Sometimes a dance weekend comes along just in time. So I am at Chattaboogie in TN, and
thought very hard about what was going on between me and all the people I danced with, and
I think I finally understand why, in my mind, lead/follow are actively bad terms to use in
contra, and why when we teach the idea of flourishes, I really don't want anyone
thinking of one role as lead, and the other as follow.
The evening rolled along, and I danced both positions with both genders of partners. Late
in the evening, I reflected about which dances I had enjoyed the most. It came down to
one dance with a woman, who is a very accomplished younger than me dancer. We fluidly
played off one another, making no distinction about who was in charge, a different one
landing in the 'you go' position at the last second at every possible opportunity.
It was like contact improv in a contra line. We could not have said who was leading, and
neither could anyone watching. It was transcendent. The other wonderful dance was with a
man. He dances in the usual position, is a wonderful dancer, but doesn't often offer
a flourish. Instead he absolutely loves for me to create sequences of flourishes for both
of us to do, but I end on the right. Why were these experiences so notable, I had to ask
myself. It is because most men have come to think they must be in charge of flourishes,
to the point that they don't seem open to my flourishes, or at best are in a state of
surprise which makes reacting to the suggestions awkward. Most women I dance with are
entirely passive, can receive a flourish from me if I am in the lefty role, but don't
have anything to give back, sometimes not even good weight. There are a few who can swap
positions, and offer flourishes from the lefty position, but in my transcendent dance, we
were completely interchangeable, and the game was who would wind up where. Even we
didn't know!
I think the root of the problem is that, without meaning to, we have begun to foster a
culture of expectations of bifurcated roles. Using the terms lead/follow only codifies
and ultimately ossifies something I would like to do away with. I know some people are
only going to dance one role, and some may only be able to participate in one way lefty to
righty flourishes. But I want more people to be able to open their minds to the kind of
experience I had tonight. Using the terms lead/follow to indicate the expectations of
dancing one side or the other will tend to shut that down, and I think it would be a
crying shame. We have subtly given up something I treasure. It is not the right to dance
in a staid old fashioned way, it is a formerly pervasive concept of the dance as a an
equal opportunity chance to play being replaced with a male dominated one way I am in
charge of you thing. I can't listen to defenses of that, to me, perversion of my
beloved play space. I don't want the experiences I had to be rare, outside the box,
ones. I want them to be as obvious a choice as any.
The discussion began with the idea that maybe we need a better set of terms for the two
positions we dance. This was to acknowledge that some in our community don't want
their dance position defined, even by archaic implication, as something to do with gender.
I am not personally bothered by gent/lady, but if I'm going to call to people who
are, let the alternate terms not imply something about the dance which I do not wish to
convey. Let them not limit, by seeming to prescribe and proscribe who can and should do
what, what we in fact choose to do. Let's try to generate something humorous,
elevating, easy to say and remember, and truly neutral. All we need them for is to say who
is crossing in a chain, and who needs to end the swing where in order for the dance not to
turn into a mixer. We could always resort to diagonals for same role moves, even chains
for that matter.
So. Some people want no change from trad terms. Fine. Know that a certain number of
dancers may object or not return, but it's your dance. Some want new terms. Ok. If
they are awesome, I bet even trad series might adopt them eventually. Arguing whether we
should change them is different from arguing which of the terms we already use to keep
using, and different again from evaluating the merits of new alternatives. It's
become a bit of a mash up.
I don't know whether we should, as a whole community, abandon trad terms for new
ones.
That doesn't keep me from gleefully generating new terms, just in case we hit on that
totally perfect set. (See the FB thread.)
But when I see people arguing for terms which by their use change how it is likely for
people to conceptualize the roles, in a way that curtails the potential for the kind of
beautiful shared dancing I saw and felt tonight, I have to say no. No, that is not a set
of terms which serve us well. No fine tuning of your arguments will convince me that they
will. Please, stop defending the terms lead/follow as if they were something we might
find desirable. Broaden your vision to imagine the grace they impede.
Soulfully,
Andrea
Sent from my iPhone
On Jan 5, 2013, at 1:35 AM, Jeff Kaufman <jeff(a)alum.swarthmore.edu> wrote:
On Fri, Jan 4, 2013 at 3:20 PM, John Sweeney
<info(a)contrafusion.co.uk> wrote:
The middle of a swing is a beautiful (almost)
symmetrical move with the
man and lady (almost) completely equal. ... But in a swing there is also the
entry and exit.
It depends how you dance. In the way I'm most used to dancing the
whole swing is a time for interesting variations, and this includes
the middle as much as the beginning and end. I think of the swing,
middle included, as much more lead-follow than the rest of contra.
Jeff
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