AI is invading our lives, but can sometimes be useful — for example,
ChatGPT is pretty good at reformatting contra dances!
In Philly we have mostly multi-caller evenings, where the coordinator gets
dance submissions from many callers (in many formats), creates a program,
and sends out the result. Sometimes the program looks like a fruit salad of
formats, but (OCD?) I like everything to be concise and uniform.
See example below, where ChatGPT unifies dances in 4 formats — Callers Box,
one posted here, my website, and Bob Isaacs’ format. It took a few tries to
refine the instructions (and I only tried this one output format), but in
the end it’s a pretty amazing result from minimal instructions in plain
English.
Rick
=========================
My Instructions to ChatGPT
=========================
Please reformat the contra dances below as follows:
Format dance headers as e.g. “Title (Author) Formation”
If formation is omitted, use “Duple Improper”
Format part names as e.g. “A1: ”.
Eliminate beat counts for figures (like “8”).
Put a part’s figures on one line, separated by commas, no period or spaces
at the end.
And this is important — format as plain text, do not format as markdown.
Centrifugal Hey
by Gene Hubert
Permission: full License: CC-BY-NC
FormationBase: Duple Minor
<https://www.ibiblio.org/contradance/thecallersbox/Glossary.htm#duple-minor>
- Improper
<https://www.ibiblio.org/contradance/thecallersbox/Glossary.htm#improper>
Progression: Single
Figures:
A1
(8) Neighbor allemande
<https://www.ibiblio.org/contradance/thecallersbox/Glossary.htm#allemande>
right
1 & 3/4
(8) Men <https://www.ibiblio.org/contradance/thecallersbox/Glossary.htm#men>
allemande
<https://www.ibiblio.org/contradance/thecallersbox/Glossary.htm#allemande> left
1 & 1/2
A2
(16) Hey
<https://www.ibiblio.org/contradance/thecallersbox/Glossary.htm#hey>
(PR;WL;NR;ML;PR;WL;NR;ML)
B1
(16) Partner swing
<https://www.ibiblio.org/contradance/thecallersbox/Glossary.htm#swing>
B2
(8) Right and left through
<https://www.ibiblio.org/contradance/thecallersbox/Glossary.htm#right-and-le…>
with
partner
(6) Circle left
<https://www.ibiblio.org/contradance/thecallersbox/Glossary.htm#circle-left-…>
3/4
(2) Pass through
<https://www.ibiblio.org/contradance/thecallersbox/Glossary.htm#pass-through>
along
<https://www.ibiblio.org/contradance/thecallersbox/Glossary.htm#across-along>
(NR)
Stars are Aligned
by Lisa Sieverts
BECKET, CCW
1.
LH Star
2.
RH Star
3.
P Do Si Do (on side)
4.
P Swing
5.
Whole Set Oval Left
6.
Whole set Oval Right
7.
F&B
8.
LH Star, on to the next, partners moving along the line
*Trip to Trillium* Bob Isaacs Becket-L
A1. 8 Circle L ¾
8 w/Partner weave the line past
two (1)
A2. 8 w/N3 square through three
8 N2 swing
B1. 8 Robins chain to partner
8 ½ hey (RR, N2L, LR, -)
B2. 4,12 Partner balance, swing
Fluidity
By Rick Mohr; September 2017
Contra, BecketCaller's Box
<https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=18477>
Level: Easy/Intermediate
A1:
3/4 Hey *(larks pass left shoulders to start)* (12)
Robins allemande left (4)
A2:
Gypsy and swing neighbor (16)
B1:
Right and left through (8)
Circle right (8)
B2:
*(With next couple)* Circle left 3/4 (6)
Swing partner (10)
=========================
Output from ChatGPT
=========================
Centrifugal Hey (Gene Hubert) Duple Improper
A1: Neighbor allemande right 1 & 3/4, men allemande left 1 & 1/2
A2: Hey (PR, WL, NR, ML, PR, WL, NR, ML)
B1: Partner swing
B2: Right and left through with partner, circle left 3/4, pass through
along (NR)
Stars are Aligned (Lisa Sieverts) Becket CCW
A1: Left-hand star, right-hand star
A2: Partner do-si-do, partner swing
B1: Whole set oval left, whole set oval right
B2: Forward and back, left-hand star on to the next, partners moving along
the line
Trip to Trillium (Bob Isaacs) Becket Left
A1: Circle left 3/4, with partner weave the line past two
A2: With N3 square through three, N2 swing
B1: Robins chain to partner, half hey (RR, N2L, LR)
B2: Partner balance, swing
Fluidity (Rick Mohr; September 2017) Becket
A1: Three-quarter hey (larks pass left shoulders to start), robins
allemande left
A2: Gypsy and swing neighbor
B1: Right and left through, circle right
B2: With next couple circle left 3/4, swing partner
These are my table top contra dancers.
