Hello all,
Oftentimes at One Night Gigs, I'll do a mix of circle and longways set
dances. With scatter mixers and specialty dances, I can fill an evening.
But sometimes I get a group that "wants contras" or is looking to grow
their familiarity with the dance form.
I think Becket dances without lark/robin distinctions and no neighbor swing
are AN easy option into "hands-four" contras. There are other ways in, but
I'm looking for more Beckets that match that description. For a while I've
had "Pluck It" in my box as a friendly option:
Pluck It
Contra/Becket-CW
A1 -----------
(8) Circle Left
(8) Circle Right
A2 -----------
(8) Left hand Star
(8) Right hand Star
B1 -----------
(8) Partner Do-si-do
(8) Partner swing
B2 -----------
(8) Neighbor Do-si-do across set
(8) Long lines, yearn left
This is, in my opinion, pretty close to the traditional mixer Scatter Shot
but done as a keeper in Becket. (It does have a DSD across the set, which
in a recent thread was listed as a no-no for some callers. While I wouldn't
use that move at a dance weekend, for One Night gigs I think it's
accessible and acceptable). You don't have to teach ballroom swing, and if
folks want to elbow swing and swap roles with their partner it doesn't
really impact the dance (this is a small advantage of Becket over improper
for this type of dance; different position on the side is less disorienting
than different side of the set).
What other Becket dances do folks have that don't rely on roles? No larks
allemande or robins chain, etc.
On the drive home from my gig last night I came up with this one (which may
already exist), written for Naomi who organizes the community dance I was
at:
A Pillar of Weathersfield
Contra/Becket-CW
A1 -----------
(8) Balance the ring and spin to the right (petronella)
(8) Balance the ring and spin to the right (petronella)
A2 -----------
(16) Partner balance and swing, end facing down the hall
B1 -----------
(8) Down the hall, four in line (turn as couples)
(8) Return and face across
B2 -----------
(8) Long lines, forward and back
(8) Promenade across the Set, turn as a couple and progress
(Go between the ones you danced with, passing by left shoulder, and the new
couple on your right, turn to take hands with new couple)
I'd be curious what else folks have that they use for entry-level contras
when you don't have a critical mass of experience for improper dances with
neighbor swings.
Thanks!
Luke Donforth
Burlington, VT
I called in Putney, VT this past Saturday, for 25-30 dancers, including
small children and many new dancers. I intentionally programmed the
evening so I never had to teach roles at all. I was pleasantly surprised
at how nice it was to skip a bunch of talking about who is on the Left
and who is on the Right.
I recognize that if those new dancers go to Greenfield MA, they will
have to learn one more thing. But I think they'll be well prepared
because they have already experienced dancing to music, progression, and
having fun with other humans.
Here's my program. Family dance for the first hour, Teens and adults for
the second hour.
1. White Mountain Reel
2. Chimes of Dunkirk
3. Anything Goes
4. Kingston Flyer
5. Beaumont Boom
6. Haste to the Wedding
Break
7. Redwing Square
8. Family Contra
9. Dog Branch Reel
10. On the Ball
11. Star Trek Phraser
Lisa Sieverts
Nelson, NH
Hi all,
Here in Philly we're restarting our Teen Barn Dance
<https://teenbarndance.net/>, which had a great four-year run before the
pandemic. (Here's the story <https://rickmohr.net/Contra/TeenDance/Story/>
if you're interested.)
I love calling for the teens, and have been surprised to find that the best
dances for them don't overlap much with either my contra repertoire or my
barn dance repertoire. I've written up some of our favorite dances
<https://rickmohr.net/Contra/TeenDance/Dances/>, and I'm looking for more!
Specifically:
1) Barn dances that are slightly harder / more interesting than a typical
barn dance crowd can handle
2) Contra dances that are partner-role-free, and have no swing or just a
neighbor swing.
Role-free dances are great because people can line up anywhere, there's
less anxiety about partnering, and there are no role terms to choose or
explain. And swings don't seem to have the same draw for teens as they do
for adult contra dancers -- they're intimate, and awkward to master. This
time around we're trying cross-hand rather than ballroom swings. These
goals rule out many contras (no chains for example), but contras have such
a rich figure palette that I think there's room for plenty of good ones.
Do you know any good dances in those categories? If so I'd love to see
them, and I hope you like ours.
Rick
PS - I'd also encourage you to consider starting a teen dance! Ours has
been fantastic fun, and some of the teens from the first time around are
now pillars of our adult dance community. Happy to talk with anybody who's
interested.
Hi all-- STL caller and dance writer of contras and ECDs Bob Green was in a
bad accident three weeks ago. This afternoon, his daughter Sarah posted
another encouraging report...
We have officially hit the 3 week mark since dad's (Bob's) accident. He is
celebrating by sleeping all morning, something his body desperately needed.
