Contra Callers

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4380 discussions

Workshop activities for helping dancers improve their skills?

by Emily Addison

Hi fellow contra callers :) I am wondering if any of you have little activities/exercises that you use to help dancers improve their knowledge/skills of contra dance? I know there's lots of opinions on whether this is even necessary or should be offered. However, I have a few situations where I've got dancers who are keen to improve their skills and I'd like to have various fun ways of doing so. I'd love to hear your ideas! One activity I remember from mannnnny years ago in Ottawa was led by Adina Gordon. She had us form up in contra lines and then she would say 1-2 (maybe 3?) figures. We weren't to dance the figure... instead, simply go to the spot where we would end up after the figure(s). I remember this as being a lot of fun and a great learning experience. I also remember from that same session something about sending some dancers out of the room and teaching the dance to others and then doing the dance. (I don't remember the details.) Thoughts? Any advice/ideas would be greatly appreciated. Thanks! Emily in Ottawa ON

1 year, 6 months

Practicing dances

by Mary Collins

Researching a discussion I had with a fellow organizer. As a caller, newbie, experienced, old hat experienced: 1. how often do you practice calling dances, esp new to you dances? 2. Do you practice to music? 3. How far in advance do you set and work through your program? Thanks for any and all input. Mary Collins Fanklinville/Olean NY

1 year, 7 months

Caller Directory - for your reference

by Luke Donforth

Hello folks, I haven't chimed in on this for a while, so I thought I'd mention again that there's a list of callers who have hung their shingle available as a google spreadsheet at http://tinyurl.com/hnb72wv If you know of a caller who wants to be on that list, they can submit information at https://goo.gl/forms/62beEKCKsyysepGk1 If you're a caller who wants to be off that list, or have information changed, reach out to me if you don't have your direct edit link anymore. Happy New Year. Luke

1 year, 7 months

EDS 1921-1989 + Stepping/Footwork Tutorial

by John Sweeney

Hi all, Two recent items that might interest you: 1) Dances from English Dance & Song 1921 - 1989 http://contrafusion.co.uk/DanceFromEDS.html This is an article that I wrote for the EFDSS, published in EDS December 2023, looking at the dances that were published in that period and how dancing in England evolved in the 20th century 2) Stepping & Footwork for Country Dance & English Ceilidh http://contrafusion.co.uk/Stepping.html Following a recent discussion on stepping I produced this tutorial covering lots of different steps that I teach. Feedback, suggestions, improvements, errors and omissions most welcome. Happy dancing, John John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802 940 574 http://www.contrafusion.co.uk for Dancing in Kent

1 year, 7 months

A Hand to the Band!

by David Smukler

The following is from David Millstone, who is not a list member, but asked me to share it. David Smukler Syracuse, NY ---- I'm happy to announce the release of A Hand to the Band! [see url at the end of this message], a celebration of dance musicians over the last half century. This project, centered on an interactive map, looks at groups who played for square dances or contra dances, who were among the early such musicians in a given community, and who made a recording. For each band, you'll find information about the musicians and instruments, the release date of their first album (cassette, LP, or CD), the cover image, an instrumental track from that album, and comments about the band, usually from one of the group's members. At the moment, there are more than 275 groups represented in the collection. When you first open the site, the map displays all of the bands. However, you can also narrow your focus by geography and by chronology, so if you're interested in bands from the upper Midwest who recorded between 1980 and 1985, that's easy to arrange. There's also a robust search engine that lets you look for particular musicians or bands. The technical wizardry that makes this possible was provided by Andrew Frock, a young programmer who grew up in the dance world. Without his expertise, all of the information I gathered would be sitting on my desktop computer. He was a fantastic collaborator, and he is sharing the tech underpinnings of the site via GitHub. I started this project from a New England perspective, thinking I knew all the early New England bands. (Surprise! I didn't.) Naively (and arrogantly) I thought there might be a handful of bands elsewhere around the country who had also recorded early on. (Surprise! There were far more than a handful.) In short, compiling the information for this project gave me a deep appreciation for the many musicians around the country who lifted dancers' feet over the decades. From the beginning, I was interested in musicians playing for square dances and for contra dances. When I started dancing, in the early 1970s, both forms would turn up on an evening's program, and I continue to enjoy both styles of country dance. This eclectic approach in this project means that there is a wide variety of musical styles represented here, tunes from northern New England as well as southern Appalachia. Enough! Enjoy the site and please tell others about it. Let us know [using the email ContraSquareMap at gmail dot com] if we need to make corrections or additions. David Millstone https://ahandfortheband.org/ davidmillstone7(a)gmail.com

1 year, 8 months

A Hand to the Band!