I move them around, and they help me visualize tricky end effects, etc. Is there an app for this purpose? Thanks,
Stacy Rose
541.808.1002
rosecontra(a)gmail.com
www.stacyrosedance.com
Hey fellow contra callers
Sharing this message on behalf of the POTD3 organizing team
Thanks!
Emily in Ottawa
======================================
Just a quick message to say that the archive of materials and photos from
POTD3 (May 2-4 in Belfast Maine) has just gone live:
https://www.puttinonthedance.org/potd3archive/
A big shout out to the archive team, facilitators and POTD3 participants
for contributing to make the archive possible.
Enjoy 🤗
Emily, Chrissy, Patty, & Lisa
PS: Reminder that there are great archives from POTD1 and POTD2 as well!
Whoops!
I confess I didn't know how the numbers were assigned in Beckett, or how to designate the couple who are progressing upwards...
Can you help me?
Do we just call them the upward bound and downward bound couple?
I did indeed mean the Lark who is progressing upwards.
And thank you for the dance below!
It's perfect as a first Hey dance and in fact i have something similar to that in my program (apologies I made a mistake when I sent my first email)
Now looking for a second Hey dance with no chains, where they go down the hall....
I appreciate everyone's feedback and suggested dances and will make good use of it all!
Kat k
May 28, 2025 10:09:31 PM Alexandra Deis-Lauby <alex(a)villagewestdesign.com>:
> First question is who is "lark 1"? Most choreographers call the number 1 couple the couple that progresses down the hall in a normal clockwise-progressing becket dance. It seems like in this case, you mean the opposite. If that is the case though, I don't think the dance progresses. Lark #1 would end up on the non-home side to start and end the hey.
>
> If you mean lark 1 as the normal lark 1 (the one the progress down the hall), then the circle would be once and a half+. Which is hard to do in 8 counts.
>
>
> If you need a dead simple dance to teach a hey, I would suggest something like:
>
> Becket, CW
>
> A1 Slice left, LLFB
>
> A2 Larks allemand left once, Robins Allemand right once *** For teaching purposes, have robins stand back to back in the middle after the allemand.**
>
> B1 Hey! Pass partner left on the ends, right in the middle
>
> B2 At home, partner balance and swing.
>
> Prompt them to end the swing early and /point /across so the lark is on the left and robin is on the right.
>
> This dance has lots of “recovery” time:
> * The slice and long lines each take 8 counts and the dancers don't have to travel far.
> * The allemandes are only once around so if folks are slow to move, that’s ok.
> * If they have ended the previous swing on the wrong side they can fix it with the one-role move in the middle
> * The partner swing is long and has lots of time for them to end early and get ready.
> * They spend a lot of time both on, and returning to their “home side."
