Hey All,
I just wrote a new dance and wanted to see if the name, or the dance has been written before.
The Erik Effect - Imp, Becket
By Danielle Boudreau and Ben Werner - written for Erik Erhardt
A1: (16) Yearn Left, give and take, ladies take gents, Neighbor Swing
A2: (8) right and left through
(8) Ladies chain
B1: (16) full hey
B2: (16) partner gypsy & Swing
Cheers,
Ben
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I'll second that, A1 Reel is a great ender dance and as you know I love calling it. Thank you Chris!
-----Original Message-----
From: "Chris Weiler (home) via Callers" <callers(a)lists.sharedweight.net>
Sent: 6/3/2014 7:54 PM
To: "Kalia Kliban" <kalia(a)sbcglobal.net>
Cc: "Caller's discussion list" <callers(a)sharedweight.net>
Subject: Re: [Callers] Good ender
You're very welcome.
Chris
> On Jun 3, 2014, at 7:20 PM, Kalia Kliban via Callers <callers(a)lists.sharedweight.net> wrote:
>
> If Chris Weiler, who wrote A1 Reel, is reading this, I'd like to thank you for a really good ender dance.
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If Chris Weiler, who wrote A1 Reel, is reading this, I'd like to thank
you for a really good ender dance. It's a simple, low-piece count
Becket that ends with a partner balance and swing. It gets the caller
out of the way in a hurry and lets the dancers and the band have a great
time at the end of the program.
Here's a link to Chris's website, for those who'd like to find the notes:
http://caller.chrisweiler.ws/dances.htm
Kalia
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Hi all,
Cleaning out my pile of notes on excellent and unknown dances again. If
anyone knows names/authors for these, shout it out! Thanks so much!
Cheers,
Maia
-----
*#1: *?????, imp. ("cool shadow dance")
A1: new neighbor balance and swing
A2: ladies bull by right to allemande partner L 3/4; shadow allemande 1 1/2
B1: in wavy lines w/ ladies facing out, balance, spin right to partner
(like a half Rory O'Moore); partner swing
B2: circle L 3; do-si-do neighbor 1 1/2 to the next
*#2: *Becket – Left prog.
Long lines F&B / Ladies chain (to Nbr)
(Petronella) balance ring, spin to Right / Balance ring, spin to Right
[Square thru two]: Right hand balance w/partner, Pull by partner to
face Nbr,
Along set pull by Nbr to face next neighbor
Swing new neighbor
Circle Left ¾ / Partners Swing
*#3: *Imp.
A1: long lines
Gents alle L 1 ½ to short waves (partner in R)
A2: balance, partner alle R ¾ to long waves
Balance and circulate
B1: balance and circulate
Balance and partner cross to swing
B2: circle L ¾
Pass thru and swing next
(Greenfield, Halloween Extravadance 2013)
*#4: *???, becket
A1: long lines
Circle L ¾
A2: N swing
Next N swing
B1: Prom across and face R
Ladies R 1 ½
B2: shadow swing
Partner swing
(NEFFA ’14)
*#5: *???, becket
A1: yearn L
Gents chain
A2: bal ring, roll P away
N swing
B1: R/L thru
Ladies chain
B2: bal ring, roll N away
P swing
(NEFFA ’14)
*#6: *???, imp
A1: star R
star L
A2: P courtesy turn and ladies cross
Swing N
B1: gents by R(?)
P swing
B2: long lines (and gent roll lady)
Pass thru, turn R, prom single file to next
(NEFFA ’14)
*#7: *???, imp.
A1: N b&s
Pass ocean and balance
A2: N R ½, gents pull by L, P R ¾
B1: Shadow alle L 1x
P swing
B2: pass ocean, bal
P R ½, gents pull by, N R ¾ to next N
(NEFFA ’14)
*#8: *a frustrating fragment--loved this dance, but have no idea what the
rest of the choreography is!!
mad robin gents in front à gents cross for long waves
balance and circ.
