Chorus Jig is both a dance and a tune written for that dance, but you can
dance it to any tune. Note that it's a proper dance, so you really need to
either have short lines or call it a long time to get everyone active. At
NEFFA they make short lines stacked end-to-end for a session of chestnuts,
so everyone can be active.
It used to be that everyone knew this dance, so much so that, at a weekend
event in the mid '90s, we once played a joke on Steve Zakon-Anderson by
dancing Chorus Jig rather than the dance he called. Another time, we got
it as a no-walkthrough with the single call, "OUTSIDE!" and we knew what to
do.
I've been using a dance Seth Tepfer posted here, with the unlikely name
"The Bodacious Babe and Her Fabulous Femmes". The reason I like it is that
it does corners in an unusual way that I find easier to teach. The Robins
turn corners around the Larks. This makes it a bit easier to teach and
less confusing to dance, for some reason I can't really fathom. I make
clear during the teaching that usually a couple is the runners, and they
swing each other afterwards.
https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=18132
One thing that has helped me in teaching corners successfully is that I
spend almost equal time talking to the corners as the runners. I get them
to identify the first runner coming at them and to signal that person by
catching their eye and holding up their left hand/arm in allemande
position, then do the same for their second runner. With both sides
actively looking rather than the corners just waiting for someone to come
at them, there's less confusion.
--jh--
On Fri, Sep 13, 2024 at 12:42 AM Abbie Sorg via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
Any suggestions on contra corners dances? None have
been called at our
local dance for years now, and I want to try and re-introduce the move.
I've been calling for a few years and think it's a good time to try, but I
haven't collected any contra corners dances yet so I'd like to start with
something as straightforward as possible.
Chorus Jig seems like the natural choice, but I noticed that
basically every video I could find of it uses the same tune. How rigid is
this tradition? What if the band doesn't have this in their repertoire?
Will the contra police raid the dance hall if I call this choreography to a
different tune?
Abbie Sorg
Tucson, AZ
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