I have a dance that has some similiar moves. The A1 (top couple
arches) times out to the music perfectly if there's a total of 5
couples. However, I don't know how the other figures would time out
with 5 couples.
Tom
On Feb 10, 2010, at 12:00 PM, callers-request(a)sharedweight.net wrote:
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Today's Topics:
1. Re: A Dance Called Gypsy Cap or Camp? (Martha Edwards)
2. Best number of dancers for this set dance needed (Rickey)
3. Re: Best number of dancers for this set dance needed
(Alan Winston - SSRL Central Computing)
4. Re: Best number of dancers for this set dance needed (Colin
Hume)
----------------------------------------------------------------------
Message: 1
Date: Tue, 9 Feb 2010 17:13:19 -0600
From: Martha Edwards <meedwards(a)westendweb.com>
To: "Caller's discussion list" <callers(a)sharedweight.net>
Subject: Re: [Callers] A Dance Called Gypsy Cap or Camp?
Message-ID:
<7d8d864a1002091513q28e2b6dend8805d6abc3ebff4(a)mail.gmail.com>
Content-Type: text/plain; charset=UTF-8
We've never noticed trouble with the Down the Hall, just with the
contra
corners when some in the group have not done contra corners the
regular way
before. But perhaps instead of
Down the hall four in line (ones between the twos)
it should read
Down the hall four in line (ones between their original twos)
The progression happens later, at the very end of the dance ("twos
cast the
ones down to progressed place")
Does this help?
M
E
On Tue, Feb 9, 2010 at 1:28 PM, joe micheals
<joemicheals1(a)yahoo.com> wrote:
Martha & Mavis,
This looks like a fun dance but when you've called it is there
confusion
about which 2's to pick up going down the hall? The first corners
or 2nd
corners?
Joe Micheals
--- On Mon, 2/8/10, mavis mcgaugh <yankeecalls(a)yahoo.com> wrote:
From: mavis mcgaugh <yankeecalls(a)yahoo.com>
Subject: Re: [Callers] A Dance Called Gypsy Cap or Camp?
To: "Caller's discussion list" <callers(a)sharedweight.net>
Date: Monday, February 8, 2010, 9:07 PM
thank you so much for the sequences, title and Author.
Mavis L McGaugh
510-814-8118 (answering machine-leave message)
----- Original Message ----
From: Martha Edwards <meedwards(a)westendweb.com>
To: Caller's discussion list <callers(a)sharedweight.net>
Sent: Sun, February 7, 2010 3:05:54 PM
Subject: Re: [Callers] A Dance Called Gypsy Cap or Camp?
I think you may mean Gypsy Camp by Bob Green.
*Gypsy Camp* by Bob Green Duple PROPER
A1 1. Ones gypsy your partner,
2. Swing your first corner
A2 3. Ones gypsy your partner
4. Swing your second corner
B1. 5.&6 Ones gypsy and swing
7. Down the hall four in line (ones between the twos)
Ones turn as a couple, twos turn alone
8. Come back, twos cast the ones down to progressed place
NOTE: This is best done with a move I call ?Flirt and Twirl?. In
the Contra
Corners, Gypsy about half-way, then twirl over your right shoulder
into the
arms of your corner. -BG
M
E
On Sun, Feb 7, 2010 at 4:51 PM, mavis mcgaugh <yankeecalls(a)yahoo.com>
wrote:
I have a partial set of figures for a dance...
I beleive it
was called
A
Gypsy Cap or Camp
Intrigued me because it used a "Contra Corners" type figure done
as -- 1s Gypsy Partner 3/4 and Swing 1st Corner then 1s Gypsy
Partner
3/4 and Swing 2nd Corner - then 1s Gypsy and Swing in middle -
looks
like they then go down the hall in a line of 4.
my scribbling says Proper dance but .. my scribbles were
pretty bad.
Would someone have the correct sequences and ttile and an Author?
thanks
Mavis L McGaugh
510-814-8118 (answering machine-leave message)
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Save by an evil chance,
And the merry love the fiddle
And the merry love to dance. ~ William Butler Yeats
------------------------------
Message: 2
Date: Tue, 9 Feb 2010 22:48:39 -0500
From: "Rickey" <holt.e(a)comcast.net>
To: <callers(a)sharedweight.net>
Subject: [Callers] Best number of dancers for this set dance needed
Message-ID: <345003AB6CE748928B310E7BC73A27BE@maxx>
Content-Type: text/plain; charset="us-ascii"
Hi All,
I have a set dance that currently is simply named "Shetland Set" in my
collection. I am trying to figure out the best number of dancers
for it. If
you also have a name for it - fantastic, but the best number of
dancers is
my most pressing problem. The dance is below.
