Hi, Erik,
This is superb information! Thanks so much!
Perry
From: Erik Erhardt <erikerhardt(a)gmail.com>
To: Perry Shafran <pshaf(a)yahoo.com>
Cc: Caller's Discussion List <callers(a)sharedweight.net>
Sent: Monday, May 8, 2017 9:57 AM
Subject: Re: [Callers] "Yankee" Dutch Crossing
Hi Perry,
I've included my notes below. Before I called a workshop at a camp I had a practice
party at my house, and it made a HUGE difference. I hope you'll find it helpful.
Consider a modification to the end of D2 that takes an appropriate amount of time (I
usually use Gaye's modifcation:
https://www.youtube.com/watch?v=7_BZn92P11Q).
Have fun!
Erik Erhardt
https://statacumen.com/dance/
Yankee Dutch Crossing
Adapted by Joseph Pimentel (Cardinal Collection, 2004) for contra dancers from the
original English country dance, "Dutch Crossing," by Ernst van Brakel
(1990). Formation: For 8 couples, arranged as in two short improper contra lines, side by
side.Music: any lively reel; medleying two 32-bar tunes is once through the
dance. Description:That fiendishly challenging yet ultimately satisfying dance
"Yankee Dutch Crossing" is the contra-fied version by Joseph Pimentel (2004) of
the Ernst van Brakel "Dutch Crossing" (1990), a four-part dance for sixteen
dancers with the characteristic "Xs and Os" clockwork right-and-left
stars. Video of Yankee Dutch Crossing from Pinewoods:
https://www.youtube.com/watch?v=RL1ulnHEuNY
Gaye's modification:
https://www.youtube.com/watch?v=7_BZn92P11Q
Plan for 60 minute teach for new dancers, then 15 minutes to dance through twice.
Sign-up Sheet
Sign up with a partner in a 16-person set, show up on time.
Dance
Part INote significant people:"Opposites/Buddies," standing across from each
other in original hands four"Hey friends," standing along line across hall Note:
Dancer orientation is tricky. During walkthrough, it is often helpful to walk a move or
two and say “freeze”, then explain where they are, how they should be oriented, and what
will happen next (with whom, ending where). Then call the next move or two as they walk
it. Repeat. Part I, Heys1st & 3rd time through: Hey Across the hall2nd & 4th time
through: Hey Up-and-down the hall Dancers will hey with their hey friends along the line
in front of where they start. A1 ----------Bal & square-thru:(4) Opposite/Buddy,
Right-hand balance(2) Buddy pull-by R, turn to face P(2) P pull straight by L (8) 1/2 Hey
with P and hey buddiesthose facing in center pass R to startthose facing out turn over
L-sh to start end by passing your partner by Left and connecting hands,person approaching
from the end feels likethey roll to follow their partner in the circle "Pass your
partner, circle right""As pass partner by left, take both hands with partner and
Lady roll away from right to left to face Buddies up and down (across). Circle right
with the Gent in the lead of partner." A2 ----------(4) Circle Right 1/2 way
w/original Opps (Gent in lead, L on P's left)(4) face Opp, with P fall back (moving
away from Opp)Alt: Gaye Fifer: (4) Balance -- I prefer original.(orientation: facing
original direction with same Opposites, but your original line has been inverted so that
Gents are on the right) (8) Opp DSD B12 ----------Repeat A1 & A2 to return to
placeDifference:B2 (4) Circle Right 1/2 way w/original Opps (Lady in lead, G on P's
left) Words to use:Same neighbor, balance right, hey up and down (across) "As pass
partner by left, take both hands with partner and Gent roll away from right to left to
face Buddies up and down (across). Circle right with the Lady in the lead of
partner." (orientation: Back to original position) Words to use when calling (always
clearly emphasize directional cues)A12Face up and down (across)Buddy right-hand balance,
pull by right, partner leftHey across (up and down), right in center, left on outside,
right in center, roll with partnerCircle right with Gent in the lead half way, fall back
(facing up and down/across) in original linesBuddy do-si-do. B12Face up and down
