This is Jeremy Korr from Los Angeles, bringing the West Coast into the
conversation. I echo everything Bob writes about the Ralph Page weekend. But
Bob is too modest in his comments below -- he forgets to mention that at
last year's Open Mike, he gave a clinic on calling triple-minors with his
precise and carefully-worded calling of Ted Sannella's wonderful "King of
the Keyboard."
Have a terrific time in Durham, for all who are going. I'm sidelined this
year (we're expecting a baby two days ago, who stubbornly hasn't arrived
yet), but hopefully Lynn Ackerson from the Bay Area will be there again to
represent California.
>From: Robert Golder <robertgolder(a)comcast.net>
In order
>to be considered for the Sunday Open Mike session, you'll be asked to write
>down the name and the formation of the dance you wish to call. If you've
>ever wanted to try calling one of the old triple-minor, proper contras
>(such
>as "British Sorrow," a nineteenth-century dance that Ralph Page
>rediscovered), this is the place to do it. Whatever you call, be well
>prepared! The dancers are friendly and patient, but you'll want to give
>them
>your best when you're on stage.
>----------------------------------------------------
Friends,
The SharedWeight mailing list is now a little more than three months
old. We're very happy with how things are working out and would like to
share the wealth. So go ahead and invite any caller or person who is
interested in calling to join the group.
Just direct them to our website for instructions on how to join:
http://www.sharedweight.net/
If they have any questions, have them e-mail us at the addresses below.
They can view the archives on the website if they're curious about the
content or message frequency.
Thank you!
Chris Weiler chris(a)sharedweight.net
Seth Seeger seth(a)sharedweight.net
Hello All,
I have come up with a preliminary program for my dance in East Sandwich
on December 18th. This turned out to be fairly difficult since I haven't
collected very many easy dances. I spent a lot of time with my nose in
"Give and Take" and the other books I have. The crowd will be fairly
unpredictable with regards to the balance of beginner and experienced
dancers since it is right before a holiday and people will be visiting
from out of town or looking for an excuse to escape their families.
I know that there are parts of the program that aren't optimal, but I
feel like there is a progression in teaching figures and a lack of
repetition (except for Long Lines early in the program, but I didn't
know how to get away from that). I have included a couple of moderately
more difficult dances that I can substitute in the program if I feel
like there are enough experienced people to carry them.
See the attached PDF file for the dance cards for this program. I have
made some minor changes to a couple of the dances to fit the program and
the crowd.
Marian's Delight (with mods)
La Bastringue
The Carousel
Forgotten Treasure
The Baby Rose
The Second Time Around (Alt: Mary Kay's Reel)
Judah Jig
-----
Waltz
-----
Break
-----
Hambo
-----
Midwest Folklore
Another Nice Combination (Alt: Chorus Jig)
Zoe and Me
Bertha's Landfall
Al's Safeway Produce (mod)
I would love to get feedback from people about what they think. Am I
being too ambitious in certain places?
Thank you!
Chris
I like your program, Chris. It gradually introduces moves. Maybe you could switch the Carousel with Forgotten
Treasures. I think the dancers (beginners) would be more successful at the Carousel having done two contras, one
having circle left 3/4 into a swing. Therefore the hey would be the only significant move to teach the new
people. I have a suggestion for callers. Before calling an evening's dance make a list of all of the contra
moves (like ladies chain, hey etc.) Then, besides each move list the frequency that each move will be used for
the entire evening. Swings will usually get the most frequency. Circle right may not occur at all. In the
program that Chris is going to use, there is almost a circle left in every dance (usually circle left 3/4). But
I wouldn't worry about this. The way the program becomes difficult and then gets easier toward the end is the
most important aspect of programming for me. I think I called an entire evening where all but one dance had
forward and back. The dancers had a good time. I think one dancer noticed.
The idea of listing moves and their frequency came from (I think) the Southern California Square Dancers Assoc.
Callers in this Assoc. decided to record an entire festival- multiple halls! They then went over those recordings
and listed the frequency that each call was used. Considering how many moves are fit in each dance, that was
quite an undertaking!!!!!! Western square dancers take lessons for a year before they graduate. This square
dance assoc. structured their year long lessons on this frequency, teaching the most called moves first. In
other words, the dancers practiced the more popular moves the mostest.
Tom
callers-request(a)sharedweight.net wrote:
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> Today's Topics:
>
> 1. Re: Dec. 18 program for E. Sandwich (Chris Weiler)
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Mon, 13 Dec 2004 23:27:50 -0500
> From: Chris Weiler <chris.weiler(a)weirdtable.org>
> Subject: Re: [Callers] Dec. 18 program for E. Sandwich
> To: callers(a)sharedweight.net
> Cc: amy.larkin(a)netzero.com
> Message-ID: <41BE6BC6.5090109(a)weirdtable.org>
> Content-Type: text/plain; charset="us-ascii"
>
> Skipped content of type multipart/alternative
Hey everybody!
Does someone have the sequence for Esmerelda's Revenge by Beth Parkes?
It was suggested to me as a good dance for beginners. I've looked in my
reference books and on the Web, but no luck.
Thanks!
Chris
Hi! I received a request about what I ended up doing for my dance cards
and thought I would reply to the list.
I decided not to use a database program (although I have to admit that I
didn't try very hard to look for one). I would be interested in knowing
what program people are using and how they like it, though. I decided to
go for looks instead. I used MS PowerPoint to make slides and formatted
them the way I wanted to look at the card. You can see an example in the
attached PDF file.
First I'll talk about the dance card, then I'll talk about the Legend.
Most of the card is self-explanatory: title in the upper left, formation
and author on the upper right. Where you might not understand is at the
bottom edge: I have put (in notation) each of the non-universal moves
that appear in the dance. You can look at the legend card to see what
letter codes I used for each figure. This allows me to put the cards in
order on the table and do a quick scan for patterns (too many stars in a
row or too many contra corners in the evening). The notation in the
bottom center is also described on the legend card: It counts the types
of swings that appear in the dance. Again, this allows me to look for
patterns while I'm programming and to make sure I don't go too long
without a neighbor swing or if the dance is unequal.
The last code at the bottom is just a placeholder at this time. I know
that I want to sort the dances somehow later on, but right now I don't
know how I want to do it. It could be a code for Beginner or Advanced,
or it could be a code for a certain type of figure. I'll decide that later.
PowerPoint has a search utility, so I can use that when I'm looking for
a dance.
Hope this has helped!
Chris
On those "New Caller" Evaluation Forms 12/4/04
Could someone post a sample evaluation form?
Are there any items you now wish were asked about, but didn't originally
think to ask?
Any items that didn't give you useful responses or information?
Thanks! Mark
For those of you in the Boston area:
A New Callers Dance
Saturday, December 4th, 2-5pm
in Arlington, MA
Introducing callers:
Chris Weiler
Seth Seeger
Nathaniel Jack
Flyer:
http://www.seeger.ws/dec4_contradance.pdf
We hope that people can come and support us!
Thanks!
Chris
