Thanks, Jeff. It helps to hear this from an organizer of (IMX) one of the more avant-garde
dance series.
Tony
From: Jeff Kaufman <jeff(a)alum.swarthmore.edu>
Sent: Thursday, February 9, 2023 10:44 AM
To: Tony Parkes <tony(a)hands4.com>
Cc: Ridge Kennedy <ridgek(a)gmail.com>om>; Shared Weight Contra Callers
<contracallers(a)lists.sharedweight.net>
Subject: Re: [Callers] Re: Gentlespoons/Ladles (from Rompin' Stompin')
Hi Tony,
As someone who helps organize a Larks/Robins dance, I think it's completely fine for
the caller to mention during the workshop that the Lark role often has a bit of leading
and the Robin a bit of following. It's an accurate description, and some dancers will
come in with a preference, and this helps them figure out what they might prefer.
Jeff
PS: I'd quibble a bit with the "left over from an earlier day". I think the
increase in communities really practicing "anyone can dance any role" has led to
a small increase in the relative amount of leading between Larks and Robins.
On Thu, Feb 9, 2023 at 10:35 AM Tony Parkes via Contra Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
wrote:
Ridge’s point about ballroom vs. symmetrical swings is related to an issue that I have
about the trend toward de-gendered roles. I haven’t said much about this publicly, as I
hesitate to appear to be either on the “wrong” side of a controversy or unwilling to
listen and possibly change my mind.
Many contra series provide a 20-30 minute teaching session before each dance event.
There’s a limit to what can be conveyed to a first-timer in such a brief session, but
obviously it’s essential to explain the two roles and what differentiates one from the
other. Fine.
Many contra series have adopted “larks/robins” as their standard terms for the roles. Also
fine.
But some series – I don’t know how many – have instructed their teachers not to indicate
in any way which role is which with respect to either male/female or leading/following.
This, I submit, is a disservice to new dancers as long as the contra dance repertoire
includes (a) an asymmetrical swing position and/or (b) moves (e.g. courtesy turns and
“official” turn-unders) where one role very often leads the other (and a reverse lead is
extremely rare).
I get that it’s seen as desirable to allow new dancers to assume the role of their choice,
without regard to gender – without the stigma of doing a part associated with a gender
other than their own. But IMO that works only if the two roles are truly equal in the
physical movements required and the physical sensations experienced. There is some element
of leading and following in present-day contra moves, no matter if it’s vestigial or seen
as something to work toward extinguishing. I feel that to be fair and consistent, the
contra world should either do away with the asymmetrical moves (not likely) or give new
folks the option of choosing to lead or follow.
At a teaching session, I’m inclined to say something like “The two roles are fairly equal,
but there’s a tiny bit of leading and following left over from an earlier day. If you’re
more comfortable with leading, I suggest you start as a lark; if you’re more comfortable
being led, try starting as a robin.” I fail to see the problem with this.
As an aside, leading (sorry) into another can of worms (any hungry robins about?), I’m a
bit nervous about teaching newbies that a good dancer learns both roles and that the
ability to swap roles during a number is “a consummation devoutly to be wished.” I have no
philosophical quarrel with this, but it inevitably widens the gap between what a newbie
knows / can do and what one must know / be able to do to survive at a mostly-experienced
dance. That gap has been widening over the last couple of decades anyway, as the list of
accepted contra basics has grown from 12-15 to the 30s. But I’ve said enough for now.
Tony Parkes
Billerica, Mass.
www.hands4.com<http://www.hands4.com/>
New book! Square Dance Calling: An Old Art for a New Century
(available now)
From: Ridge Kennedy via Contra Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
Sent: Thursday, February 9, 2023 9:52 AM
To: Shared Weight Contra Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
Subject: [Callers] Re: Gentlespoons/Ladles (from Rompin' Stompin')
Dear All,
I have thought a lot about the nomenclature issues. I too went from ladies to women and
back to ladies, worked with armbands and bare arms, leaders and followers, larks and
robins, and have lapsed almost accidentally into positional calling out of an abundance of
trying not to say the wrong thing.
Yet, for all the talk about the talk, there remains, for me, a big problem in the actual
dancing.
"Comfort" and "comfortable" and words like that can be found in
abundance in the charters, mission statements, and announcements that dance groups publish
on their websites and read at dances. I'm in full agreement -- anyone who attends a
dance should feel safe and comfortable. If a dance community wants to change the words it
uses in order to achieve that goal, then I must, perforce, support that decision.
Still, I (he, him, his, etc.) personally feel distinctly uncomfortable doing a ballroom
swing with other same-gender dancers.
