12 Jan
2023
12 Jan
'23
1:30 a.m.
First off--Gregory Frock, where do you live that you're calling 30-40
dances a year? And are you the only caller in the area?
Joe-- There are theories in the contra world about how long a beginners
session should be before the dance. Some believe that going in depth is the
way to go, teaching many moves, and taking 30 minutes or more with the
beginners. Others believe that getting the basic 3-4 moves down, and
getting a feel for the contra rhythm, is plenty, and only takes 10 minutes,
and does the rest of the teaching during the dance.
If you are teaching a class of beginning callers, I would suggest you do
the "short lesson" re: indexing . And I'd recommend categorizing be a short
discussion, after more important things are addressed, like...
-"What are your 3-4 favorite dances that were easier?.... Make a card for
each of them." (If you can ask them this ahead of time, you could print out
copies of the directions before your session, and hand them out.)
"What are your 3-4 favorite dances that were harder or more complex?...
Make a card..." (Likewise, if you ask ahead, you can print some of them
out.)
"Do you know where to look to find collections of contra dances? If not,
here's some places.... Take time to read through these, and make a card for
the ones you think would be a good dance to call, and that you think you
could call well."
"ff you've got 10-20 dances, you should start there to put a program
together. Let's talk about how an evening dance should flow... How do we
put one together to make it a great night?..."
Somewhere after all this.... "A big help as you collect more dances, and
learn what's important about each of them TO YOU, you'll want to categorize
in a way that makes sense to you. You can do it by difficulty level, do it
by specific moves, do it by dance feel... whatever works best for you."
I apologize if you feel I'm talking down to you with this Contra 101
outline, you don't indicate if your new trainees have had any experience...
But if I were a beginner, and you, in our fist session, started talking
about the 15 recommended techniques for indexing cards, before I had even
had the time or opportunity or guidance to just become a decent caller, I'd
wonder how the hell that was supposed to help me now.
Becoming a new/better caller is a spiral path. After you make each learning
loop upward, you're ready to understand some new things... Your intentions
are good, you're just a spiral or two ahead of things, IMO.
Seth T was one of my two foundational teachers when I started calling, and
I learned much from Diane S along the way, too. What they posted above
speaks most practically to me. But you now have a good list of suggestions
on how to organize your dance library. When they're ready, with enough
experience and dances to call, you could offer these newbies this list of
solutions... Good luck with your training sessions!
Keith Tuxhorn
Springfield IL
On Wed, Jan 11, 2023 at 6:21 PM Amy Cann via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
As someone who *ran* a card sorter for IBM as my
summer job working
through college,
I'm simultaneously laughing and shuddering.
My cards are the standard white kind -
except for the ones I wrote or rejiggered, they're on cream colored stock
Beckets are blue paper and double-progressions are green. Chestnuts
are light brown.
A pink highlighter stripe across the top means the two women have
action together (remember the days when that was heady?)
A blue stripe means the two men interact specifically. Yellow means
you escape your foursome somehow. Shadows get a grey pencil stripe.
Orange is particularly aerobic. Purple is proper.
Top left hand corner hand corner has a custom acronym - EFE means
"easy for experts", LNBD = "late night brain dead", FC = "feels
cool"
but is actually simple.
Top right hand corner lists specific moves I prob. want to avoid doing
twice in a row - heys, down the center four-in-line.
The progression type is centered on the top edge.
If I fan them correctly, I can check everything at once.
Dances I do a lot are tattered.
Dances I do rarely are more pristine.
"Roll In the Hey" has a coffee stain.
"The Snow Dance" is missing a chunk I tore off to give someone my phone
number.
"Baby Rose" was rolled up and used as an impromptu hot-pad for a stove
handle and doesn't stay flat.
Dances I learned prior to 1994 are in ballpoint.
After that it's finepoint felt tip.
Anything after 2018 when I started needing reading glasses is in thicker
gauge.
