a dance is taught, to help orient a bit?
Pardon brevity; sent by smartphone.
On Fri, Sep 29, 2023 at 7:22 AM Mary Collins via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
We have not encountered this but I have friends
who sign, having been
teachers who worked with the deaf. Both dancers. I am going to talk with
them about how this could work.
I think signing during the dance would be problematic as the dancer
would need to see the signer and that would take their attention away from
the dance floor.
The caller surely would find it difficult as well. I used to sign well
but lost some over the years; once had a group of deaf tourists ride in my
tour carriage, even signing, holding reins and being aware of traffic,
tour sites and passengers was hugely difficult.
Having a trained -for- dance interpreter might just work for the walk
through and occasional prompting.
Definitely looking into this.
Mary Collins
Near Buffalo NY
On Fri, Sep 29, 2023, 7:40 AM Allison and Hunt Smith via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
I recently had a conversation with a dear friend
in NH, a long-time
contra dancer, who has an adult daughter who is deaf (who lives in SF, CA
if that helps). Daughter doesn't dance, because she can't hear the calls
and gets confused on the dance floor. She wishes that, during
walk-throughs, the calls could be signed as well as spoken. I'm writing to
ask if any of you have encountered this request? AFAIK there are no deaf
dancers in my community in the Maine highlands, but I'd be willing to learn
some basic signs to go along with my teaching. I think it would be
challenging to sign as I call once the dance gets started, though.
Thoughts?
Allison Aldrich Smith
--
www.huntandallison.net
www.info@thsmaritime.com
www.centralhallcommons.org
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