I've discussed my feelings with other dancers in my area, and I know I am not alone,
both among dancers of my gender and dancers of the opposite gender. Yet, by even raising
the question, I have also been described (not to my face) in very unflattering terms.
About ten thousand years ago, when I first started dancing, there was a commonly accepted
symmetrical swing that was used. It was, in retrospect, a little bit uncomfortable as it
involved reaching the right arm across the other dancer's body and hooking a hand
around the other dancer's torso. In retrospect, not good. A two-hand turn is, in my
mind, not a very acceptable alternative to a ballroom swing. I have seen some folks do
some lively variations with crossed hands and such so that it can work, but I think there
is a better option that I have been encouraging dancers to learn. I call it a Scottish
swing. (John Sweeny includes it in his videos of eleventy-seven ways to swing as a
Northumbrian swing.)
Here's what it looks
like.<https://www.youtube.com/watch?v=9HWhKWRn_jk>
I like it because I can give a clear signal for the kind of swing that I want to do, I
feel completely comfortable doing it with any dancer, and it allows my swinging partner
and me to enjoy a very satisfactory swing. It's easy to learn. I have even found that
I can teach it to dancers on the fly in the middle of a dance.
Maybe it is not the best option for a symmetrical swing (an alternative to a ballroom
swing). If someone can propose a better alternative, I'll give it a try.
But for all of the concern about words and terminology, it seems to me that the overall
dance community ought to pay attention to this particular aspect of actually dancing.
Sincerely,
Ridge
Ridge Kennedy [Exit 145]
Hey -- I wrote a book! Murder & Miss Austen's Ball.
It's a novel with musical accompaniment. Now that's different.
Read all about it here!<https://www.hedgehoghousebooks.com>
On Thu, Feb 9, 2023 at 8:57 AM Gabrielle Taylor via Contra Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
wrote:
As a member of the LGBT community, my view (personal, from talking to others, and from
votes in local contra dances in Western Massachusetts) is it's very good to have a
consistent term that isn't inherently gendered.
After local debate and dance-specific polls, we've been using larks and robins/ravens
here since about 2018, and I think it's been a big improvement over ladies/gents.
Larks and robins are my personal preference, since it's what everyone here is used to,
and I at least don't have enough bird knowledge to get confused about robins or larks
having some inherent gendering. I don't have any cultural stance against positional
calling, but the confusion of "lefts allemande right" seems a lot worse than
learning new terms.
Thanks,
Gabrielle
On Feb 9, 2023, at 13:45, Jim Thaxter via Contra Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
wrote:
Just a thought, but has anyone checked with the lgbtq community about what terms they
would like to have used?
Another thought, someone mentioned earlier in the thread that the terminology issue had
been discussed thoroughly some time ago and the decision had been made to go with the
birds. I don’t remember seeing or hearing about a general survey sent out to all the CDSS
affiliates or any other general list of dance groups around the country or world vetting
that decision
Personally, I’m exploring positional calling. Just my gut feeling, but I think fewer
people would be challenged by right/left directional calls than by being called bird
names.
Jim Thaxter
Columbia, MO
On Thu, Feb 9, 2023 at 6:31 AM Amy Cann via Contra Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
wrote:
Since no one else has mentioned this, I'll just say that my entire
personal difficulty with birds comes from fairy tales and ornithology.
When we say "robin" we are mostly thinking about that bird with the
"red breast", right? Not something kinda reddish-brownish? That's the
male. In my childhood I read any number of books with
anthropomorphised birds, and Mister Robin Redbreast was male. In a
bunch of the stories there was also small, sweet-singing female lark.
Add to that that in the states the robin is a different bird from in
the UK, and much larger, I've got two good reasons to think of the
robin as being the "male" role. My brain weighs the imagery and
memories against that silly little detail of starting with "R" or
"L"
and defaults obstinately to the exact wrong conclusion every time.
EVERY time. It's somewhat maddening. But "Ravens" was even worse,
because ravens are black and men in formal clothing dress in black, so
I guess things are better now??
Whew. Change is hard.
On 2/9/23, Peghesley via Contra Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
wrote:
Bree, I’m making the same change as well and am
calling without reference to
role and don’t need bird terms. Louise Siddons’ position is a compelling
one.
Peg Hesley
www.peghesley.com<http://www.peghesley.com/>
Sent from my iPhone using voice recognition
On Feb 8, 2023, at 7:04 PM, Bree Kalb via Contra
Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
wrote:
I made the same changes Chrissy did and for the same reason. I think it
was 4-5 years ago when I switched from M and W to Gents and Ladies. And
it seems to me that almost all the local callers did the same.