by David Smukler

I’m sharing the following on behalf of David Millstone, who is not currently a list member. David Smukler Syracuse, NY ==================== I'm happy to announce the release of A Hand to the Band!, a celebration of dance musicians over the last half century. This project, centered on an interactive map, looks at groups who played for square dances or contra dances, who were among the early such musicians in a given community, and who made a recording. For each band, you'll find information about the musicians and instruments, the release date of their first album (cassette, LP, or CD), the cover image, an instrumental track from that album, and comments about the band, usually from one of the group's members. At the moment, there are more than 275 groups represented in the collection. When you first open the site, the map displays all of the bands. However, you can also narrow your focus by geography and by chronology, so if you're interested in bands from the upper Midwest who recorded between 1980 and 1985, that's easy to arrange. There's also a robust search engine that lets you look for particular musicians or bands. The technical wizardry that makes this possible was provided by Andrew Frock, a young programmer who grew up in the dance world. Without his expertise, all of the information I gathered would be sitting on my desktop computer. He was a fantastic collaborator, and he is sharing the tech underpinnings of the site via GitHub. I started this project from a New England perspective, thinking I knew all the early New England bands. (Surprise! I didn't.) Naively (and arrogantly) I thought there might be a handful of bands elsewhere around the country who had also recorded early on. (Surprise! There were far more than a handful.) In short, compiling the information for this project gave me a deep appreciation for the many musicians around the country who lifted dancers' feet over the decades. From the beginning, I was interested in musicians playing for square dances and for contra dances. When I started dancing, in the early 1970s, both forms would turn up on an evening's program, and I continue to enjoy both styles of country dance. This eclectic approach in this project means that there is a wide variety of musical styles represented here, tunes from northern New England as well as southern Appalachia. Enough! Enjoy the site and please tell others about it. Let us know if we need to make corrections or additions. David Millstone https://ahandfortheband.org/ davidmillstone7(a)gmail.com ContraSquareMap(a)gmail.com

1 year, 8 months

Favorite One Night Stand Dances

by Erik Hoffman

I'd love to collect a few more whole set dances for one night stands. I have done my version of the Virginia Reel, of course. Some Running Set figures (though not in a big circle, but, "find another couple and circle left), Sasha, the Broom Dance and/or the Fan Dance, Blobs, and possibly teach Jefferson & Liberty, or a slightly simplified version of Haste to the Wedding and the first "Hands Four" dance. So, I've been collecting the Simple Contra Dances, and adding them to my repertoire with thanks to all sharing them! I am looking for Whole Set Dances. Here's one from me: Building a Tunnel I put some figures together after looking at dancing in Douglastown, Quebec, that I found from Laura Risk's wonderful collection of music and notes she coproduced with Brian Morris, the Douglastown cd (https://www.laurarisk.com/recordings.html). I call this Building a Tunnel. Then I stole part of what I think is The Flying Scottsman (which I learned from the wonderful Sandy Bradley) or is it Kingston Flyer as Tony Parkes mentioned. Building a Tunnel Longways set a Whole Set dance Not too phrased to the music In long lines, Head Person of Line One leads their line all the way around Line Two Then Head of Line Two leads line around Line One All Partner Do Si Do, Swing (any way: elbow, 2-hand, ballroom) Top Couple arch over one line to the bottom-Mow The Lawn... Top Couple arch over the other line back to the top-Cut Their Hair... Top Couple Sashay to Bottom, Make an Arch The two lines face down, go down and around the Top (soon to be Bottom) Couple Through the arch, and, as the line goes under, make an Arch when couples go through the last arch (made by the couple they've been following). In other words, Building a Tunnel. When teaching the Top Couple to make an arch I teach taking one hand as they face the line. By the second or third time, couple start doing the arch with two hands, thus, I don't know why I bother... Like other dances as the Virginia Reel, sets can easily get out of sync. If they do, I watch and stop calling except to remind un-sync-ed if they forgot something. So many times when teaching the Virginia Reel, dancers want to do the "build a tunnel" and I (and most likely most of you) have to teach promenading up and not passing anyone. Now they get to build it! Thinking of making the first Hands Four dance Easier For years I've called the dance at the Full Belly Farm's "Hoes Down" where they put their hoes down and dance. I've used Jefferson & Liberty, but, in sets on an empty field where sets can easily get 20-couples long or longer, and not wanting to take even more time bi and trifurcating sets into shorter sets. I think I presented Barbarella earlier, and it got me thinking: would it be easier to teach a phrased progressive dance in Becket Formation ending by sliding left to a new couple? So, I'm going to try a couple of ideas at my next One Night Stand: Start getting lines in becket formation. My first thought is to star with Long Lines going forward and back, to reinforce that we are dancing with everyone, but I can also starting by teaching a slice and then putting that slice as B2. That said, these just thinking right now: My First Try: A1 LLF&B; Neighbor across Do Si Do A2 Partner Do Si Do, Swing (any way) B1 Face Down for Line of Four Down the Hall, Turn as a Couple (or, uh, not), Return B2 Circle Left, Circle Right, Slide Right to next couple to A1 LLF&B Or A1 w/ Couple Across: Circle Left, then Right A2 w/ Neighbor Across: DSD, Two Hand Turn B1 Back on Own Side: Ptnr DSD, Two Hand Turn (or Swing any kind) B2 Looking to the Left: Long Lines go Forward to a New Couple, then Straight Back, to A1 with New Nbr I think these might be easier to explain to complete novices. Any thoughts? ~Erik Hoffman Oakland, CA

