Thanks to all those who responded. I now have enough information to
give the Sicilian lady a different answer every week and thoroughly
confuse her :-)
I sent the request to four discussion groups - I have listed them at the
bottom of the note in case anyone wants to join the other groups. Here
are the replies to the question:
Why is the formation known as a "Sicilian Circle"?
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Tim Brooks:
Cos' it's a dansa you canta refusa?
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Hanny Budnick:
I have no idea where I read it, but apparently the "Sicilian" circle
started out as "Caecilian" circle, named in honor of St. Caecilia, the
muse of music.
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Ramsay John Martin:
I don't KNOW the answer, but I do have an hypothesis. English dances
had men on the left and ladies on the right. I was told in Sweden that
this is a custom which came from the practice of the men taking the warm
south side of cathedrals during gatherings with the women relegated to
the cold north. Thus, after marriage, and the newlyweds turned to face
the congregation, the man was on the left and the lady on the right.
Regardless of the reality of this reasoning, the English dances did have
the sexes divided.
The Spanish waltz instead had the alternate pattern-what many of us call
a Sicilian Circle formation. Several dance manuals in the last half of
the 19th century referred to that formation "as in the Spanish dance" in
contrast to the English pattern. I hypothesize that Spain and Sicily
may have seemed similar to some English dancing masters. Today we call
the "Sicilian" formation or as it had been earlier dubbed the
"Spanish"
formation by the modern designation of "improper."
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Alan Winston:
I looked into this a while back; the stuff from the 1820s is my possibly
messed up version of stuff Susan de Guardiola told me about.
Executive summary:
- There's nothing Sicilian about it.
- There's nothing Circassian about it.
The "Spanish Dance" formation (duple improper) seems to indeed have come
from Spain but been adopted by English-speaking dancing masters.
Dancing master
G.M.S. Chivers turned that longways into a circle of
couples-facing-couples in the 1820s and called it a "Chiversian" circle.
[Much detail omitted here about weird variations.] That name wasn't
particularly popular. I honestly don't know whether "Sicilian" and
"Circassian" are misprisions of "Chiversian", but I haven't seen
anything from, eg, 1840 using any of those words.
So things go along from the 1820s to the 1870s and dances in that
formation (including a specific dance sequence called the Spanish Waltz,
rather than the genre of English dances of that name, which may have
been longways dances anyway).
The English dancing masters of this period liked to assign an exotic
foreign origin to the stuff they were teaching, when they weren't
proudly proclaiming themselves the inventors of it.
In the 1860s, a specific dance in that formation called "Sicilienne
Circle" was published, with the dancing master claiming that it was
formerly popular but had fallen out of favor because of bad behavior
from dancers. (That was in Hillgrove, 1865; he was an Englishman but
published in the USA, so I don't know whether he's saying it was popular
in England or in the USA.) I can't draw a clear line from that to the
formation being called "Sicilian Circle", and I have no evidence about
how popular "Le Sicilienne" was, but at some point after that - and it
might be some time in the mid-20th century, for all I know - that was
the established name for the formation.
Hope that helps!
Full Posting at
http://groups.yahoo.com/group/trad-dance-callers/message/3039
What Elias Howe has to say in 1859:
SICILIAN CIRCLE (form as for Spanish dance) 100 steps
All balance, swing four hands-ladies chain-balance to partners and
turn-right and left-all forward and back, forward and cross to face the
next couple.
So note that this is Howe calling a specific dance "Sicilian Circle" and
identifying it as "form as for Spanish dance"; to Howe, "Sicilian
Circle" isn't a genre.
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English Ceilidh Discussion Group:
http://www.cix.co.uk/~net-services/ec/#bp
Callers' Discussion List
http://www.sharedweight.net/mailman/listinfo/callers
Traditional Dance Callers List
http://groups.yahoo.com/group/trad-dance-callers
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http://www.bacds.org/mailman/listinfo/ecd
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Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 &
07802 940 574
http://www.contrafusion.co.uk <http://www.contrafusion.co.uk/> for
Dancing in Kent