( Now I’m calling without reference to gender or role. Louise Siddons
booklet “Dance the Whole Dance” from CDSS describes well what many of us
are learning to do.)
If it matters, my dance community is in a progressive/liberal area, so
calling styles here might be different than in other places.
Bree Kalb
Carrboro, NC
On Wed, Feb 8, 2023 at 8:18 PM Jacob or Nancy Bloom via Contra Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
wrote:
At the Ralph Page Legacy day last month, Chrissy Fowler did a session in
which she called dances as she called them at different times in her
career. In it, she talked about how, at one point, she and other female
callers were insisting on the term "women" because they weren't ladies,
and then several years later they were insisting on the term "ladies"
because that was understood to be the name of a role.
I can't give a year when it happened, but I do believe I remember a time
when at least some callers were making it explicitly clear that the terms
Gents and Ladies referred to roles, and anybody could dance either role.
Jacob
On Wed, Feb 8, 2023, 2:29 PM Tony Parkes via Contra Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
wrote:
I believe it’s in Myrtle Wilhite’s Lullaby of the Swing and other contra
dances, tunes, waltzes, and essays (Madison, WI, 1993). I can’t lay my
hand on my copy at the moment, but perhaps someone else has one.
Tony Parkes
Billerica, Mass.
www.hands4.com<http://www.hands4.com/>
New book! Square Dance Calling: An Old Art for a New Century
(available now)
From: Mary Collins <nativedae@gmail.com<mailto:nativedae@gmail.com>>
Sent: Wednesday, February 8, 2023 2:11 PM
To: Jeff Kaufman
<jeff@alum.swarthmore.edu<mailto:jeff@alum.swarthmore.edu>>
Cc: Tony Parkes <tony@hands4.com<mailto:tony@hands4.com>>; Joe Harrington
<contradancerjoe@gmail.com<mailto:contradancerjoe@gmail.com>>;
contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>
Subject: Re: [Callers] Re: Gentlespoons/Ladles (from Rompin' Stompin')
Jeff, me too...if you find it, share please.
mary
"And those who were seen dancing were thought to be insane by those who
couldn't hear the music." - Nietzsche
“Life is not about waiting for the storms to pass ... it's about
learning to dance in the rain!” ~ unknown
On Wed, Feb 8, 2023 at 9:58 AM Jeff Kaufman via Contra Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
wrote:
>
> Aside: does anyone have a copy of the "I am not a lady" essay? I'd
be
> interested to read it.
>
>
>
> Jeff
>
>
>
> On Wed, Feb 8, 2023 at 9:54 AM Tony Parkes via Contra Callers
>
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
wrote:
>>
>> Joe Harrington wrote:
>>
>>
>>
>> > When I started dancing in the late 1980s… Callers were taking the
>> > revolutionary step of not calling "men" and "women" but
rather using
>> > "ladies" and "gents", to signal that switching roles was
ok, since
>> > nobody referred to themselves as a "lady" or a "gent" in
casual
>> > conversation.
>>
>>
>>
>> Where was this, Joe? And are you talking about contra callers (rather
>> than ECD)? I can only speak about the NYC area in the 1960s and early
>> ’70s, and New England starting in the late ’60s and continuing to the
>> present. In both regions, square/contra callers (contras were a
>> subcategory of square dance until around 1975) universally used
>> “gents/ladies.” (I believe ECD teachers have always used “men/women,”
>> presumably emulating Playford and Cecil Sharp.) AFAIK, northeastern
>> callers pretty consistently used “gents/ladies” until some of them
>> started to move away from gender-related terms. Tolman and Page’s
>> Country Dance Book (1937) uses “gents/ladies,” as do most of the other
>> standard American dance books from the 1900s to the 1950s (a few,
>> aimed at schoolteachers, use “boys/girls”).
>>
>>
>>
>> I know of no region where callers changed from “men/women” to
>> “gents/ladies.” I know that some callers, beginning I think in the
>> ’80s, changed from “gents/ladies” to “men/women,” feeling that
>> “gentlemen” and “ladies” smacked of classism. (One female caller, in
>> an essay titled “I am not a lady,” requested that other callers not
>> use her contra compositions if they adhered to “gents/ladies.”) As an
>> amateur (= lover) of dance history, I would like to know about past
>> changes of which I was unaware.
>>
>>
>>
>> Tony Parkes
>>
>> Billerica, Mass.
>>
>>
www.hands4.com<http://www.hands4.com/>
>>
>> New book! Square Dance Calling: An Old Art for a New Century
>>
>> (available now)
>>
>>
>>
>> _______________________________________________
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