Hi Linda, I really see no need to "fix" the dance. Truth is I wouldn't even
THINK about trying to change a Gene Hubert dance, well not now anyway, I must admit I did
address this originally and decided everything I could think of made an elegant dance
"clunky". It really IS just fine the way it IS!! Just not a dance for a small
crowd.
 
as far as I'm concerned, this dance should stay the way it IS and has never failed to
be ahit with the dancers. If someone wants to write a new dance that addresses the problem
that women's arms are shorter than men's (on the average), that is fine with me. I
love Gene Hubert's dances, loved the man, considered him a good friend and really,
"fixing" one of his dances just doesn't seem right to me!!
 
cheers
 
b
 
  From: laleslierjg(a)comcast.net
 To: callers(a)sharedweight.net
 Date: Fri, 27 Sep 2013 12:07:38 -0400
 Subject: Re: [Callers] Favorite mixers?
 
 Another solution to the short arms problem, Bill, might be to have the  
 couples face differently:   women (or those dancing this role) face  
 out, and men face in for the forward and back.....
 Linda
 
 On Sep 27, 2013, at 10:59 AM, Bill Olson wrote:
 
  The Wheel, circle mixer by Gene Hubert
 A1 Promenade (CCW)(16)
 A2 (face partner Gents facing out, Women facing in) join 2 hands  
 with partner and walk ~8 steps IN (8), join hands in concentric  
 circles and walk ~8 steps back out (8)
 B1 all circle LEFT (opposite directions obviously)
 B2 *SWING* (nearest person)
 This dance is a riot. needs MANY couples in circle and resist urge  
 to make 2 sets because even when dancers line up originally in  
 circle NEXT to partner, they are never that way in the actual dance.  
 Lots of craziness at swing, lost and found in the middle. gender  
 changes happen here, also if dancer cannot find a partner at swing  
 (or promenade) stay in dance with "invisible partner" and try again.  
 Needs many couple to make it work, especially since women are on the  
 outside of the concentric and have shorter arms on the average. If  
 this becomes a problem 9womens arms being pulled out or arm sockets)  
 tell dances "big steps in, short steps out"..  often, after a few  
 times thru, I tell the dancers to "let the music tell them when to  
 swing" in B2, then it's REALLY a riot. This works for dancers of ANY  
 level! I've never had experienced dancers not have a good time.
 I miss Gene!
 bill
  Date: Thu, 26 Sep 2013 15:47:32 -0700
 From: kalia(a)sbcglobal.net
 To: callers(a)sharedweight.net
 Subject: [Callers] Favorite mixers?
 I'd love to add a few more mixers to my repertoire.  Which ones do  
 you
 like for beginning groups or for early in the evening?  And do you  
 have
 some that more advanced groups can enjoy?
 Kalia
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