Balance and circ
P swing
(NEFFA ’14, Saturday)
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Greetings--
First, thank you to everyone who has responded to my initial message
and has taken the survey. I have already received a good number of
responses, and my advising professor and my colleagues are impressed
by the number of responses I have received--a testimony to the spirit
of the contra community.
I would like to re-post the link to the survey on contra
choreographies (see original message below), to allow anyone who
hasn't had a chance yet to take the survey. I will be closing the
survey soon, and want to make sure that I am collecting responses from
as many respondents as I possibly can.
Again, thank you for your indulgence in allowing me to re-post this,
and for your participation--I sincerely appreciate your time!
Jennifer Shafer
I am a Ph.D. student in music at Ohio State University, and I am
developing a research project to investigate some aspects of contra
dance choreography. To continue in this project I am asking for your
participation in a survey.
The survey should take about 20 minutes to complete. It does ask that
you recall names of dance choreographies that you have danced, and I
recognize that this may make it more difficult for some of us (myself
included) to fill out such a survey. However, I know that callers are
more likely to be able to recall names of dances, which is why I have
chosen to distribute the survey primarily to callers.
Here is the link to the survey:
https://casosu.qualtrics.com/SE/?SID=SV_8e5SQGiwCL3MmiN
Dear calling community,
Many of you received a "you've been unsubscribed" email this morning!
I'm terribly sorry about that. Yahoo/Comcast/Hotmail recently turned on
some very strong spam filtering which broke nearly every mailing list on
the internet. It finally affected us today.
I have quickly moved the site to an updated version of Mailman (the
software that runs this list) which has some options to deal with this.
Primarily, the "From" address is now the list address. The Reply-To
address should be the original sender. We'll see how this goes.
If you received that email, you can ignore it. I have re-subscribed
you. If you did not get a bounce noticed, then you have nothing to
worry about. Note that if you used to get digest messages, you are now
getting regular emails. I have not carried that setting over from the
old server yet.
Please hang in there with us as we figure this out and get it all
working again.
Thanks,
Seth & Chris
I think my "End effects" workshop at Chippenham Folk Festival went
well. People seemed to enjoy it; two people came up to me and said it
was very useful and one wanted a copy of the notes - which are at
http://www.colinhume.com/dtendeffects.htm
I've updated this based on the feedback from the list, and at the end
you can see which dances I actually called. The one which caused the
most chaos was "Where's Alex?" by Michael Fuerst. The next day Geoff
Cubitt also called it; I don't think he had any more success than I
did!
Colin Hume
Called this last Tuesday, to a mixed crowd. Good dance, the dancers liked
it (once I started calling it correctly :-( ).
Might not even want to mention the short wavy line when teaching the
pass-the-ocean, as it's not a balance point -- might want to emphasize the
roundness and swing-through-i-ness of the allemandes. But that's a pet
peeve of mine, as I prefer a nice round weighty half-allemande rather than
a limp wish-you-weren't-here hand touch while brushing shoulders.
But now let me tell you how I really feel about that...
- Roger Hayes
Madison WI
On Fri, May 23, 2014 at 11:00 AM, <callers-request(a)sharedweight.net> wrote:
> ------------------------------
>
> Message: 3
> Date: Fri, 23 May 2014 10:04:53 -0400 (EDT)
> From: Donna Hunt <dhuntdancer(a)aol.com>
> To: callers(a)sharedweight.net
> Subject: Re: [Callers] choreography
> Message-ID: <8D144A71A7B9386-18E4-F546(a)webmail-va057.sysops.aol.com>
> Content-Type: text/plain; charset="utf-8"
>
>
> that is correct it's a pass the ocean + swing thru.
> You don't actually stop in the wave.
>
> Pass the ocean; Gents cross to opposite side and Ladies take left and turn
> 1/4 ,
> Swing through; all turn your neighbor by the right 1/2 and then the gents
> pull by the left. (Ladies stay where they are on the side of the set and
> then their partners pull by left to meet them)
>
>
> hope that's clearer.
>
> Donna
>
>