19 May
2016
19 May
'16
6:16 p.m.
On May 19, 2016, at 1:39 PM, JD Erskine via Callers
<callers(a)lists.sharedweight.net> wrote:
On 2016-05-18 1909, Darwin Gregory via Callers wrote:
When I do sound (or teach it to new people) I cite 3 priorities:
1. Can the caller be heard clearly anywhere in the hall?
2. Is the phrase and beat clear?
3. Is the band happy?
Without 1. and 2. dances fall apart and it is particularly bad for beginners - and
frustrated beginners don’t return (which is extremely important for the viability of dance
series).
Sometimes 3. presents a conflict with 1. or 2. that requires some conversation with the
band and figuring out exactly what to do.
As a dancer I sometimes notice a tendency for the band to be too loud - particularly early
in the evening when the hall is less full and there aren’t lots of bodies to absorb the
sound; that can mess up 1.
Mic discipline by the caller is really important and some callers are excellent - having a
mic in a stand and keeping the same distance all the time. A wind screen helps.
John
I am a new caller, and I have called two dances.
The first, I
completely blew the microphone part. Since then, I practiced holding the
mic close to my mouth like was suggested to me.
The second dnce, I was told that my voice was too deep for the
microphone, and I was overpowering it. It was suggested that I hold the
microphone further away and project, which I tried, but again, not
something I practiced.
Someone afterwards suggested that it could have been dealt with by the
sound board. Although, the sound guy was sitting there and I'm sure
would have done something if it would have helped.
So, any advice? Is there a particular mic or mic type that is good for
deep voices? Any techniques to practice? Sound guy/gal need to be on
the ball?
Any advice welcome.
... Darwin