I currently don't have any dances with shadow swings in my
repertoire, by choice.
Part of that is to avoid the situation where you're forcing two
people to swing together who Really Don't Want To Swing
Over and Over. And they'll let you know it, whether it's a
breakup, or one person's someone that they don't want to
dance with. (In my first community I went to, there was
one person like this. It would drive which lines people went
into, people would refuse sometimes to neighbor swing
with said person, and it really corrupted the whole partner-
asking dynamic of the dance. So I'm shaped by an extreme.)
There's the secondary reason that it's not as interesting as
it's the same person over and over and over. And you've
already got your partner over and over and over, with the
partner swing I need to pander to. So that cuts out still more
neighbor interaction. It's why I strongly prefer neighbor grand
right and lefts to shadow grand right and lefts, for instance.
A shadow can be a convenient marker to create the effect
of a lose-and-find partner sequence, so they do have their
uses.
Yet I call a dance with a shadow swing about one night
of every three. They're the four-face-fours where you swing
your corner. So I fully admit to irrational hypocrisy.
-Chris Page
San Diego