Hello all.
It's been a while since I've had enough folks at a house party to really
walk through a 4x4 dance, so I'm sending this out for comment: I'm trying
to increase my repertoire of accessible and entertaining 4x4s (my double
reverse progression 4x4, etc, not qualifying)
This one is in the "Midwestern Folklore" and "Will You Mary Me?" tradition
of being two nearly identical halves.
Plow and Cross Stitch
by Luke Donforth
Contra/Four Facing Four
A1 -----------
(8) Lines of four, forward and back
(8) Women's Chain up & down to facing neighbor
A2 -----------
(8) 1/2 Hey up & down, women passing right shoulders
(8) Neighbor swing (end facing partner, Women's line of direction; men
opposite initial facing.)
B1 -----------
(8) Women's Chain up and down to partner, power turn to face trail buddy
couple
(8) 1/2 Hey across, women passing right shoulders
B2 -----------
(16) Partner balance and swing
It could go lines of four again in B1, then the chain and power turn, with
B2 being half hey and just a swing; but I figured try for the partner
balance and longer swing.
I'd appreciate hearing folks thoughts (too repetitive? too disorienting?
basically X's dance Y), as well as your own favorite 4x4s; and why. My
personal favorite is Rick Mohr's "Dance All Night", because you get a grand
right and left in a contra.
Take care,
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
I know this isn't the exact best forum, but ...
I'm looking for leads on contra bands and sound people who might be
available for a dance in Palm Springs California on Saturday, July 1, 2017
as part of the IAGSDC annual MWSD square dance convention.
( http://palmsprings2017.org/main/index.php )
Anyone with info please contact me directly at andyshore(a)gmail.com
Thanks,
/Andy
Hi all
There's often a long announcement segment toward the end of the first
half at many of our local dances, and I've been figuring that after all
that talk, folks just want to dance. The first time I tried doing a NWT
in that slot, it got a great response. So for those of you who call
no-walk-through dances, do you have any particular favorites? I'd love
to add a few more good candidates to my collection.
Kalia Kliban
Kalia:
I usually reserve my NWT til the end of the night but I can see the value
in calling one after announcements. I might do that next time. I agree that
announcements often are long and dancers wanna dance!
I like the Nils Fredland approach to the NWT "walk-through". "Face your N.
Do we need to walk that through a second time?"
My NWT choices are simply those that have clean and clear starts and
finishes for each figure that require very little brain power even for
first-timers. All the figures have occurred at least twice in earlier
dances that evening. Low piece count.
Kiss the bride
Delphiniums & Daisies
Al's Safeway Produce
A(nother) nice combo
Rendezvous
Simplicity Swing
Streetsboro daisies
Jubilation
The boys from Urbana - if you're truly confident.
Ken
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ciao,
rah
--
Rob Harper
thatrobharper(a)gmail.com
(404) 307-3444
Whipped this one up looking for a double-chain dance to get beginners
accustomed to the figure*. Has it been written before? (If not, tentatively
titling this one "Chain of Fools".) (Uhh, unless there's another dance of
that name already... which I can't imagine there isn't... in which case
I'll come up with something else.)
becket L
A1: slice L
ladies chain to N
A2: ladies chain to P
ladies alle. R 1 1/2
B1: N b&s
(Or perhaps the same dance, starting at B1, with "long lines forward and
back" in place of the slice.)
Cheers,
Maia
* currently my go-to dance for this purpose is currently Erik Hoffman's Made
Up Tonight
<https://www.cambridgefolk.org.uk/contra/dances/erik_hoffman/made_up_tonight…>,
but I like to have options (and I like to have glossary dances that don't
start with "N b&s").
Richard Hopkins asked, "What is 'slice'? And is it different from 'yearn'?"
I think most people use Slice and Yearn to mean the same thing:
As a couple move forward diagonally to face the next couple (default is
usually to the left); high-five them with your spare hands (not the one you
are using to hold your partner's hand) while turning to face them across the
set; fall back (push away) to your progressed positions facing them.
There is also a Double Slice, i.e. forward to the left diagonal couple and
continue moving to the left as you back out to face the next couple (double
progression)
And Bob Isaacs introduced Half a Slice (in the dance of the same name): "As
a couple, go forward towards each other on the diagonal. The top two
dancers join hands; the bottom two push off to make a line of four facing
down. This is an efficient way to get everyone progressed and facing down
in 8 beats, so there is time for creative or dramatic push-offs."
Some people sometimes use one term to mean single progression and the other
to mean double progression, but I don't believe there is any universal
agreement, so it is always best to write or teach exactly which one you
mean.
I like Yearn as it implies more interaction with the couple you are
approaching.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
What is ‘slice’? And is it different from ‘yearn’?
Richard
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Richard Hopkins
850-544-7614
hopkinsrs(a)comcast.net
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