Regarding swing position: With good frame, differences between the roles in
giving weight are slight. But not all dancers are accustomed to good frame.
I find a mirrored ballroom hold (both dancers have right hand on the
other's shoulder blade, left hand on the other's shoulder) offers several
advantages:
- In general, it's a good hold for dancers to know as it saves space
in crowded halls.
- It facilitates spinning out from a swing, useful when dancers
encounter "string of swings" choreography
- It allows both dancers to experience both sides of good frame
The one challenge is that dancers need to remember which side they are
ending the swing on, as it removes "pointer hands" from the equation.
This a bit of a tangent, but related to the chain: If we just called gents
chains (by either hand! the courtesy turn for a left-hand chain isn't
REALLY that complicated, folks) more often, role differences WRT chain
would be a moot issue, and both roles would be better equipped to
understand/offer/ask/decline flourishes. All for the effort of teaching one
move well, one move that's out there in good choreography waiting to be
used.
Susan, I'm assuming this workshop is at a gender-free series, but geared to
encourage attendance by dancers who aren't yet accustomed to gender-free
dance? Having danced both roles widely and called a bit of gender-free, I'd
be happy to chat by phone or IM. Feel free to ping me on facebook - Tavi
Merrill
On 7/5/2016 11:32 AM, Susan Pleck via Callers wrote:
> > Hi folks,
> >
> > I'm to lead a workshop/extended intro lesson at a local dance this
> > Saturday on gender-free dancing/dancing the "other" role/switching
> > roles. Not having done this before, I'd appreciate any thoughts or
> > advice about what this should include. For the gender-free aspect,
> > I'm not sure there's much to discuss, really; ir'd be more just giving
> > dancers a chance to practice responding to different terms. For
> > dancing the other role, though, what points of emphasis do you think
> > would be most useful? Two that come to mind are swing
> > positioning/giving weight, and figures such as a chain where the
> > actions of the two roles are different.
>
>
Hi folks,
I'm to lead a workshop/extended intro lesson at a local dance this Saturday on gender-free dancing/dancing the "other" role/switching roles. Not having done this before, I'd appreciate any thoughts or advice about what this should include. For the gender-free aspect, I'm not sure there's much to discuss, really; ir'd be more just giving dancers a chance to practice responding to different terms. For dancing the other role, though, what points of emphasis do you think would be most useful? Two that come to mind are swing positioning/giving weight, and figures such as a chain where the actions of the two roles are different.
thank you!Susan PleckOakland, CA
American Dance and Music Week at Pinewoods still has space to you to join us. It's a wonderful program in the most beautiful setting. Larry Edelman, caller, musician and teacher extraordinaire, will be teaching his very popular Square Dance Callers class. If you are a caller who has ever considered adding squares to your repertoire, you don't want to miss the opportunity to learn from Larry. Even callers with years of experience will benefit from Larry's wisdom.
The rest of the program is packed with great calling and teaching. Check it all out at
http://www.cdss.org/programs/dance-music-song-camps/camp-weeks/american
Hope to see you there!
Sue
If you're planning on coming to the Caller's Delight English/American mix
in VT tomorrow, you are MORE than welcome to stay after and eat/ talk shop.
If the weather is good, the Top Of The Hill Grill on the north end of
Brattlebore is the most likely candidate; if it's raining (please no..)
then Chinese might work better - we can decide just after the last waltz.
(Details are on the Dance Gypsy/Monadnock Folklore sites)
Cheers,
Amy
802-222-7598
I know at least three of us will be there next weekend, any interest in a
group meal or something? Or just crash into each other on the dance
floor? ;->
--
Hugs and backrubs -- I break Rule 6 http://rule6.info/
<*> <*> <*>
Help a hearing-impaired person: http://rule6.info/hearing.html
FWIW: June 24 is the feast day of St John the Baptist, patron saint of Quebec. So June 24 is Quebec's national holiday, bigger there than Canada Day a week later. (Camped last night in a state park in the Adirondacks, full of Québécois enjoying a long weekend....).
