Hi Martha. Andy and others,
Andy's sharing of his "dolls" seemed to get this discussion going.
It is intriguing to see an interest in MWSD. I enjoy dancing
and calling both contras and MWSD, but they are very different
in many respects.
MWSD is much more of a head thing, being challenged to react
to a large variety of calls with a lead time of only a few beats. One moves to
the beat
of the music, but usually not to the phrasing (lots of recorded
square dance music has little phrasing). The recommended beats
for the moves are not always multiples of 4. For example, Right and left thru,
dosido are usually done in 6 beats. Tom is right that timing of the calls is
best done by watching the dancers. Sometimes when all is going really well
it is possible to get a lot of the moves to be on phrase, and get a groove going.
What often is missing from MWSD is the "dancing," as the dancers are
concentrating too hard. Not that it's not fun, as the satisfaction comes from
everyone
getting through the intricate patterns and ending up at home. Sometimes
it all comes together and it is dancing too!
What is really fun about contra dancing is the interactions, giving
weight etc.
and getting into the groove of the music. Ideally the caller being able to step
back. So I think many contra dancers would not really like MWSD. However,
those who are interested would make great MWSDers.
Seth's weekend should be great fun.
In 2008, I was able to call a square dance for a group of contra dancers
from
the US were touring New Zealand. I think they expected me to "teach" them
a square dance, but I just assumed I could call immediately and make up
a dance for them. It was great fun, as I just used the basic moves that had
been used in the contra dances, but adapted them more to contra dance timing
with the nicely phrased music that the band played.
Here are a few interesting dances
http://www.youtube.com/view_play_list?p=1BF7CA1FD973DE14
Cheers, Bill