Save the date: 5th Hot Squares weekend!
When: July 6-8, 2007
Where: Private home; Atlanta, GA
Who: Dan Sahlstrom, calller
Cost: TBD
Limited to 20 people
What:
This weekend is devoted to exploring Modern Western (Club) squares in an
intensive but fun environment. Unlike previous years we will not focus
on completing Plus or Mainstream levels (though we will probably do most
of Mainstream). Instead, Dan will pick fun and interesting calls from
all lists (Basic - Challenge). Also unlike previous years, we will have
more than the exact number of people, so not all will be required to
dance every tip.
2007 will mark the 5th Hot Squares event. We are holding Hot Squares
2007 in a homey atmosphere with room for two squares. Genders will not
be balanced. Meals will be home cooked. Fellowship and Camaraderie will
be plentiful.
Official registration is not open, but email now to hold your space.
Hello everyone,
I have a session at the Down East Festival later this month. The name of
my session is "Neighborly Contras". I was wondering if anyone has mixers
that are in contra formation that they could share. I think that a mixer
would be a fun and unexpected.
I would also welcome any suggestions of dances that you think are
particularly Neighborly! 8^)
Thanks!
Chris Weiler
Chris,
The following suggestion is not a dance, but rather something that two
couples can do during many contra dances.
Two couples who know each other can line up near each other both heading the
same way (so both can be actives, for example, in an improper contra). Then,
in parts of the dance that allow it, the men or women from these couples can
trade places. For example, during a ladies allemande in the middle of the
set, the men could switch places and end with the "other" partner. The next
time through the sequence, they can shuffle again and end up with their
original partner again. Effects include running into the same neighbor twice
("hey, didn't we just swing?"), missing other neighbors, and irritating the
occasional neighbor or even the caller.
This shuffling is not appropriate for every dance, or with every crowd, but
done properly is does not interrupt the flow of the dance and offers lots of
fun and flirty opportunities for play within the larger play of the dance.
Jerome
P.S. Your query brought to mind the phrase sometimes used when dancers get
mixed up: "This dance wasn't written as a mixer, but if it becomes one just
go with it."
> Hello everyone,
>
> I have a session at the Down East Festival later this month. The name of
> my session is "Neighborly Contras". I was wondering if anyone has mixers
> that are in contra formation that they could share. I think that a mixer
> would be a fun and unexpected.
>
> I would also welcome any suggestions of dances that you think are
> particularly Neighborly! 8^)
>
> Thanks!
>
> Chris Weiler
>
> --
Jerome Grisanti
660-528-0858
660-528-0714
http://www.jeromegrisanti.com
Buffalo Reunion (David Millstone)
Becket formation, mixer
smooth jigs
A1. Women allemande right once around; swing partner
A2. Men pass left shoulders to start hey for four
B1. Men lead into circle left 3/4, pass through up and down
With next couple, circle right 3/4
B2. On left diagonal, ladies chain
Straight across, ladies chain to new partner
Notes: When a couple reaches the top, they swing for A1 then face the set in
duple improper formation, ready for the circle right in B1.
Background: The B figures come straight from "The Reunion." The dance was
written in response to a challenge (write a contra mixer) posed during Penn
Fix's dance composition class at Buffalo Gap camp, July, 1991.
I danced this at Ralph Page weekend this year and really enjoyed it.
Rickey, you have the choreography correct except for the hey, which is five
changes, rather than three:
A1- Gypsy with neighbor, then shift eyes to partner
"Mad Robin" chase
A2- Half poussette (women forward first)
Five changes of a hey-for-4 (start and end with men passing left shoulders)
B1- Swing partner
B2- Ladies chain across
Left-hand star
> DANCERS FINISHED EARLY. THEY THOUGHT THAT THEY DID
NOT HAVE ENOUGH TO DO
I'd say the fault here lies not in the dance itself but in the dancers. The
distinctive figure in the dance (the pousette into the left shoulder hey) was
lifted from an English country dance, Victor Skowronski's "Companions." And yes,
dancers accustomed to doing tight, contra-style gypsies could get through the A1
more quickly than is intended. Either with appropriate wording or with a quick
demonstration, the caller might encourage folks to make wider loops in this
part.
When I wrote Erik Weberg after the RPDLW to clarify my recollection about how
the dance works, he mentioned in his reply, "I initially intended the timing to
bring four changes of the hey to the end of the A2 and the B1 begins with the
men passing left and swing partners. But dancers seem more comfortable arriving
for the swing at the top of the B1. It's easy for dancers to rush through the
figures and I try to encourage folks to relax and enjoy the ride."
