The second dance below is called Heaps. It was written in 2000 by Gordon
Potts for Joe Heaps's wedding ceilidh.
Michael Barraclough
On 17/08/2019 22:49, John Sweeney via Callers wrote:
Hi Linda,
With some of the dancers as young as five you have quite a challenge. :-)
I would start with something like:
Welcome to the Dance
Sicilian Circle
A1: Circle Left; Circle Right
A2: Star Right; Star Left
B1: Neighbour Arm Right; Arm Left
B2: With Partner: Forward 1, 2, stamp, stamp, stamp; backwards 1, 2,
clap, clap, clap
Odds (facing CCW) make arches, every go forwards and meet someone new
I always teach B2 multiple times as the first part of the walkthrough
to establish the progression and direction and who is making the arches.
From a musical point of view this gives them a chance to work easily
in eights, and practise stamping/clapping at the right time.
The heel and toe in this makes them have to work with the music and
listen for their turn to go:
Ping
Longways; Proper; Four Couples (but if some sets have five couples it
is still fine)
A1: Line 1 Lead Around Line 2 to places
A2: Line 2 Lead Around Line 1 to places
B1: Top Couple: two hands: Heel & Toe x2; Gallop to the bottom
Top Couple: two hands: Heel & Toe x2; Gallop to the bottom
B2: Top Couple: two hands: Heel & Toe x2; Gallop to the bottom
Partner Arm Right (or Swing - but for this type of group I would use
Arming)
To cover some musical education as well you could contrast different
time signatures. For example you could use a dance with a long gallop
(sorry, I know you say “sashay” in the US, but “sashay” is defined as
“walk in an ostentatious yet casual manner, typically with exaggerated
movements of the hips and shoulders” so it is completely the wrong
word!) - I would tell them to “gallop”! Anyway, if you do a simple
dance with a long gallop and change tunes from a jig to a reel part
way through, you could tell them in advance to listen for the change
and see how it changes the feel of the gallop.
You could try Swedish Masquearde
https://www.barndances.org.uk/detail.php?Title=Swedish_Masquerade to
show them the difference in feel between a march, a waltz and a polka
- I would substitute Two Hand Turns for the close hold waltz and polka
sections.
https://www.youtube.com/watch?v=iFqDEfZIxqg
This type of group usually enjoys Horse’s Branle
https://www.webfeet.org/eceilidh/dances/horses-branle.html, getting
them to match footwork to the music in the A part, listen for their
turn every four counts in the B music, and timing their hey to finish
on time in the C music. And of course it is different from many tunes
in that it has three parts. If you want to be silly you can tell the
leader in the B part to do something silly in the four beat crossing,
then everyone else has to do the same thing.
I hope that helps.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 &
07802 940 574
http://contrafusion.co.uk/KentCeilidhs.html for Live Music Ceilidhs
http://www.contrafusion.co.uk for Dancing in Kent
http://www.modernjive.com for Modern Jive DVDs
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