> Which do you speculate will come first?
> a) The press will regularly refer to "X" rather than "X, formerly known as Twitter"
> OR
> b) The contra dance world will agree to one of larks/robins or gents/ladies
>
I like to point out two important factors that should influence the transition to larks/robins.
1. To some LGBTQ+ people being called a Lady or Gent is mentally harmful because gender ID is a very important matter and sometimes has a long and often uncomfortable personal history.
2. It helps encourage people to dance both roles.
a) I’ve been at dances where there are more people of one gender than the other and as a result some dancers sit out a dance because they feel uncomfortable about asking someone of the same gender to dance. And there are some people who think that Ladies shouldn’t ask Gents to dance.
b) I think dancing both roles makes you a better dancer because you get to appreciate the affect of some moves on the other person.
Which do you speculate will come first?
a) The press will regularly refer to "X" rather than "X, formerly known as Twitter"
OR
b) The contra dance world will agree to one of larks/robins or gents/ladies
I've been asked if I will teach/lead a one hour long 'contra dance' at a
day program for young adults with a variety of physical and cognitive
disabilities. (The staff probably would be happy for me to do more than one
session, but I'm not willing to commit to that. At Least not now.)
My usual repertoire for a wedding or party of non-dancers seems tricky for
many of the clients--especially those who are uncomfortable being touched.
I did a similar event about 10 years ago--at a different program-- and it
didn't seem many of them had a good time.
I'd like to figure out a way to make it fun for this group.
I have a couple of ideas and am looking for more. Have you ever led a
dance/music event with a similar population?
I'd appreciate any advice/suggestions.
Bree Kalb
Carrboro NC
Hi all,
Does anyone know when the Balance & Swing as we know it today
become popular with a 12-beat Swing instead of the more standard 8-beat or
16-beat Swing?
Thanks.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
940 574
http://www.contrafusion.co.uk for Dancing in Kent
Hi Folks :)
This summer, I called for a week long event. Near the end of the week, I
found my ears were really tired and the level of sound coming from the
speakers was hurting my ears. I did talk to the sound person a bit but
they needed to accommodate the dancers of course and so turning down the
main speakers was not an option. While I call from the stage some of the
time, it often worked better if I was calling from the floor.
Has anyone had similar experiences? Have you found solutions?
Thanks!
:) Emily in Ottawa
I recently had a conversation with a dear friend in NH, a long-time contra
dancer, who has an adult daughter who is deaf (who lives in SF, CA if that
helps). Daughter doesn't dance, because she can't hear the calls and gets
confused on the dance floor. She wishes that, during walk-throughs, the
calls could be signed as well as spoken. I'm writing to ask if any of you
have encountered this request? AFAIK there are no deaf dancers in my
community in the Maine highlands, but I'd be willing to learn some basic
signs to go along with my teaching. I think it would be challenging to sign
as I call once the dance gets started, though.
Thoughts?
Allison Aldrich Smith
--
www.huntandallison.netwww.info@thsmaritime.comwww.centralhallcommons.org
Seth Tepfer asked me what Contras I considered to be difficult. Two
immediately sprang to mind:-
Double Back by Mark Elvins (a double progression backwards)
Henry and Jacqui by Scott Higgs
There are several others including Irish Stars.
Barrie Bullimore
Gosport, UK