> SOME FELT THAT THE HEY STARTED AWKWARDLY, A LITTLE AT AN ANGLE
As Carol Ormand said on several occasions at the weekend, though not necessarily
in connection with this dance, "That's a feature, not a bug." Both in Companions
and in this dance, I find the transition to be very smooth. Others might not
agree. De gustibus non est disputandum.
Hope this helps.
David Millstone
Hi All,
We tried Joy Ride by Erik Weberg. My questions are in all caps.
Rickey Holt
The dance as I have it is:
A1 Gypsy Neighbor (for 8 counts)
DANCERS FINISHED EARLY. THEY THOUGHT THAT THEY DID
NOT HAVE ENOUGH TO DO
Mad Robin (for 8 counts) Women (ones and twos ??? ) on the
inside first.
A2 ½ Poussette (for 8 counts) couples change places by going
clockwise around each other; gents pull to start
DANCERS TENDED TO START THIS EARLY. THEY THOUGHT THAT THIS WAS BECAUSE THEY
FINISHED THE GYPSY IN A1 EARLY, THEN DID THE MAD ROBIN EARLY TOO.
3 changes of a hey (for 8 counts) men passing left shoulders
to start
DANCERS FOUND THAT THEY WERE DOING ONE ENTIRE HEY, NOT ¾ OF A
HEY. SOME FELT THAT THE HEY STARTED AWKWARDLY, A LITTLE AT AN ANGLE; OTHERS
FELT THAT THIS WAS TRUE BUT THAT THEY WERE ABLE TO ADJUST.
B1 All Swing Partner (for 16 counts)
B2 Ladys Chain over (for 8 counts)
Star Left (for 8 counts)
Hi All,
I am calling a dance this coming weekend for a 40th birthday party.
Since the group is mostly non-dancers, I have prepped a number of
simple dances. I am looking for an easy contra that has a smooth and
slow flow... almost English Country dance in the pace/tone. Any ideas
for me? It would also help if you could suggest how you might
describe this dance to the musicians so that they could play tunes to
match.
Thanks very much,
Nancy Turner
Waitsfield VT
Thank you to everyone who wrote with suggestions about good contra videos.
Jerome
--
Jerome Grisanti
660-528-0858
660-528-0714
http://www.jeromegrisanti.com
[Not on the internet and apologies for a semi-commercial plug]
I'll put in a word (thanks, Karen) for my 20-minute video, "What's Not To Like?
A Community Contra Dance." It's a portrait of my home dance, includes some dance
footage, plus interviews with musicians and dancers about why they love this
particular kind of activity. Lots of toe-tapping music, and a nice picture of
different ages and abilities dancing together.
"Together in Time" and my own "Paid To Eat Ice Cream" both are somewhat more
specialized, in my opinion, offering more historical background than the casual
non-dancer might want. TiT attempts to explain the history of the last 350 years
of country dancing in its 30 minutes, plus giving a picture of the current dance
scene. "Ice Cream" is 70 minutes long and looks at the last 60 years of contra
dancing, with a focus on Bob McQuillen.
My newest video-- The Other Way Back / Dancing with Dudley-- is also more
historical in nature, again something aimed more at folks currently involved in
the dance community. I'll write up a short blurb about it and will post that
soon, though some on this list already saw it at the premiere at the Ralph Page
weekend and they may wish to chime in.
David Millstone
P.S. For folks wanting to order Contra Connections, which contains "What's Not
To Like? and "Ice Cream," in addition to Great Meadow Music, Contracopia, and
CDSS, you could order it directly from the author, in which case I make a little
more money to finance future projects. Cost is $25 plus $3 S&H. Send a check to
David Millstone
176 Farnum Hill
Lebanon, NH 03766
Hello All,
I'm trying to start a contra dance series 90 miles from the nearest regular
contra dances. When someone asks me what contra dance looks I know that
verbal descriptions can only go so far, and even snapshots don't really tell
the story. One person has trusted me enough to make the 90-mile drive, but I
know most folks aren't willing to do that.
What I'd really like is to point them to a contra video that is simple and
clean, showing one line from a caller's perspective. A contra with good
lighting, good music and simple calling. And I'd love for that video to be
freely available on the Internet.
I've found a few contra videos on YouTube, but most are shot from the floor
and so it's very hard to get a feel for the set. The few I've seen shot from
a balcony have a very jerky, hand-held feel.
I know I may be asking for something that does not exist, in which case
perhaps a contest could be held for a video that "captures" contra for a
person who has never seen or danced contra.
Any suggestions?
--
Jerome Grisanti
660-528-0858
660-528-0714
http://www.jeromegrisanti.com