>
>
>
> Alexandra Deis-lauby
> *VILLAGE**WEST**DESIGN*
> 646 283 3108
> villagewestdesign.com[http://villagewestdesign.com/]
> Instagram[https://www.instagram.com/villagewestdesign/] | Facebook[https://www.facebook.com/VillageWestDesign] | Houzz[https://www.houzz.com/pro/villagewestdesign/village-west-design]
>
>
>> On May 28, 2025, at 3:40 PM, Don Veino via Contra Callers <contracallers(a)lists.sharedweight.net> wrote:
>>
>> Hi,
>>
>> It's fun and can be helpful to craft dances for specific purposes - you're getting some good input on your composition here.
>>
>> Back to your original purpose featuring the hey with only simple figures around it and little fuss, a classic dance is The Carousel by Tom Hinds. If you want to only do Becket, rotate it to start with the B2. (Note that *new* Robins allemande in the A1.)
>>
>> https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=10324
>>
>> Tom's dance starts the hey in the same way as yours, with the first pass being on the side with your partner. For your training consideration, there's also the other hey start with the first pass being in the center, e.g. following from a chain. FWIW, here's an easier becket dance which features that start. It's at least the third generation of evolution on this sequence:
>>
>> Purple Haze - Becket LT/CW - Don Veino
>> Riff off Purple Hays Variant (David Kaynor), riffing off Purple Heys (Peter Stix)
>>
>> A1 Slice Left, Cir LT 1x
>> A2 LDY\RBN RH Chain, over and back
>> B1 Full Hey, LDY\RBN Pass RT Ctr
>> B2 PNR Bal Swing
>>
>> The similarity of the chain and hey feel seems to help build understanding/success with newer dancers.
>>
>> -Don
>> Near Concord MA, family formerly from Lunenburg, NS
>>
>>
>> On Wed, May 28, 2025, 11:57 AM Katherine Kitching via Contra Callers <contracallers(a)lists.sharedweight.net> wrote:
>>> Hi from Halifax, Nova Scotia, Canada!
>>>
>>> As some of you know, I write a lot of my own dances because of the
>>> specific needs of our crowd- I'm always working on contra dances that
>>> are simpler than what most of you folks consider a "simple" dance :)
>>>
>>> For my upcoming dance I am doing a Hey as a "feature figure" - meaning
>>> it is the one more complex figure we will focus on that night.
>>> Am trying to write a dance that introduces the Hey, builds on other
>>> simple things we've done that night, without introducing anything else
>>> new or confusing.
>>>
>>> Other notes:
>>> - we are dancing only in Becket
>>> - swings are not necessary in each dance
>>>
>>> I like the flow of what I've written - which ends with a full Hey--
>>> But my issue is that the Lark will be following the Robin and I need the
>>> Lark to get ahead at the end -- so everyone can progress in the correct
>>> order.
>>>
>>> I've experimentally written that at the end of the hey, the Robin should
>>> look behind them and see their partner following them - and reach a hand
>>> to give them a little tug, to pull them ahead of them, back to home
>>> place and then seamlessly progress onwards to the next couple.
>>> But it's hard to predict if this will work ok or be too confusing.
>>>
>>> Would welcome your thoughts on this and any other aspect of the dance.
>>> I think I borrowed the Larks left hand turn 1.5 into a Hey from another
>>> dance on Contra DB, though my memory is foggy now...anyhow happy to give
>>> credit to that, if any is due :)
>>>
>>> Simple (maybe?) Hey Dance
>>> Becket, CW (progressing by sliding left)
>>>
>>> Star right
>>> Circle right - the #1 Lark leads out the line - at some point dropping
>>> hands with their partner who will end up at the opposite end of the line
>>> (This figure I've done before without any issues)
>>> Lines of 4 down the hall,
>>> Turn *alone*, come back up, bend line
>>>
>>> LLFB (you will be facing your partner for this figure, if I am not
>>> mistaken!)
>>> Larks: Allemande left 1.5x to face partner
>>> All start fuly Hey - partners pass right on the ends, then Robins pass
>>> left in the middle...
