Another great whole-oval dance, along with Gang of Four, is the ever-popular Fairport Harbour by Paul Balliet. Advanced dancers can add in a cool trick in that one: suggest that in the B, gents have time to rollaway your partner before passing through the set (with lady on the left - scandalous!) because it's a piece of cake to correct that with the next move, swing your partner on that other side.
My favorite "can only get away with calling it once every few years" dance is Carmen's Contra or variations, which features a truly goofy and fun "clap-clap-bump-bump" figure a la Carmen Miranda. Remind those dancing the gents' role to empty their pockets first.
Tina
> On Mar 16, 2016, at 2:01 PM, via Callers <callers(a)lists.sharedweight.net> wrote:
>
> Re: [Callers] Novelty & Gimmick Contras
I'll be co-teaching a week long Appalachian Dance and Calling class with
Becky Hill this summer. So if you don't have post Clifftop plans that make
you feel like living and you're not going to Galax, come hang with us.
SCHOLARSHIP Applications due APRIL 1st. Save yourself $450. I think we are
taking over William Mentor's slot. Staff Musicians include Aaron Olwell and
Jess McIntosh. You can take all sorts of other dance and music classes too.
https://augustaheritagecenter.org/about-augusta/scholarships/https://augustaheritagecenter.org/augusta-schedule/dance/
"Mountain Dance – Calling, Feet & Figures – From Scratch: This class
focuses on Appalachian Dance Traditions. As a major facet of community
dance is inclusion, no prior experience is necessary and all ages are
welcome. T-Claw <https://youtu.be/uNTu_WbWdas> and Becky Hill will be
joined throughout the week by West Virginia square dance callers Mack
Samples, Ellen and Eugene Ratcliffe and Lou Maiuri, who will share dance
figures unique to this region. We’ll present the basics of square dance
calling, choreography, patter and teaching. Becky will cover the
fundamentals of flatfooting and clogging. Look forward to the Tennessee
Walking Step and creating your own steps through improvisation."
Take Care, T-Claw
Square Dance Caller
calling.t.claw(a)gmail.com
615-430-8230
www.tclawcalling.comwww.facebook.com/tclawcalling
Illegal in Most States by Robert Cromartie.
A1 B/S N; face across.
A2 Ladies chain to P, Out of the courtesy turn, circle RIGHT halfway (all
are standing between P and Shadow -- except at the ends of course) Pass
through straight across, turn to Shadow.
B1 (NO Bal either swing). Swing Shadow (8), roll out and swing P (8)
B2 LL F/B. Circle 0.75, pass thru
There's a video on YouTube
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This emerged as I was driving home Wednesday night listening to a Latter Day Lizards CD and thinking about needing some fairly simple, but interesting dances to call at an upcoming dance. I can’t find it in my collection of dances, but it’s so generic, I think someone else must have composed it and I was merely remembering.
A 1 N DoSiDo; Swg
A 2 LLF&B; Pass thru to an ocean wave (women take left hands); Balance the Wave
B1 Women allmd Left 1/2; Ptr Swg
B2 Circle L 3/4; Balance the ring, California Twirl
Thanks!
Bree Kalb
Carrboro NC
Hi all,
I'm in the process of sorting through old dance notes, and found this: "Trinity? triple swing, double progression, Al Olson." If this is an existing dance, does anyone have the choreography?
I'm also interested in finding other dances with more than two swings, especially swing-to-swing transitions.I have:Back from VermontString of SwingsCDS ReelMeg's a Dancing FoolTen Strings AttachedGang of FourNaked in CaliforniaAlexander's Swingtime
Many thanks in advance!Lindsey(Tacoma, WA)
I'm aware of one called Swingaround by Gene Hubert. It has an 8 beat neighbor swing at the beginning followed by the number two couples swinging in the middle followed by a same-sex swing followed by the ones swinging in the middle which leads to a line of four down the hall with the ones in the center. That's three swing-swing transitions. The dance is published online.
