If I can add my two cents to the equation - if the worry that recent developments in
contra dancing are potential harbingers to the death of contra and folk dancing in
general, I just don't see it. As a matter of fact, given the large number of young
dancers I see at dances these days, I think that contra dancing is alive and well for
years to come.
I'm surprised that no one has mentioned the term "folk process" in this
discussion, which means that dancing is evolving and adding new elements to it all the
time. The reason is to keep it fresh and interesting so the dance CAN remain alive and
well.
Yes there are indeed techno contras, medleys, evenings of challenging contra dances for
experienced dancers, and dancing with fancy flourishes. It would be a problem if these
dances had REPLACED all the traditional evenings of dance, but the good thing is that they
haven't.
I dance at Glen Echo (and I understand that place means different things to different
people), so I kind of get a pulse of what dancers want. I understand that you're not
going to please every dancer every time. But I do know that dancers enjoy driving,
high-energy music, interesting contras with new moves, etc. Would it be kept to slow
melodies and a small set of moves, that actually bores people to the point of people not
coming back. Techno contras are also a popular way to get people introduced to the genre
if they think that old-fashioned fiddle music might be corny. And that's OK - we WANT
them to dance, and if they're dancing and having a good time, that's OK by me.
Given the number of folks I see on social networks like Facebook professing their love of
dance and how they can't get enough of it, I think that folks can rest assured that
contra dancing is alive and well.
Perry