>>> Once Robins get back to their home side, turn over their right shoulder
>>> to see their partner right behind them - Robins reach with their right
>>> hand, to their partner's left hand (i.e. partners briefly take inside
>>> hands) - and Robins give a tug on the hand, to guide their Lark ahead of
>>> them, to progress to the next group - Robins follow the Larks in single
>>> file.
>>>
>>> Thank you for your thoughts, if any!
>>> Kat Kitching
>>> Halifax Contra Dances
>>>
>>> _______________________________________________
>>> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net
>>> To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net
>>>
>> _______________________________________________
>> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net
>> To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net
>
First question is who is "lark 1"? Most choreographers call the number 1 couple the couple that progresses down the hall in a normal clockwise-progressing becket dance. It seems like in this case, you mean the opposite. If that is the case though, I don't think the dance progresses. Lark #1 would end up on the non-home side to start and end the hey.
If you mean lark 1 as the normal lark 1 (the one the progress down the hall), then the circle would be once and a half+. Which is hard to do in 8 counts.
If you need a dead simple dance to teach a hey, I would suggest something like:
Becket, CW
A1 Slice left, LLFB
A2 Larks allemand left once, Robins Allemand right once *** For teaching purposes, have robins stand back to back in the middle after the allemand.**
B1 Hey! Pass partner left on the ends, right in the middle
B2 At home, partner balance and swing.
Prompt them to end the swing early and point across so the lark is on the left and robin is on the right.
This dance has lots of “recovery” time:
The slice and long lines each take 8 counts and the dancers don't have to travel far.
The allemandes are only once around so if folks are slow to move, that’s ok.
If they have ended the previous swing on the wrong side they can fix it with the one-role move in the middle
The partner swing is long and has lots of time for them to end early and get ready.
They spend a lot of time both on, and returning to their “home side.”
Alexandra Deis-lauby
VILLAGEWESTDESIGN
646 283 3108
villagewestdesign.com <http://villagewestdesign.com/>
Instagram <https://www.instagram.com/villagewestdesign/> | Facebook <https://www.facebook.com/VillageWestDesign> | Houzz <https://www.houzz.com/pro/villagewestdesign/village-west-design>
> On May 28, 2025, at 9:09 PM, Alexandra Deis-Lauby <alex(a)villagewestdesign.com> wrote:
>
> First question is who is "lark 1"? Most choreographers call the number 1 couple the couple that progresses down the hall in a normal clockwise-progressing becket dance. It seems like in this case, you mean the opposite. If that is the case though, I don't think the dance progresses. Lark #1 would end up on the non-home side to start and end the hey.
>
> If you mean lark 1 as the normal lark 1 (the one the progress down the hall), then the circle would be once and a half+. Which is hard to do in 8 counts.
>
>
> If you need a dead simple dance to teach a hey, I would suggest something like:
>
> Becket, CW
>
> A1 Slice left, LLFB
>
> A2 Larks allemand left once, Robins Allemand right once *** For teaching purposes, have robins stand back to back in the middle after the allemand.**
>
> B1 Hey! Pass partner left on the ends, right in the middle
>
> B2 At home, partner balance and swing.
>
> Prompt them to end the swing early and point across so the lark is on the left and robin is on the right.
>
> This dance has lots of “recovery” time:
> The slice and long lines each take 8 counts and the dancers don't have to travel far.
> The allemandes are only once around so if folks are slow to move, that’s ok.
> If they have ended the previous swing on the wrong side they can fix it with the one-role move in the middle
> The partner swing is long and has lots of time for them to end early and get ready.
> They spend a lot of time both on, and returning to their “home side."
