The "Gent's face out" call still confuses me.  If it means "face away
from the center line of the longways set" which is what "out" means
when, for example, you're doing a long wavy line, then I can see why
dancers are confused about whom they are supposed to to star with.
The people you are going to star with are either up the hall or down
the hall from you and that's the orientation I think the dancers need
to hear.
Maybe the "turn away from your partner"  that Richard mentioned
conveys that information, but "a widespread moment of confusion"
doesn't sound like fun to me -- especially with newcomers in the mix.
To me it just indicates that either the dance is flawed or the caller
hasn't taught it well.
Ah well.  I have my plans for how I'll call it.  We'll see if the
dancers are having fun -- the ultimate test.
Interesting discussion -- I'm enjoying reading different perspectives
on this dance.
Dale
On Mon, Jan 31, 2011 at 8:18 PM, Bree Kalb <bree(a)mindspring.com> wrote:
  This is how I've always taught/called this
dance--partners allmd only one
 time, spot your shadow and join them in a star left--and it works very well
 for the reasons Richard mentioned.
 Bree Kalb
 Carrboro, NC
 -----Original Message----- From: Richard Green
 Sent: Monday, January 31, 2011 9:07 PM
 To: 'Caller's discussion list'
 Subject: Re: [Callers] Happy as a Warm Pig in Cold Mud
 I just danced (but have never called) this dance last weekend at our local
 dance.  At the end of the A2 the call was for the gents to face out instead
 of in.  I am not sure if this was intentional or not, but it not only worked
 fine, I liked it better than the original, which I assume is the version in
 Katy's original post.  I think the dance works fine either way, as long as
 all the dancers are doing the same thing, but the calls need to be tweaked a
 little.
 I preferred the shorter allemande ending with the Gents facing out because,
 at the end of the partner allemande, there was a widespread moment of
 confusion as people struggled to remember to turn away from their partner
 and find their shadow for the LH star.  This caused the star to be
 consistently late, and the Partner Swing to be short.  It seems like this
 delay would have been worse if we had continued the partner allemande
 another half way around.
 If the dance is done this way, I would change the A2 calls as follows:
 A2
 Men allemande L once and a half
 Partner Allemande R a little more than once around until
 the men face out and the ladies face in, look away from your partner to find
 your shadow on your left
 For the B1 I might say something like:
 B1
 With your shadow and another couple make a LH Star.  You are in a different
 star from your partner.  Star once around until you meet your partner coming
 out of a different star and swing your partner.
 A little much to say as a calls, but okay for the walk through.
 A couple of other notes:
 You don't reach across to your shadow; they are next to you when you do the
 star.
 Also, in this variation of the dance, while you are waiting out you are
 obliged to participate in the LH star.  If you cross over before the star,
 you won't be next to your shadow for the star, although it all works out in
 the end.  I don't think that is the case in the original version.
 It should be noted that there were a fair number of beginners, but the
 moment of confusion going into the left hand star seemed to affect more than
 just the beginners; in fact, to me it was part of the fun of the dance.
 Richard Green
 Wayne, Maine
 -----Original Message-----
 From: callers-bounces(a)sharedweight.net
 [mailto:callers-bounces@sharedweight.net] On Behalf Of kheine(a)twcny.rr.com
 Sent: Monday, January 31, 2011 12:56 PM
 To: callers(a)sharedweight.net
 Subject: [Callers] Happy as a Warm Pig in Cold Mud
 Have any of you ever called this dance by Mike Boerschig? It's been in my
 box for years, and I've never called it because I haven't been sure about
 who should go to which star. It was published one way in Midwest Folklore
 (see below), but the two YouTube videos I've seen of it have a shorter
 partner allemande, ending with the first woman and second man (i.e., second
 corners) starring above, while the second woman and the first man (first
 corners) star below.
 If you've called this and have an opinion about how it's best danced, or if
 you've found it challenging to teach, I'd love to hear what you have to say
 about it!
 --Katy Heine
 HAPPY AS A WARM PIG IN COLD MUD
 by Mike Boerschig
 dpl imp
 A1
 Neighbor balance and swing
 A2
 Men allemande left once and a half
 allemande right partner once and three quarters
 so men are facing in, women out
 B1
 Star left
 away from partner, 1st corners star up, 2nd down; reaching across to shadow
 in star
 swing partner
 B2
 Circle left three quarters
 balance in that circle, California twirl partner to face next couple
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one hell of a good time. Sometimes this makes planning my day
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  -E. B. White