Sent via the Samsung Galaxy S™ III, an AT&T 4G LTE smartphone
<div>-------- Original message --------</div><div>From: Lindsey Dono via Callers <callers(a)lists.sharedweight.net> </div><div>Date:03/11/2016 2:56 PM (GMT-06:00) </div><div>To: Callers List <callers(a)lists.sharedweight.net> </div><div>Subject: [Callers] Dances with multiple swings- Trinity? </div><div>
</div>Hi all,
I'm in the process of sorting through old dance notes, and found this: "Trinity? triple swing, double progression, Al Olson." If this is an existing dance, does anyone have the choreography?
I'm also interested in finding other dances with more than two swings, especially swing-to-swing transitions.
I have:
Back from Vermont
String of Swings
CDS Reel
Meg's a Dancing Fool
Ten Strings Attached
Gang of Four
Naked in California
Alexander's Swingtime
Many thanks in advance!
Lindsey
(Tacoma, WA)
I often introduce the concept of progression with Sanita Hill Circle
(sicilian) by Ed Durlocher, where they don't change partners, but get the
idea of moving on in the big circle with no end effects to worry about.
Super-easy contras:
Saturday Night Stroll by Mavis McGaugh
Family Contra by Sherry Nevins.
Back Road to Ayer by Lisa Greenleaf - an Improper contra with a traditional
feel to it...
and that one has always worked well for me
Rural Felicity, by Dudley Laufman - Proper, traditional, is another no
brainer and people always have fun with it, especially children.
Linda Thomas
Wilmington, NC
1. Re: Contras for One Nighters (Linda Mrosko via Callers)
----------------------------------------------------------------------
Message: 1
Date: Wed, 9 Mar 2016 22:33:02 -0600
From: Linda Mrosko via Callers <callers(a)lists.sharedweight.net>
To: Rich Sbardella <richsbardella(a)gmail.com>
The closest I usually get to a contra-style is *DoSiThree*. Everybody gets
the progression. The hardest part about that dance is getting them into a
3 face 3 position -- more particularly, a set of 3 people can be a
challenging concept for some (you need lines of 3 people, you and two
partners, etc.). Once they get in position, the rest of the dance works
great.
I prefer longways dances instead -- *Blobs* is a staple and *Brandy Rump
Bump* for a younger crowd.
Another contra dance that has worked well for me with a majority of
beginners has been *Moonstruck* -- sliding left to progress to the next
couple is easy for anybody to understand, you interact with your partner and
your neighbor, and all you do is clapping, dosidos, circles, balancing and
sliding to the next.
One other is *French Wedding* - dosidos, 2-hand turns, circles, dig for the
oyster/dive for the clam to the next.
If I only have an hour, I don't call a contra. But if I have 2 hours,
well...I don't know about you, but I like just a little variety.
On Sat, Mar 5, 2016 at 12:44 PM, Rich Sbardella via Callers <
callers(a)lists.sharedweight.net> wrote:
> I rarely call a contra at a One Night Party Dance, but occasionally I
> am asked to. I have a few in my cards, but can anyone make some sure
> fire recommendations.
>
> Assume 95%-100% non dancers.
>
> Thanks, Rich
> Stafford, CT
>
End of Callers Digest, Vol 23, Issue 7
**************************************
I rarely call a contra at a One Night Party Dance, but occasionally I am
asked to. I have a few in my cards, but can anyone make some sure fire
recommendations.
Assume 95%-100% non dancers.
Thanks, Rich
Stafford, CT
I have a phone message from him (about gigs in July) that says "My regular
email isn't working, use kbg%mdhweue%$$%^ -- and the way his phone #
displays doesn't work in the opposite direction. I've tried a bunch of
combinations but they keep bouncing.
If you've got a working cell number or a good email, cc this on or tell him
to contact me at this address and give me the good stuff in writing?
Thanks,
Amy
802-22-7598