>
>
>
> Alexandra Deis-lauby
> VILLAGEWESTDESIGN
> 646 283 3108
> villagewestdesign.com <http://villagewestdesign.com/>
> Instagram <https://www.instagram.com/villagewestdesign/> | Facebook <https://www.facebook.com/VillageWestDesign> | Houzz <https://www.houzz.com/pro/villagewestdesign/village-west-design>
>
>
>> On May 28, 2025, at 3:40 PM, Don Veino via Contra Callers <contracallers(a)lists.sharedweight.net <mailto:contracallers@lists.sharedweight.net>> wrote:
>>
>> Hi,
>>
>> It's fun and can be helpful to craft dances for specific purposes - you're getting some good input on your composition here.
>>
>> Back to your original purpose featuring the hey with only simple figures around it and little fuss, a classic dance is The Carousel by Tom Hinds. If you want to only do Becket, rotate it to start with the B2. (Note that *new* Robins allemande in the A1.)
>>
>> https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=10324 <https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=10324>
>>
>> Tom's dance starts the hey in the same way as yours, with the first pass being on the side with your partner. For your training consideration, there's also the other hey start with the first pass being in the center, e.g. following from a chain. FWIW, here's an easier becket dance which features that start. It's at least the third generation of evolution on this sequence:
>>
>> Purple Haze - Becket LT/CW - Don Veino
>> Riff off Purple Hays Variant (David Kaynor), riffing off Purple Heys (Peter Stix)
>>
>> A1 Slice Left, Cir LT 1x
>> A2 LDY\RBN RH Chain, over and back
>> B1 Full Hey, LDY\RBN Pass RT Ctr
>> B2 PNR Bal Swing
>>
>> The similarity of the chain and hey feel seems to help build understanding/success with newer dancers.
>>
>> -Don
>> Near Concord MA, family formerly from Lunenburg, NS
>>
>>
>> On Wed, May 28, 2025, 11:57 AM Katherine Kitching via Contra Callers <contracallers(a)lists.sharedweight.net <mailto:contracallers@lists.sharedweight.net>> wrote:
>> Hi from Halifax, Nova Scotia, Canada!
>>
>> As some of you know, I write a lot of my own dances because of the
>> specific needs of our crowd- I'm always working on contra dances that
>> are simpler than what most of you folks consider a "simple" dance :)
>>
>> For my upcoming dance I am doing a Hey as a "feature figure" - meaning
>> it is the one more complex figure we will focus on that night.
>> Am trying to write a dance that introduces the Hey, builds on other
>> simple things we've done that night, without introducing anything else
>> new or confusing.
>>
>> Other notes:
>> - we are dancing only in Becket
>> - swings are not necessary in each dance
>>
>> I like the flow of what I've written - which ends with a full Hey--
>> But my issue is that the Lark will be following the Robin and I need the
>> Lark to get ahead at the end -- so everyone can progress in the correct
>> order.
>>
>> I've experimentally written that at the end of the hey, the Robin should
>> look behind them and see their partner following them - and reach a hand
>> to give them a little tug, to pull them ahead of them, back to home
>> place and then seamlessly progress onwards to the next couple.
>> But it's hard to predict if this will work ok or be too confusing.
>>
>> Would welcome your thoughts on this and any other aspect of the dance.
>> I think I borrowed the Larks left hand turn 1.5 into a Hey from another
>> dance on Contra DB, though my memory is foggy now...anyhow happy to give
>> credit to that, if any is due :)
>>
>> Simple (maybe?) Hey Dance
>> Becket, CW (progressing by sliding left)
>>
>> Star right
>> Circle right - the #1 Lark leads out the line - at some point dropping
>> hands with their partner who will end up at the opposite end of the line
>> (This figure I've done before without any issues)
>> Lines of 4 down the hall,
>> Turn *alone*, come back up, bend line
>>
>> LLFB (you will be facing your partner for this figure, if I am not
>> mistaken!)
>> Larks: Allemande left 1.5x to face partner
>> All start fuly Hey - partners pass right on the ends, then Robins pass
>> left in the middle...
>> Once Robins get back to their home side, turn over their right shoulder
>> to see their partner right behind them - Robins reach with their right
>> hand, to their partner's left hand (i.e. partners briefly take inside
>> hands) - and Robins give a tug on the hand, to guide their Lark ahead of
>> them, to progress to the next group - Robins follow the Larks in single
>> file.