(across)Buddy right-hand balance, pull by right, partner leftHey across (up and down),
right in center, left on outside, right in center, roll with partnerCircle right with Lady
in the lead half way, fall back (facing up and down/across) at homeBuddy do-si-do. Part
II, Dutch Crossingreminder: Xs and Os change each time through"Am I an X or am I an
O, right-hand star, here we go!""Am I an X or am I an O, shake right hands,
ready, go!" Note two different "teams""X team" on two
intersecting diagonals from opposite corners"O team" made up of the 2 middle
people on each side of whole setX team follows the path of a diagonal hey, using handsO
team does a R&L grand around their large circle A3 ----------(4) with Opps: star R(4)
X team star L 1/2 in center or balance on endsWHILE O-team pull by L around circle (Os on
the outside, nice and slow)(4) in 4-somes: star R 1/2(4) X team star L 1/2 in center or
balance on endsWHILE O-team pull by L around circle (Os on the outside, nice and slow) A4
----------repeat A3 to home places B3 ----------(16) P B&S B4 ----------(10) with
Opps, circle L 1-1/4 to face a new wall"move that circle, you've got to face a
new wall"(6) Opp DSD(orientation: you're looking "up and down" or
"at the side wall") Alt: B4 Gaye Fifer: (4) Bal ring, (4) Cir L 1/4, (8) Opp
DSD Words to use when callingA34Am I an X or am I an O? Right-hand star, here we
go!(Diagonal buddy) Right, 2, 3, and Left1, 2, 3, and Right1, 2, 3, and Leftbuddies in
opposite corner, Right1, 2, 3, and Left1, 2, 3, and Right1, 2, 3, and LeftFind your
partner, balance and swing B34Face your buddies , Balance the ring, circle left 1/4 to
face across (up and down)Buddy do-si-doYou’ve changed orientations, buddy right-hand
balance… "And thank your square, right there." Repeat the entire dance three
times, facing a new wall each time. Each timethrough, everyone will experience a different
dance position. Teaching NotesPlan for extra teaching time. With one or two sets, teaching
and dancing can take 45-60 minutes. For more sets, plan on 60-75 minutes. A1/B1. The
1/2-hey includes a total of 4 passes. The final pass is by the L-sh with partner. The
transition from that pass into the circle can cause confusion for a couple of reasons.
First, people feel like they are on the wrong side of their partner leading into the
circle; man on the right and woman on the left. Second, the person moving toward the
outside of the set in the last pass of the hey (the woman in Al, the man in B1) has to
change their direction to get into the circle. Encourage people to keep their eye on their
partner in that last pass to help draw them into the circle. A3/B4. This figure has the
exhilarating feel of a carnival ride and people feel great satisfaction when it all comes
together. Notice that the positioning is different each time through the dance. In the
R&L grand, for example, one time through, you go clockwise around the "O"
and the other time you go counterclockwise. When people in the X-team reach the end of
their diagonal, they should make a point to do the balance, which helps them keep the
correct timing. They will resist this, because it feels awkward. Their incentive to
overcome the awkwardness is great, though, because if they stick their hand into a
"star" too early, the consequences are dire. Making such a warning usually
elicits laughter, which helps both to relax people and to reinforce the point. Each time
through the dance, Buddies remain the same. Hey friends alternate depending on the
orientation of the lines.
On Mon, May 8, 2017 at 6:56 AM, Perry Shafran via Callers
<callers(a)lists.sharedweight.net> wrote:
Hi, everyone,
Can someone point me to the best resource to get the figures for Dutch Crossing
(specifically the Yankee Dutch Crossing that is frequently called at dance weekends). With
less than 2 weeks to spare, I've been asked if I'd like to do a Dutch Crossing
workshop and I think I need the figures down pat if I'm going to do that. Thanks in
advance!
Perry
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