Thanks,
Rickey Holt,
Fremont, NH
SHETLAND SET
Probably proper
A1 Top couple arch down over the gent's line (lady in the center) /
and up
over the lady's line (gent in the center), back to place
A2 Same top couple sashay to the bottom / and reel back up
B1, 2 "Shuttle" to the bottom: one-half pousette (first man push to
start),
the top couple exchanging places with each subsequent couple, all
couples
except top couple can move together in the same direction as the
top couple
weaves to the bottom.
My notes do not indicate this but I believe that it is common for each
couple to swing their partner after the top couple passes them. If
so end
that swing proper.
Seems to me that the reel would take more than part of the A2, and the
"Shuttle" less than B1 and B2 combined. Do you recognize this dance?
------------------------------
Message: 3
Date: Tue, 09 Feb 2010 22:25:45 -0800 (PST)
From: Alan Winston - SSRL Central Computing
<winston(a)slac.stanford.edu>
To: Rickey <holt.e(a)comcast.net>
Cc: callers(a)sharedweight.net
Subject: Re: [Callers] Best number of dancers for this set dance
needed
Message-ID: <01NJH3XSUN6A9OGWTE(a)SSRL.SLAC.STANFORD.EDU>
Content-Type: TEXT/PLAIN; CHARSET=us-ascii
Rickey wrote:
I have a set dance that currently is simply named
"Shetland Set"
in my
collection. I am trying to figure out the best number of dancers
for it. If
you also have a name for it - fantastic, but the best number of
dancers is
my most pressing problem. The dance is below.
This looks to me like "Foula Reel", which is in the Community
Dances Manual as
a four-couple set dance (and which I've danced that way to Bruce
Hamilton's
calling). Four couples is what you want to make the poussette
thing work in
the time available.
I think the breakdown in my notes will answer your timing questions.
Here's the notes I have:
----------------------------------------------------------------
The Foula Reel
CDM7 - "The Shaalds of Foula"
(CDM gives two tunes with the same name, both jigs, NIB)
Longways for four couples
A1 (1-4) top couple lead down between the fours
(5-8) [Strip the Willow] Arm right with partner 1.5,
left with neighbor to move up one place, continue with 1x
turns
A2 (1-8) finish stripping the willow
B1: (1-8) 1st couple, man inside, arch over men's lie down and over
women's
line up the set.
B2: (1-8) Poussette with partners.
(1st couple go the opposite direction from everybody else;
everybody keeps moving all the way.)
1st man pushes, others pull; 1st man pulls, others push,
repeat.
Dave Hunt's Variation for B2 (via Mike Courthold on the ceilidh list):
BOING:
* Top cpl face and boing off each other's hands
(ie clap once to each other with both hands);
and cast around the neighbouring cpl
* Repeat the boing and cast twice more to get to the bottom of the set
----------------------------------------------------------------------
--
-- Alan
--
======================================================================
=========
Alan Winston --- WINSTON(a)SSRL.SLAC.STANFORD.EDU
Disclaimer: I speak only for myself, not SLAC or SSRL Phone:
650/926-3056
Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park
CA 94025
======================================================================
=========
------------------------------
Message: 4
Date: Wed, 10 Feb 2010 09:26:41 GMT
From: Colin Hume <colin(a)colinhume.com>
To: "winston(a)slac.stanford.edud.edu, Caller's discussion list"
<callers(a)sharedweight.net>
Subject: Re: [Callers] Best number of dancers for this set dance
needed
Message-ID: <201021092641.239957@Colin>
Content-Type: text/plain; charset="us-ascii"
On Tue, 09 Feb 2010 22:25:45 -0800 (PST), Alan Winston - SSRL Central
Computing wrote:
A1 (1-4) top couple lead down between the fours
(5-8) [Strip the Willow] Arm right with partner 1.5,
left with neighbor to move up one place, continue with 1x turns
A2 (1-8) finish stripping the willow
I do it giving 2 hands and a galop down (possibly Americans would say
sashay) and I think it's only four galops (2 bars) - you need the rest
of the 16 bars to strip the willow.
arch over men's lie down and over women's
line up the set.
You'll find there's not time to lie down!
Colin Hume
------------------------------
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End of Callers Digest, Vol 66, Issue 12
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