I have had the same experience as Mac. The same dance can be different depending on the tune, the band, your partner...and even your own mood and abilities from 1 dance to the next.
Paula McFarlingColumbia, Mo
Sent from my Verizon, Samsung Galaxy smartphone
-------- Original message --------From: John W Gintell via Callers <callers(a)lists.sharedweight.net> Date: 3/7/18 9:13 AM (GMT-06:00) To: Kalia Kliban <kalia.kliban(a)gmail.com> Cc: callers(a)lists.sharedweight.net Subject: Re: [Callers] Dance logs and record-keeping
> On Mar 6, 2018, at 11:23 PM, Kalia Kliban via Callers <callers(a)lists.sharedweight.net> wrote:
>
> On 3/6/2018 7:28 PM, Mac Mckeever via Callers wrote:
>> This seems to me to be a lot of effort with very little benefit. There are thousands of dances and each caller has their own approach to programming. It is rare for a dance to be called two nights in a row. When I do see that happening I often ask other dancers around me if they remember it - and no one ever has.
>> How would the next caller get access to this info? The logistics would seem difficult and unnecessary.
>
> The way our local English dances do this is that the series programmer sends the current log to the next caller on deck, who can then consider the log or not, as they choose. It's not a big deal. I run the Sebastopol dance, and I either write down the programs myself if I'm at the dance or contact the caller afterward to get their list. Simple Excel spreadsheet to keep track. Easy.
>
> If I'm coming to call for a community I've never worked with before, seeing a list of the dances they've done gives me a good idea of the general level of the group. It's a useful tool.
>
> Kalia in Sebastopol
For our English dance in Jamaica Plain, the caller writes the dance name on a whiteboard in front of the hall after each dance. At the end of the dance we transcribe it into book, I take a photo of the board and enter it in a database at home - and then post on our web page two lists, one sorted by night, and one sorted by dance name. (If I am not there someone else sends me the info).I sometimes have to adjust the spellings - or deal with the “the” in the name so the sorting by dance name is OK. This record goes back to January 2010.
http://lcfd.org/bgfe/
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> see my comments sprinkled.......
> On Mar 6, 2018, at 12:21 AM, Jeanette Mill via Callers wrote:
>
>> Hello
>>
>> I am devising a workshop for a festival here in Australia, and
>> have long been of the opinion that there are no "leaders" in
>> contra dance couples.
>
>
> That's a great issue to discuss. My thought is that having a
> really fun time requires someone to take the initiative. Of course
> it's quite possible that dancing in Australia is different than
> dancing here in the states.
>
>
>> Moves should be executed with mutual consent, especially
>> embellishments such as turning under out of a ladies' chain.
>> Conventions such as waltz hold swings are really useful here. In
>> Australia, other related dance forms use a variety of swing holds,
>> which lead to confusion and interruption of flow. I plan to place
>> some emphasis on conventions of holds, such as allemande and star
>> holds.
> Would it depend on the situation? If there are new dancers would
> you expect or appreciate leading from a more experienced dancer? I
> would say skill level would play a part in this issue even between
> people who are not beginners.
>>
>> I would value people's opinions on this, as it may ruffle some
>> long-held conventions. Any words of wisdom from the gender free
>> dance community would be especially welcome.
>>
>>
>> Also, I believe that if dancers are to enjoy embellishments, they
>> must be by mutual consent. This is so difficult to establish in a
>> microsecond. I would value any thoughts on how to advise reaching
>> this consent in the context of a contra dance.
> I know in my small town everyone knows everyone and it's easy to
> adjust your style when it comes to embellishments. When you meet
> someone in line you know what to expect unless it's a new face.
>
> Would that be very different at a large dance or say at a festival
> where people from other areas attend?
>>
>> Looking forward to your thoughts
> My limited personal experience is that I'm the leader because I'm
> the stronger dancer.
>
> If I verbally suggest that my partner "twirl me" they will, but
> it's usually in the wrong direction or at the wrong time. There
> are good female leaders out there, but not here in my town. So how
> about a workshop where people are allowed or encouraged to try the
> role they may not be the most comfortable with?
>>
>> cheers
>> Jeanette
>>
>> __________
>>
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>> callers(a)lists.sharedweight.net/
>
Linda Leslie Celebration of Life
Sunday, May 20
1:30-4:30 PM
at The Concord Scout House
Sharing of memories followed by a community dance.
The sharing is for us to remember Linda and her wonderful energy, generous spirit and warm love. The dance is for Linda—this is what she wanted us to do!
—Lisa Greenleaf
When was the last time you got a tan at an *indoor* contradance?
No, this is not a joke. I got sunburned while calling this past Saturday
(March 3rd, in Pennsylvania).
