Here is a link with a square dance using the forearm allemande at 30
seconds in. As a dancer and caller in both worlds, I prefer the contra
allemande over the forearm allemande. It is easier ti give weight and I
would suspect it is faster going 1-1/2.
On Mon, May 20, 2019 at 6:58 PM Richard Fischer via Callers <
callers(a)lists.sharedweight.net> wrote:
Andrea, could you describe the forearm allemande? I
don't think I've seen
it and can't quite picture it. Or maybe send a link to a video that shows
it?
Of possible interest to some, one of the scenes portrayed on the Shield of
Achilles in the Iliad shows youths and maidens dancing, "holding their
hands on one another's wrists."
With best wishes,
Richard Fischer
Princeton, NJ
On May 18, 2019, at 12:14 PM, Andrea Nettleton via Callers <
callers(a)lists.sharedweight.net> wrote:
Hi all,
I’m going to add a controversial note. I also loathe the many poor
allemandes I get, unweighted, awkward handed, arm pulled in like a chicken
wing, what have you. As a MWSD, I have come to love the forearm allemande
for arm turns. Callerlab made the switch some years ago, and at first I
was like, wut??? But it’s a position which save everyone’s hands and
wrists, and even shoulders, is intrinsically very stable, and makes the
chicken wing almost impossible. I started using it for dances with
revolving doors, as a dancer, because those turns are so brief and
necessarily tight and need a quick strong connection. I was so pleased I
began using them elsewhere. People generally go along with it. I have
been wishing Contra could just switch to this for all allemandes. I know
it would be an uphill struggle to get everyone on board. But I had to put
it out there.
Currently I still teach an old fashioned allemande. I demonstrate and
emphasize meaty parts of the thumb together, fingers curled around the base
of the opposite’s thumb, flat wrist. And I always add that the thumb
itself is an injurious device which lands at a tender spot if depressed, so
leave it loose. Then I demonstrate how to produce enough connection to
make a 2 person unit that turns on a post. I’m sure everyone on this list
has similar teaches.
If teaching this allemande was ever going to work, it would have by now.
I suspect it’s failure as a hold is why callerlab opted for the forearm
hold instead.
My 2c,
Andrea N
Arlington VA
Sent from my iPhone
On May 17, 2019, at 6:01 PM, Erik Hoffman via Callers <
callers(a)lists.sharedweight.net> wrote:
John Sweeny below hoped we callers would teach more about hand turns and
the like.
I’ve been thinking on this for quite a while. Years ago I had a discussion
with Brad Foster. We both lamented the loss of the allemande with mildly
interlocking thumbs to the modern overprotective thumb against the side of
the palm allemande. At that time I think I was still in Santa Barbara, thus
it must have been pre 1994. I wrote an article for our dance rag called,
“If Allemande Left, Where’d Allemande Go?”
I talked about what I do when someone grips my hand—and I think all of us
should remove that word, “grip” from our caller’s vocabulary…
But the most important thing I discussed is:
- Our Wrist is Strongest When It’s Straight
- Our Fingers are Strongest When Curved
- Thus, however one does an allemande, it should be a hook, with
curved fingers and a straight wrist.
Lately I’ve seen teachers promote the straight fingers, bent wrist, and
flat palm method. The almost always makes one person’s wrist uncomfortable.
Not as bad as when someone draws the others hand into that
almost-Aikido-put-them-on-the-ground position, but usually quite
uncomfortable.
Thus I hope most of us learn the curved fingers, straight wrist, no grip,
and, no thumb clamping allemande, ECD hand turn, two hand turn type hand
connections.
~Erik Hoffman,
Oakland, CA
*From:* Callers <callers-bounces(a)lists.sharedweight.net> *On Behalf Of *John
Sweeney via Callers
*Sent:* Friday, May 17, 2019 2:09 PM
*To:* 'Caller's discussion list' <callers(a)sharedweight.net>
*Subject:* Re: [Callers] Name that Dance
Hi Rich,
I would just call it a “Big Set Mixer”. It is a slight
variation of the one in the Community Dances Manual. Callers just make up
a 32 bar sequence that works for their dancers.
While it is a good example of all ages having fun together,
I really wish callers would teach the dancers just a tiny bit about how to
do better hand/arm turns and swings :-)
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
940 574
http://contrafusion.co.uk/KentCeilidhs.html for Live Music
Ceilidhs
http://www.contrafusion.co.uk for Dancing in Kent
http://www.modernjive.com for Modern Jive DVDs
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