Hello folks,
There was a recent call for new dances, but I can't find the thread, so
here's a fresh post.
Continuing what I think of as a long-standing tradition of contra dance
choreography stealing moves from other dances; I've written a few with the
mini-dip, a move from swing dancing. (Despite the name, it's not really a
dip)
I was recently on a small tour with Chimney Swift, and premiered one at the
BIDA dance in Boston.
You can check out a video of it here:
https://goo.gl/photos/qaeUuuSKt9PKBY3v8
For an explanation of what swing dancers consider a mini dip:
https://youtu.be/nGI9IfhSCQE?t=6https://youtu.be/LiElJr7YSQA?t=99
There's different opinions in swing if it's a 6 count or 8 count move, but
I put it in 8 counts. The break down:
1-2: moving forward on balance
3-4: moving backwards on balance
5: pull past each other
6: clap (while low and moving)
7: catch hands
8: style pause
Functionally, it's like a box the gnat; but folks let go and have an
opportunity to clap and add style.
The entire dance in that video is ~75% Bob Isaacs' "United We Dance";
replacing long wavy Rory O'More's in the A1 with the mini-dip sequence, so
it's called "United We Mini-Dip".
Improper
A1
(8) Right hand to neighbor, balance, and mini-dip; catch right hands
(2) Pull by right with current neighbor to previous neighbor
(6) Previous neighbor allemande Left 1x, back to current neighbor
A2
(16) Current neighbor balance and swing
B1
(6) Circle left 3/4
(10) Partner swing
B2
(8) Ladies Chain to neighbor
(8) Left Hand Star 1x
I know NB&S, CL PSwg, Chain Star, overlaps other dances as well. You could
do the whole thing with a box the gnat instead of a mini dip in the A1
(that may already exist as a choreographed and called dance); but I like
the clap opportunity the mini-dip provides, especially if the band matches
it well to a tune (as Chimney Swift did).
Enjoy if you're so inclined.
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
I am based in Australia and hoping to travel to the US and attend some contra dance calling workshops in 2018. I would be grateful for any information about upcoming workshops, including workhshops at festivals, to assist with an itinerary.
Many thanks in advance for your suggestions
Jeanette "We must use time wisely and forever realise that the time is always ripe to do right" Nelson Mandela (18 July 1918 – 5 December 2013)
Hi choreographer folks,
I'm leading a session at NEFFA called "Cutting-Edge Contras", consisting of
un-premiered (or very sparsely called) contras. If anyone has any dances
they'd like to throw my way for consideration, please do so!
Cheers,
Maia
Hi folks,
I'm running up against a wall in a dance I'm currently writing, and
it's making me wonder: what dances, if any, have a full hey that spans two
sections* and really WORKS? I feel like in general, if I danced such a
dance, I would roll my eyes at the choreographer "breaking the rules", but
I can also imagine delightful dances a hey spanning two phrases that
justify their own existence and feel great to dance.
Thoughts? Dances to point me to?
As always, in dance,
Maia
* e.g. hey occurs during the last eight counts of B1 and the first eight of
B2
The Triangle Country Dancers in Central North Carolina would like to share the very sad news of Louie Cromartie’s passing. Louie was a well-loved and admired local dancer, caller, and mentor. We will miss her terribly.
Memorial Events:
There will be two memorial dances in her honor next weekend, both Friday, March 31st and Saturday, April 1st, coinciding with scheduled dances.
Both dances will be at the Carrboro Century Center in Carrboro, NC. More info about dance times, location, and caller/musicians on the TCD website: http://www.tcdancers.org <http://www.tcdancers.org/>
There will also be a memorial service for Louie, that same Saturday, April 1st at 11 am.
The service will be at:
Community Church of Chapel Hill Unitarian Universalist
106 Purefoy Rd
Chapel Hill NC 27514
Google map <https://www.google.com/maps/dir/''/community+church+of+chapel+hill/@35.8985362,-79.1220615,12z/data=!3m1!4b1!4m8!4m7!1m0!1m5!1m1!1s0x89acc2f0a47d37d5:0x40a4301d3e78db53!2m2!1d-79.0520214!2d35.8985565> link https://goo.gl/maps/wTzAdsgMLv32 <https://goo.gl/maps/wTzAdsgMLv32>
There may be some home hospitality for dancers coming from out of town as well.
Whether or not you can make it to NC, please keep Louie’s family, especially Robert and Thankful, in your thoughts.
Joy Greenwolfe
Durham, NC
Dear Maia,
I recently composed a contra that may fit your criteria. I've sent it out
to a few other callers, and posted it to a small Facebook group, but its
challenges make it unsuitable for most dances on my schedule. The
challenges are: multiple progressions/regressions and potential
disorientation. I would guess a hall populated mostly with experienced
dancers would not have too much trouble with it. Another caller suggested
calling it as a becket starting with the B1, which would certainly give it
a different feel.
Let me know if you end up using it; good luck with your workshop whatever
you end up doing!
--Jerome
Do Re Mi Re Do By Jerome Grisanti
Duple Improper Contra
A1
Neighbor right-hand balance (4), pull by (2), next neighbor pull by left
(2).
Third neighbor right-hand balance (4), box the gnat (4).
A2
Gents allemande left 1 1/2 (8),
Partner swing (8)
B1
Slide left & circle left 3/4 with 2nd neighbors,
Neighbor swing
B2
Gents walk forward to a long wavy line (4), Balance forward & back (4);
Gents allemande left with ladies joining behind partners to turn it into a
left-hand star (8) (ladies traveling about 3/4, gents about once+ around).