How is this possible? Probably a damaged metal halide bulb in the community
center gym where the dance was held. Apparently this is a problem that
occurs sporadically in gyms all over the country, as I found out after a
google search:
https://news.vanderbilt.edu/2004/05/19/damaged-metal-halide-
lamps-can-cause-indoor-sunburns-56964/
https://www.fda.gov/Radiation-EmittingProducts/RadiationSafe
ty/AlertsandNotices/ucm116540.htm
I'm very fair-skinned and burn easily, but I'm not the only one who was
affected — the musicians got sunburns as well, and two of them have (mild)
eye irritation symptoms. It's only when we compared notes yesterday that we
realized what had happened.
We will all be ok, and thankfully there haven't been any reports of dancers
being affected — it was a large and lively crowd, and we kept them moving!
Other than the burns, it was an absolutely wonderful dance.
The problem had not occurred before at this monthly event because the bank
of lights that we now think the culprit bulb is a part of is not usually
on. It was needed that night because some of the other lights had burned
out.
I would like to commend the dance organizers who, once informed, took the
problem very seriously and immediately contacted the community center
management, who in turn promised to address the issue right away.
I don't mean to alarm anyone, but next time you call in a gym, you may want
to wear sunscreen!
Anne Lutun
Philadelphia, PA
Someone from Stratford, Ontario in Canada has contacted me-he has a
collection of square dance records from his parents that he would like to
give away to a good home. If you're interested please contact him directly
Larry Crisp beege318(a)hotmail.com
Also please let me know that you have done so. Thanks!
---
This email has been checked for viruses by Avast antivirus software.
https://www.avast.com/antivirus
For those of us lucky enough to be calling on May the Fourth (or it’s
sister holiday, Revenge of the Fifth): Anyone have some Star Wars-themed
dances to recommend?
Cheers,
Maia
Hi all,
Just found a dance card with no name, and I'm sure somebody out there
can plug it into the dance-o-matic* and tell me what it is.
A1 N b&s
A2 M alle L 1-1/2; P sw
B1 Lines of 4 down the hall, turn as cpls, return and bend.
B2 Balance ring, circle L 1/2; Ladies chain
Kalia Kliban
*and wouldn't that be a good name for a dance?
Hey all! This dance just popped into my head as part of a discussion over
on the pourparler/family dance community.
I have NO idea if I've just reinvented someone else's wheel or not. Anyone
know?
Working Title: *"I've Got a Bad Feeling About This" *
https://www.youtube.com/watch?v=7U3Oti2L8S4
Suggested Tune: *Cantina Theme* https://www.youtube.com/watch?v=g6PDcBhODqo
Eight or more couples, "Big Square" formation
Prep: form up like you're going to do a big circle, then "square the
circle": divide dancers into four equal sets of partners, lined up along
four NSEW walls.
Wave at people across the room, figure out who your opposite pair is.
Sides and Top walls can be slightly different numbers of partners as long
as they match each *other*.
*Side walls advance, right hand allemande* with opposite, retire
*Top walls sashay *to opposite side (if gendered: "Drive in the right lane,
men passing back to back")
*Side walls advance, left hand allemande*, retire
*Top walls sashay* home
Everyone *dosido* partner,
*do-SA-do* partner,
*promenade* to next WALL.
Do the dance four times with calls, four times "on your own"
Possible prep practice: Tops advance, meet/identify your opposite, retire.
Sides in, identify, retire. All promenade to next wall.
Depending on size of hall, number of couples, and experience level/sobriety
of dancers, this could either be cleanly/tightly phrased or a total
pig-pile, sorta like Foula Reel.
I'm going to totally try this at our (small, square-shaped, local,
fun-loving and open-minded) Peirce's Hall this weekend, if Steve Howland
will share the mic for a moment, but before I do:
Does this already exist, and I've just forgotten?
Or anything similar?
Does it work in real life, with the right crowd/band/hall?
Kinda excited to find out...
Cheers,
Amy
---------- Forwarded message ----------
From: <callers-owner(a)lists.sharedweight.net>
Date: Fri, Feb 23, 2018 at 3:28 PM
Subject: Dance notes for Don Flaherty?s ?Reflection ?3
To: bobgreen.swbell.net(a)gmail.com
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---------- Forwarded message ----------
From: Bob <bobgreen.swbell.net(a)gmail.com>
To: callers(a)lists.sharedweight.net
Cc:
Bcc:
Date: Fri, 23 Feb 2018 13:28:22 -0800
Subject: Dance notes for Don Flaherty’s “Reflection “3
I have a video I want to check against the notes for the archive.
Thanks
Bob Green
Sent from my iPad