>>
>> Thank you for your thoughts, if any!
>> Kat Kitching
>> Halifax Contra Dances
>>
>> _______________________________________________
>> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net <mailto:contracallers@lists.sharedweight.net>
>> To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net
>> <mailto:contracallers-leave@lists.sharedweight.net>
>> _______________________________________________
>> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net <mailto:contracallers@lists.sharedweight.net>
>> To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net <mailto:contracallers-leave@lists.sharedweight.net>
>
Hi from Halifax, Nova Scotia, Canada!
As some of you know, I write a lot of my own dances because of the
specific needs of our crowd- I'm always working on contra dances that
are simpler than what most of you folks consider a "simple" dance :)
For my upcoming dance I am doing a Hey as a "feature figure" - meaning
it is the one more complex figure we will focus on that night.
Am trying to write a dance that introduces the Hey, builds on other
simple things we've done that night, without introducing anything else
new or confusing.
Other notes:
- we are dancing only in Becket
- swings are not necessary in each dance
I like the flow of what I've written - which ends with a full Hey--
But my issue is that the Lark will be following the Robin and I need the
Lark to get ahead at the end -- so everyone can progress in the correct
order.
I've experimentally written that at the end of the hey, the Robin should
look behind them and see their partner following them - and reach a hand
to give them a little tug, to pull them ahead of them, back to home
place and then seamlessly progress onwards to the next couple.
But it's hard to predict if this will work ok or be too confusing.
Would welcome your thoughts on this and any other aspect of the dance.
I think I borrowed the Larks left hand turn 1.5 into a Hey from another
dance on Contra DB, though my memory is foggy now...anyhow happy to give
credit to that, if any is due :)
Simple (maybe?) Hey Dance
Becket, CW (progressing by sliding left)
Star right
Circle right - the #1 Lark leads out the line - at some point dropping
hands with their partner who will end up at the opposite end of the line
(This figure I've done before without any issues)
Lines of 4 down the hall,
Turn *alone*, come back up, bend line
LLFB (you will be facing your partner for this figure, if I am not
mistaken!)
Larks: Allemande left 1.5x to face partner
All start fuly Hey - partners pass right on the ends, then Robins pass
left in the middle...
Once Robins get back to their home side, turn over their right shoulder
to see their partner right behind them - Robins reach with their right
hand, to their partner's left hand (i.e. partners briefly take inside
hands) - and Robins give a tug on the hand, to guide their Lark ahead of
them, to progress to the next group - Robins follow the Larks in single
file.
Thank you for your thoughts, if any!
Kat Kitching
Halifax Contra Dances
Whoops, sorry everyone-
I just re-checked my program:
In fact we would do one dance prior to this one below, with a full Hey -
The prior dance would keep things even more simple by not having anyone
go down the hall -
the Hey would take place in B1-- and the dance would end with a partner
balance-and-swing (or two hand turn), in order to reset everyone to
home place before progressing.
So indeed the dance below is intended to have folks practice the hey
with the slight added confusion of being out of home place :)
> Katherine Kitching via Contra Callers
> <mailto:contracallers@lists.sharedweight.net>
> Wednesday, May 28, 2025 12:57 PM
> Hi from Halifax, Nova Scotia, Canada!
>
> As some of you know, I write a lot of my own dances because of the
> specific needs of our crowd- I'm always working on contra dances that
> are simpler than what most of you folks consider a "simple" dance :)
>
> For my upcoming dance I am doing a Hey as a "feature figure" - meaning
> it is the one more complex figure we will focus on that night.
> Am trying to write a dance that introduces the Hey, builds on other
> simple things we've done that night, without introducing anything else
> new or confusing.