You interact with three neighbors in this order: 1,2,3,2,1.
An end-effects warning: you're never out for long. Couples out during the
A2 will be in in the B1, if you're out in B1 you return in B2. The A1
figure wraps around the ends.
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and power
and magic in it." --Johann Wolfgang von Goethe
On Sun, Mar 26, 2017 at 8:26 PM, Maia McCormick via Callers <
callers(a)lists.sharedweight.net> wrote:
> Hi choreographer folks,
>
> I'm leading a session at NEFFA called "Cutting-Edge Contras", consisting
> of un-premiered (or very sparsely called) contras. If anyone has any dances
> they'd like to throw my way for consideration, please do so!
>
> Cheers,
> Maia
>
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>
Maia,
This has been called a few times across the US recently & is well-loved, but is definitely not wide spread yet.
Mad Orbin by Jacqui Grennan
A1 (4) N RH Bal
(4) Box the Gnat
(8) Gents front to R, Mad Robin
A2 (8) Gents allem L 1.5, while Ladies orbit CW
(8) N Sw
B1 (4) Bal ring, Ladies bring P across
(12) P Sw
B2 (8) CL 3/4 , Pass thru
(8) Next N DSD
Claire Takemori
Campbell CA
On Mar 27, 2017, at 1:02 PM, via Callers <callers(a)lists.sharedweight.net> wrote:
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Today's Topics:
1. In search of un-premiered contras! (Maia McCormick via Callers)
2. Re: In search of un-premiered contras! (David Harding via Callers)
3. Re: In search of un-premiered contras! (Tom Hinds via Callers)
4. Re: In search of un-premiered contras! (David Harding via Callers)
5. Re: In search of un-premiered contras! (Don Veino via Callers)
6. Re: In search of un-premiered contras! (Linda Leslie via Callers)
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Message: 1
Date: Sun, 26 Mar 2017 21:26:38 -0400
From: Maia McCormick via Callers <callers(a)lists.sharedweight.net>
To: "callers(a)lists.sharedweight.net" <callers(a)lists.sharedweight.net>
Subject: [Callers] In search of un-premiered contras!
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Hi choreographer folks,
I'm leading a session at NEFFA called "Cutting-Edge Contras", consisting of
un-premiered (or very sparsely called) contras. If anyone has any dances
they'd like to throw my way for consideration, please do so!
Cheers,
Maia
To my knowledge, it depends on the dance; i.e. how many beats has the
choreographer allowed for. Some dances are timed to 2 beats zig, 2 beats
zag. Some are timed for 4 beat zig and 4 beat zag.
I believe that "Cows are Watching" (just looked online) and Weave the
Line, as examples, are the latter.
I can't recall the name of a dance with the similar zig/zag into a gents
alle L as "Cows" that, I think, has 2 beats/zig timing.
Ken
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sat, 25 Mar 2017 13:43:36 -0500
> From: Jerome Grisanti via Callers <callers(a)lists.sharedweight.net>
> To: Tom Hinds <twhinds(a)earthlink.net>
> Cc: "callers(a)lists.sharedweight.net" <callers(a)lists.sharedweight.net>
> Subject: Re: [Callers] ???? Looking for Author of Dance -dancers
> adjust
> Message-ID:
> <CAD6SnUQMse394aS9QSQ4XnxWyoGW79J1epej29RAS4c=NZQ9bA@mail.
> gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> I tend to think of the zig as four beats and the zag as four more. Four
> total would be zesty or rushed, depending on the crowd and music.
>
> Jerome
>
>
>
> On Friday, March 24, 2017, Tom Hinds via Callers <
> callers(a)lists.sharedweight.net> wrote:
>
> > I believe that zig left, zag right normally takes 4 beats. If the
> dancers
> > zag a little farther so men can easily take a left hand that would take
> an
> > additional 2 beats for a total of 6 counts. I'll confirm the timing this
> > Saturday.
> >
> > For me there's this issue of how much we ask the dancers to adjust. It
> > seems that asking dancers to adjust is common in English and perhaps less
> > common in contra.
> >
> >
> > Tom
> > _______________________________________________
> > Callers mailing list
> > Callers(a)lists.sharedweight.net
> > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
> >
>
>
>
I have a wonderful dance in my box that I enjoy dancing and calling - but do not know who wrote it…. can anyone tell me who wrote it?
Also - is this the correct name since another caller said they had a dance called “the Cows are Watching” ?
Anyone have any other “Cow” dances since we are on a theme ?
The Cows go Marching by _________________
A1 (8) Long lines, forward and back
(8) Women allemande Right 1-1/2
A2 (16) Neighbor balance and swing
B1 (8) Balance the ring
(8) Gents Roll/Sashay Partner across set
B2 (4) Zig to Left (w/Partner),
(4) Zag to Right and Gents catch by Left
(8) Men allemande Left 1x to Partner Swing
Thanks - Cheryl
Cheryl Joyal
clmjoyal(a)gmail.com <mailto:clmjoyal@gmail.com>
clmjoyal(a)aol.com <mailto:clmjoyal@aol.com>
630-667-3284 (cell)
Cheryl Joyal
clmjoyal(a)gmail.com
clmjoyal(a)aol.com
630-667-3284 (cell)
I am calling on April 15th....would love some ideas for "tax" related
dances. Any out there?
Thanks.
Mary Collins
“Life is not about waiting for the storms to pass ... it's about learning
to dance in the rain!” ~ Unknown