The second dance below is called Heaps. It was written in 2000 by Gordon 
Potts for Joe Heaps's wedding ceilidh.
Michael Barraclough
On 17/08/2019 22:49, John Sweeney via Callers wrote:
 
 Hi Linda,
 With some of the dancers as young as five you have quite a challenge.  :-)
 I would start with something like:
 Welcome to the Dance
 Sicilian Circle
 A1: Circle Left; Circle Right
 A2: Star Right; Star Left
 B1: Neighbour Arm Right; Arm Left
 B2: With Partner: Forward 1, 2, stamp, stamp, stamp; backwards 1, 2, 
 clap, clap, clap
 Odds (facing CCW) make arches, every go forwards and meet someone new
 I always teach B2 multiple times as the first part of the walkthrough 
 to establish the progression and direction and who is making the arches.
 From a musical point of view this gives them a chance to work easily 
 in eights, and practise stamping/clapping at the right time.
 The heel and toe in this makes them have to work with the music and 
 listen for their turn to go:
 Ping
 Longways; Proper; Four Couples (but if some sets have five couples it 
 is still fine)
 A1: Line 1 Lead Around Line 2 to places
 A2: Line 2 Lead Around Line 1 to places
 B1: Top Couple: two hands: Heel & Toe x2; Gallop to the bottom
 Top Couple: two hands: Heel & Toe x2; Gallop to the bottom
 B2: Top Couple: two hands: Heel & Toe x2; Gallop to the bottom
 Partner Arm Right (or Swing - but for this type of group I would use 
 Arming)
 To cover some musical education as well you could contrast different 
 time signatures.  For example you could use a dance with a long gallop 
 (sorry, I know you say “sashay” in the US, but “sashay” is defined as 
 “walk in an ostentatious yet casual manner, typically with exaggerated 
 movements of the hips and shoulders” so it is completely the wrong 
 word!) - I would tell them to “gallop”! Anyway, if you do a simple 
 dance with a long gallop and change tunes from a jig to a reel part 
 way through, you could tell them in advance to listen for the change 
 and see how it changes the feel of the gallop.
 You could try Swedish Masquearde 
 
https://www.barndances.org.uk/detail.php?Title=Swedish_Masquerade to 
 show them the difference in feel between a march, a waltz and a polka 
 - I would substitute Two Hand Turns for the close hold waltz and polka 
 sections. 
https://www.youtube.com/watch?v=iFqDEfZIxqg
 This type of group usually enjoys Horse’s Branle 
 
https://www.webfeet.org/eceilidh/dances/horses-branle.html, getting 
 them to match footwork to the music in the A part, listen for their 
 turn every four counts in the B music, and timing their hey to finish 
 on time in the C music.  And of course it is different from many tunes 
 in that it has three parts.  If you want to be silly you can tell the 
 leader in the B part to do something silly in the four beat crossing, 
 then everyone else has to do the same thing.
 I hope that helps.
          Happy dancing,
 John
 John Sweeney, Dancer, England   john(a)modernjive.com 01233 625 362 & 
 07802 940 574
 
http://contrafusion.co.uk/KentCeilidhs.html for Live Music Ceilidhs
 
http://www.contrafusion.co.uk for Dancing in Kent
 
http://www.modernjive.com for Modern Jive DVDs
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