Note, that page doesn't use the phrase "Global Terminology". More
specifically, the word "global" doesn't appear anywhere on it. It does
include a "Heather and Rose Terminology" section which is what I believe is
being referenced.
I only bring this up because it caused me some confusion at first, as it
was not clear in which section the referenced "global" material was.
On Mon, Jun 1, 2015 at 12:51 PM, Linda Leslie via Callers <
callers(a)lists.sharedweight.net> wrote:
> In an earlier email, David Casserly shared the following link, which
> defines the approach very, very well!
> http://heatherandrose.org/terms.shtml
> Linda
>
>
For those interested in gender free contra dance terms:
1. Do you like or dislike jets / rubies ?
2. How would gems / rubies compare?
In dance,
Ron Blechner
On Sat, May 30, 2015 at 2:57 PM, Delia Clark via Callers <
callers(a)lists.sharedweight.net> wrote:
> ...
>
> It will ultimately be a good thing if there is a generally accepted set
> of words (certainly not a strict requirement, but something that’s
> generally accepted across the country, if possible) that meet the range of
> criteria, along the lines of those suggested by Ron in his matrix.
>
There is an assumption behind this statement which is often made, but
which I find very disturbing.
The assumption is that it is an unalloyed good thing for there to be
standardization. This is the kind of thinking that led the Modern Western
Square Dance movement to standardize all of their calls, and all of their
teaching programs. They wanted any square dancer to be able to go to any
square dance club in the country, or in the world, and immediately know
exactly what was meant by everything that was said. There are some
advantages to that kind of standardization, especially if you happen to be
a globe-hopping square dancer who enjoys dancing hot hash, but it comes at
a tremendous cost.
It comes with a loss of the opportunity to experience, adapt to, and
appreciate regional differences. I don't care about being able to go to a
new place just to find that things there are done in the same way that I'm
used to them being done back home. I care about being able to go to new
places and learning the way things are done there.
What this means for the current discussion, from my point of view, is that
it's a good thing if dance callers and producers discuss the advantages and
disadvantages of using different terminology, and consider what language
will work best for their dance. It would be a BAD thing if anyone switched
terminology JUST BECAUSE that's what other people were doing.
It may well be that a certain set of terms will become generally accepted
because it works better for the dancers in a lot of places. It may well be
that dances which were written to be gender-neutral will be generally
accepted because they work better for the dancers in a lot of places. In
the meantime, if you find yourself assuming that it would a good thing if
there was standardization across the country, please give some thought to
what advantage you are trying to achieve, and what the disadvantages would
be.
Jacob Bloom
Hello friends,
I recently called a dance and had trouble with my Shure wireless headset
system. I had feedback as I called from the floor/field. That indicates
that the mic pattern is probably to wide, since the volume was not that
loud.
It also droped out as I walked around the field at the outdoor dance.
Can anyone recommend a good quality headset system for a singing caller who
is often on the floor as he calls?
Rich Sbardella
Stafford, CT
I continue to gather information, and consider suggestions. Has anyone
used the Audio Technica Pro HE series with a hypercardoid headset mic?
Rich Stafford, CT
International Folk Culture Center in San Antonio, TX presents a workshop by John Gardiner-Garden and Aylwen Gardiner-Garden of Yarralumla, Australia on July 24-26, 2015
Please see details at: https://regencydance.eventbrite.com
Lissa Bengtson
Director, International Folk Culture Center
Our Lady of the Lake University
411 S.W. 24th St.
San Antonio, TX 78207
210-867-0692
www.ollufolkculturecenter.com<http://www.ollufolkculturecenter.com>
Hi All,
I'm calling a dance this weekend at Comicpalooza, a large comic book
convention. The crowd will be at least 95% people who have never danced.
What are some dances that you all recommend for this sort of crowd?
-Ben
I thought I'd saved a fairly recent discussion on 'transgressive contras'...there was one posting that had a link to a video of 2 contra lines where the 1's bounced back and forth from line to line in subsequent verses. Could some kind soul who did save that please email me the link and any relevant discussion they saved at catherineaura(a)yahoo.com. Sadly I do not know how to access any archives...tried googling 'transgressive contra shared weight' and just brought up a long discussion from 2006
Many thanks!
At the Ralph Page Dance Legacy Weekend (RPDLW) in January, Carol Ormand
called a fun & silly little dance that I liked: Monkey in the Middle. I
think there were 4 couples plus 1 extra person ("the monkey"). I don't
think that the 2015 RPDLW syllabus is available yet online. Would anyone
have instructions they're willing to share? Val Medve, Essex, Vermont (
val.medve(a)gmail.com)
--
My new email address is val.medve(a)gmail.com