Richard Hopkins
Sent from my iPhone
> On Jun 25, 2016, at 4:01 PM, via Callers <callers(a)lists.sharedweight.net> wrote:
>
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> 1. 24th of June (Amy Wimmer via Callers)
>
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> ----------------------------------------------------------------------
>
> Message: 1
> Date: Fri, 24 Jun 2016 13:56:18 -0700
> From: Amy Wimmer via Callers <callers(a)lists.sharedweight.net>
> To: callers(a)sharedweight.net
> Subject: [Callers] 24th of June
> Message-ID: <-8010775640843658219@unknownmsgid>
> Content-Type: text/plain; charset=UTF-8
>
> Anybody know the origins of Steve Schnur's dance "Twenty Fourth of
> June"? I plan to call it tonight, because....
>
> -Amy
>
>
> ------------------------------
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> End of Callers Digest, Vol 26, Issue 14
> ***************************************
I like these two at a glance; I'll take a closer look later. Thank you.
At the same time, I was asking for pulling by both ways, not just one way,
so more suggestions still welcome.
On Jun 20, 2016 4:50 PM, "Bob Isaacs" <isaacsbob(a)hotmail.com> wrote:
Ron and All:
I hope this isn't too weird for you. It adapted the diagonal Rory spins
first seen in Bill Olson's Eleanor's Reel into a single progression dance:
Let It Flow
Becket-L
Bob Isaacs, 7/26/04
A1. 8 L diagonal circle L ¾
2,2,4 N1 pull by R, N2 pull by L, N3 allemande R ¾ to wave/4
(1)
A2. 4,4 Balance R and L, spin R forward to wave/4 w/N2
(2)
4,4 Balance L and R, spin L forward
B1. 4,12 N1 balance, swing
B2. 4 Give and take to gent’s side
12 Partner swing
(1) – With gents taking L hands in the center and N3 keeping R hands on the
side.
(2) – With ladies taking R hands in the center and N2 taking L hands on the
side.
*http://www.youtube.com/watch?v=4eMPU6Enh-M*
<http://www.youtube.com/watch?v=4eMPU6Enh-M>
http://www.youtube.com/watch?v=LecYtmgdLLEhttp://www.youtube.com/watch?v=d1ZneH9zwsw
Bob
------------------------------
Date: Mon, 20 Jun 2016 15:34:47 -0400
To: callers(a)sharedweight.net
Subject: [Callers] Rorys + Grand R+L?
From: callers(a)lists.sharedweight.net
Any contra dances out there with a grand right and left around the set and
Rory OMoore spins? (Standard 32bar, nothing too weird)
I thought I've danced one that went something like:
Indecent
A1. N1 Pull by R, N2 Pull by L, N3 Pull by R, N4 Alle L 1x, N3 by R, form
wavy lines with N2, LH to N2, ladies in center.
A2. Bal, Spin L, Bal, Spin R ...
Then something? Maybe ladies spin all the way across on that second spin,
B+S partner, circle, do-si-do?
Or maybe the pull-bys go back to N1, and RH to N1 in waves?
Thanks,
Ron Blechner
_______________________________________________ Callers mailing list
Callers(a)lists.sharedweight.net
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Hello all,
Just got a request from Axel Roehborn of the Erlanger Tanzhaus in Germany
asking for dances to be submit for a workbook.
Anyone have any familiarity with Axel or the group?
http://www.erlanger-tanzhaus.de/
As an academic, I get all sorts of requests for papers with publication
fees. This seems different, but set off my internal phishing sensors.
Thanks
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
Any contra dances out there with a grand right and left around the set and
Rory OMoore spins? (Standard 32bar, nothing too weird)
I thought I've danced one that went something like:
Indecent
A1. N1 Pull by R, N2 Pull by L, N3 Pull by R, N4 Alle L 1x, N3 by R, form
wavy lines with N2, LH to N2, ladies in center.
A2. Bal, Spin L, Bal, Spin R ...
Then something? Maybe ladies spin all the way across on that second spin,
B+S partner, circle, do-si-do?
Or maybe the pull-bys go back to N1, and RH to N1 in waves?
Thanks,
Ron Blechner