1 year, 8 months

ISO closing circle mixer for Holiday Ball

by Richard Hopkins

Let me suggest Victoria’s Waltz, by Australian dance leader Peter Foster. American dancers will recognize the B1 sequence as Gay Gordon’s, in waltz tempo. The dance has both English and contra characteristics, but is wholly itself. VICTORIA’S WALTZ By Peter Foster 32 bar waltz A1 All holding hands in a circle, balance forward and back Men take the lady on their left and pass her across to place her on his right All holding hands in a circle, balance forward and back Women take the man on their left and pass him across to place him on her right (it’s the same man who just passed her across) A2 All holding hands in a circle, balance forward and back Men take the lady on their left and pass her across to place her on his right. This is your new partner Two hand turn partner once around, open out standing next to your partner facing anticlockwise around the room, men on the inside, women on the outside B1 Two waltz steps forward, turn on the spot (turning towards your partner) and take their other hand Two waltz steps backward (so still going in the same direction) Repeat the other way: two waltz steps, turn on the spot, two waltz steps back. Then take a ballroom hold B2 Waltz on Richard Hopkins Middlebury, Vermont hopkinsrs(a)comcast.net 850-544-7614 > On Nov 6, 2023, at 12:00 AM, contracallers-request(a)lists.sharedweight.net wrote: > > Send Contra Callers mailing list submissions to > contracallers(a)lists.sharedweight.net > > To subscribe or unsubscribe via email, send a message with subject or > body 'help' to > contracallers-request(a)lists.sharedweight.net > > You can reach the person managing the list at > contracallers-owner(a)lists.sharedweight.net > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of Contra Callers digest..." > > Today's Topics: > > 1. Re: ISO closing circle mixer for Holiday Ball (John Sweeney) > 2. Re: ISO closing circle mixer for Holiday Ball (Val Medve) > 3. Re: ISO closing circle mixer for Holiday Ball (Dorcas Hand) > (Claire T) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Sun, 5 Nov 2023 11:22:56 -0000 > From: "John Sweeney" <john(a)modernjive.com> > Subject: [Callers] Re: ISO closing circle mixer for Holiday Ball > To: "'Caller's discussion list'" <callers(a)sharedweight.net> > Message-ID: <000d01da0fda$6d1aa1c0$474fe540$(a)modernjive.com> > Content-Type: multipart/alternative; > boundary="----=_NextPart_000_000E_01DA0FDA.6D1B16F0" > > Hi Dorcas, > > Here are a few of mine: > > http://contrafusion.co.uk/Dances/Calliope.html > > http://contrafusion.co.uk/Dances/TheWinsomeWaltz.html > > http://contrafusion.co.uk/Dances/RollingWaves.html > > > > > > Happy dancing, > > John > > > > John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802 940 574 > > http://www.contrafusion.co.uk for Dancing in Kent > > > > From: Dorcas Hand via Contra Callers <contracallers(a)lists.sharedweight.net> > Sent: 04 November 2023 20:34 > To: Caller's discussion list <callers(a)sharedweight.net> > Subject: [Callers] ISO closing circle mixer for Holiday Ball > > > > We have the idea to close our Holiday event in Houston with a dance welcoming both contra and ECD dancers to enjoy a dance together at the end of our evening – I’m certain this community has some great suggestions! Thanks in Advance > > Dorcas Hand > >

1 year, 8 months

Re: ISO closing circle mixer for Holiday Ball (Dorcas Hand)

by Claire T

1 year, 9 months

Gear / money-saving tip on a ~$130 cordless mic

by Robert Matson

Hi All, I hope this helps someone in our community save money on a cordless microphone. Just now, a caller friend asked me about the ~$130 Monoprice-brand cordless mic system that we use for calling and teaching. We've used this inexpensive but perfectly adequate cordless mic system for over a year and 16 dances. https://www.monoprice.com/product?p_id=600060 2x mics, 2x headpieces, 2x transmitters, 1x 2-channel receiver. Outputs: 2x XLR for ea. channel or 1x 1/4" combined. ~$130 We've noticed no downsides in spite of the low price, except that Ellen finds the headpiece slips. I understand the issue as being that long thick straight hair prevents the head piece from clamping snugly. She solved it once by wearing a baseball cap. I've worn the mic about six times for calling single dances and to help teach walk-throughs and -- short hair no baseball cap and wearing reading glasses -- had a seamless experience. Another semi-local caller, who calls a monthly dance and to whom I recommended the same set, hasn't mentioned to me any downsides or frustrations. I have no relationship with the manufacturer or dealer. I've bought other things from Monoprice. The one time I had an issue, they quickly resolved it. Hope this helps someone. Rob - - - - - - - - - - - - Robert Matson Cell: (917) 626-2675

1 year, 9 months

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