>
> Other notes:
> - we are dancing only in Becket
> - swings are not necessary in each dance
>
> I like the flow of what I've written - which ends with a full Hey--
> But my issue is that the Lark will be following the Robin and I need
> the Lark to get ahead at the end -- so everyone can progress in the
> correct order.
>
> I've experimentally written that at the end of the hey, the Robin
> should look behind them and see their partner following them - and
> reach a hand to give them a little tug, to pull them ahead of them,
> back to home place and then seamlessly progress onwards to the next
> couple.
> But it's hard to predict if this will work ok or be too confusing.
>
> Would welcome your thoughts on this and any other aspect of the dance.
> I think I borrowed the Larks left hand turn 1.5 into a Hey from
> another dance on Contra DB, though my memory is foggy now...anyhow
> happy to give credit to that, if any is due :)
>
> Simple (maybe?) Hey Dance
> Becket, CW (progressing by sliding left)
>
> Star right
> Circle right - the #1 Lark leads out the line - at some point dropping
> hands with their partner who will end up at the opposite end of the
> line (This figure I've done before without any issues)
> Lines of 4 down the hall,
> Turn *alone*, come back up, bend line
>
> LLFB (you will be facing your partner for this figure, if I am not
> mistaken!)
> Larks: Allemande left 1.5x to face partner
> All start fuly Hey - partners pass right on the ends, then Robins pass
> left in the middle...
> Once Robins get back to their home side, turn over their right
> shoulder to see their partner right behind them - Robins reach with
> their right hand, to their partner's left hand (i.e. partners briefly
> take inside hands) - and Robins give a tug on the hand, to guide their
> Lark ahead of them, to progress to the next group - Robins follow the
> Larks in single file.
>
> Thank you for your thoughts, if any!
> Kat Kitching
> Halifax Contra Dances
>
> _______________________________________________
> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net
> To unsubscribe send an email to
> contracallers-leave(a)lists.sharedweight.net
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I must acknowledge inspiration from JoLaine Jones-Pokorney's GOD's Chariot
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By Jerome Grisanti
Improper contra - duple minor
A1:
(8) Neighbor mirror do-si-do (twos split ones)
(8) Ones swing
A2:
(5) In a line of four, go down the hall (W2-M1-W1-M2)
(4) "Tag the line": as couples, trade while facing down; individually, turn
alone
(5) Lines return (W1-M2-W2-M1)
(2) Face your neighbor
B1:
(4, 12) Neighbor balance & swing
B2:
(4, 4) Pass through across; Neighbors gate 3/4 (twos moving forward)
(8) Twos swing; face up
I reassure dancers that if they do-si-do instead of see-saw, or do a
courtesy turn instead of gate, it's all okay, since dancing the exact moves
as dictated by Jerome just plays into the hands of Big Contra. It is
important, however, to remember if you're a one or a two.
Enjoy! If you feel compelled to send money, address it to the CDSS.
— Jerome Grisanti
P.S. In case you didn't notice, no role terms are needed.
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and power
and magic in it." --Johann Wolfgang von Goethe
Greetings from NH -
An old high school friend of my daughter's reached out to me for help getting a survey out to contra dancers. Jen is someone personally known to me as we would go dancing together when she was a teen. How cool to see that while in her late 30's she is:
Jennifer P. Agans, Ph.D.
Associate Professor
Department of Recreation, Park, and Tourism Management
College of Health and Human Development
The Pennsylvania State University
Her request is this: "I am now a researcher studying recreation and well-being, and I'm doing a study of contra dancers' experiences. Would you be willing to help distribute my survey to the contra dance community in New England?"
Here is the link to her survey:
https://pennstate.qualtrics.com/jfe/form/SV_1M8Jyz3kzpVhzym
Thanks, everyone!
Sandy
Sandy Lafleur
PO Box 877285 Burns Hill RoadWilton, NH 03086
(603) 654-1245
Since the beginning of man the hours between the coming of night and the coming of sleep have belonged to the tellers of tales and the makers of music.