I'm only on my second freezer-weight Ziploc bag, ever, and really proud of
that.
:)
A
On 1/11/23, Joe Harrington via Contra Callers
<contracallers(a)lists.sharedweight.net> wrote:
The short version of this post is, how should I
organize my dances? But,
I'm sure if I ask that, the thread will have 100 replies and lots of
confusion. My search of the list archives and web were surprisingly
spotty
on this question, with lots of anecdotes and no
summary or comparison.
And
I'm not just asking for myself. While
I've got a whopping 15 evenings of
dance calling under my belt, I'm being called on to train some students
to
call for our college club, and they're asking
the same question.
So, I'm looking for one or more summaries from those wiser than I (ok,
low
bar!) of the kinds of systems for cards. This
might better be asked as,
what are the different approaches to programming dances, and what
organizing systems make each of those easier?
In a workshop of his last summer, Bob Isaacs related his system of
colored
cards for easy, hard, bouncy, flowy, sweetheart,
and divorce-reconcile
dances (I think those were the categories). Call easy dances first, call
a
sweetheart right after the break when they're
most likely to dance with
the
person they came with. Save hard for festivals.
Give them variety.
But, I've wanted more categories, and what about finding the bouncy
sweethearts? I'm really busy, so the idea of re-copying a hundred or
more
cards to make a new system doesn't thrill me,
if I don't like my initial
system. Maybe I'll get a database system to select dances with, and then
have a set of alphabetized printed cards for the actual calling, though
what if I'm wrong and need to change my program, as has already happened
a
few times when a ton of newbies shows up?
I'm interested in hearing
about
anything particularly clever or efficient,
especially if it doesn't
involve
a computer or tablet.
A comparison of the different computer systems would also be welcome.
I'm
aware of programs by Will Loving and Colin Hume.
I asked on one Facebook
group for a comparison of these but got no response. Is the Caller's Box
up to real-time dance selection at an event? That presumes wi-fi, of
course, or at least cell signal.
I'll toss in one amusing and possibly workable paper system, for a
dedicated and extremely nerdy caller, which might be me...
I heard recently (I believe from Angela DeCarlis) of a mechanical sorting
system based on the Jacquard loom concept that became the Hollerith
punched
card system. I've never seen it in use.
Does anyone do this?
Figure out the ten or so characteristics you might want to sort on. For
example, easy, medium, hard, bouncy, flowy, separates partners,
sweetheart
(keeps partners together), etc. Take a stack of
cards and drill holes
near
the bottom edge, one per characteristic (you can
drill a stack of cards
if
you sandwich them between wood and clamp them).
Now, on a given card,
punch out the rest of the paper between the hole and the edge of the card
for each hole the card DOESN'T match. So, for an easy dance, you'd punch
out the rest of the paper for the medium and hard holes (among others),
but
leave the easy hole intact. If you make a
mistake, just fold a piece of
tape over the gap above the hole to close the gap.
Now, when you want to look at your easy, flowy, sweetheart dances, flip
the
stack so the holes are up, push a pencil or
knitting needle through the
"easy" hole and lift. Then, in the ones you pulled, push through the
flowy
hole and lift, and finally for that set poke
through the sweetheart hole
and lift. Those are the easy, flowy, sweetheart dances. If you want the
medium or hard dances that are bouncy and that separate partners, you
pull
first the medium and then the hard dances,
combine them, and then pull
the
bouncies from that set and the separators from
that third pull. And so
on.
Good hole alignment and clean punching would matter, I think. If you
are a
real dance sorting fanatic, you could get like 30
holes around the card
edges, but that would limit the writing space.
I predict this will be all the rage, post-apocalypse...at least until we
run out of cards. ;-)
--jh--
Joe Harrington
Organizer, Greater Orlando Contra Dance
Faculty Advisor, Contra Knights, the UCF contra dancing club
contraknights.org
FB, Ig: Contra Knights
contradancerjoe(a)gmail.com
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