His prognosis remains hopeful but he has a very long road ahead of him. We
continue to be thankful that he was wearing his seat belt and his iPhone
detected the crash and called 911. He has had some amazing people caring
for him in the ICU but we are nearing time to move to the next phase in his
recovery at a Long Term Acute Care Hospital (LTACH). We don't have an exact
timeline on that but probably sometime next week. I have become decent at
reading his lips as that continues to be the easiest way for him to
communicate. Continued prayers and well-wishes are appreciated. His
physician daughter and sped teacher daughter, who specializes in students
with complex access needs, (read also part ot/pt/slp provider) are on top
of his care and therapies. So, please be assured that we are ensuring that
he is well taken care of. Going forward, updates will likely be infrequent
as progress is anticipated to be slow.
... and that means I'll be posting reports less frequently. However, once
Bob is able to take visitors, I'll make sure you get personal reports from
me. I don't live in STL, but am there at least once a month... I'll try to
find out about when and how to contact Bob yourselves, and pass that on
when I know it's okay.... So glad that it's looking like he'll be able to
reclaim much of his "being" from before the accident. Keep thinking
positively, friends.
Keith Tuxhorn
Springfield IL
Dear organizers!
Exciting news: Plans are afoot for Puttin’ on the Dance 3: A weekend
gathering of traditional social dance organizers.
We hope you’ll…
- READ this message
- FORWARD it to anyone who might be interested + let us know about these
folks
- SAVE THE DATE - May 2-4, 2015
WHAT?
Puttin' On the Dance <http://www.puttinonthedance.org/> convenes dance
organizers from across the Northeastern United States and Eastern Canada.
The objective of this weekend event is to provide resources and
opportunities for learning, sharing, renewal, and fun! POTD3 will
strengthen networks for sustaining dance organizers, who in turn sustain
important traditions of participatory social dance throughout our region.
Visit our website <https://www.puttinonthedance.org/> to learn more about
what happens at POTD conferences including testimonials from past
participants <https://www.puttinonthedance.org/testimonials/>.
WHO?
For organizers of various forms of North American and British Isles social
dance traditions (e.g., barn, Cape Breton, community, contra, English,
family, Irish, Quebecois, Scottish, and square). ALL dance organizers are
welcome to attend!
We prioritize organizers in our catchment area: Eastern Canada and the
northeastern U.S. (i.e., Connecticut, Maine, Massachusetts, New Brunswick,
Newfoundland, New Hampshire, New York, Nova Scotia, Ontario, Prince Edward
Island, Quebec, Rhode Island, and Vermont); however, space permitting,
others are welcome.
HOW MUCH?
Attending POTD is an excellent investment in your dance’s future! That
said, we strive to make POTD as affordable as possible and details on cost
and registration will be available in the winter. Meanwhile, start talking
with your dance community: Here are some tips
<https://www.puttinonthedance.org/register/fund-your-attendance/> on how to
fund your attendance, including travel costs.
WHERE?
The first POTD conference was in White River Junction, Vermont and the
second POTD conference was in Ottawa, Ontario. This time we are heading to
Waldo County, Maine where local dance organizers are keen to put on Puttin’
On the Dance 3!
WANT TO HELP? Want to help POTD happen? Let us know!
QUESTIONS? Email puttinonthedance(a)gmail.com.
PLEASE HELP SPREAD THE WORD.
Forward this message to…
- Other members of your community who might want to come
- People who organize dances near you that we may not have on our list
- ANYONE you know who might be interested.
+ To help us build our contact list, email puttinonthedance(a)gmail.com with
organizer info (name, email, and dance series details).
Stay tuned for updates via the POTD email list and the POTD website.
Want to be on the POTD email list? Email puttinonthedance(a)gmail.com and
tell us your name, where you organize, and what type of tradition.
We look forward to learning, dancing, and having lots of fun with many of
you next May!
Emily Addison (Ottawa, Ontario) and Chrissy Fowler (Belfast, Maine)
POTD Advisory Board
--
puttinonthedance.orgfacebook.com/PuttinOnTheDance
*You're on the POTD email list because we think you're interested in
conferences for dance organizers. Let us know if you want your address
removed. **. *
Hi all- an encouraging update on Monday from Bob's daughter Sarah...
Update on my dad (Bob Green):
He has been making small steps of improvement each day. He was awake and
alert most of the day today. He knows where he is at although he did
communicate to the OT today that he wishes he was at the grocery store.
What can I say, he loves Trader Joe's. His lungs continue to need a lot of
support and his muscles are very weak. Now that he is awake and alert, he
is trying to communicate more. I can usually guess what he is trying to
mouth but it can be frustrating when I can't figure it out. Our project
this week will be to build a better communication system for him.
-For the latecomers, Bob is a St. Louis caller, and writer of contra and
English dances, who had a bad auto accident a month ago.
Keith Tuxhorn
Springfield IL
Hello, everyone
I am passing on information about this Bob Dalsemer documentary in case you have not already seen it. It is very well done . It is indeed a “rich portrait”. See below.
Ann
----- Forwarded Message ----- From: David Millstone via Trad Callers <tradcallers(a)lists.sharedweight.net>To: Trad Callers (formerly trad-dance-callers) <tradcallers(a)lists.sharedweight.net>Cc: David Millstone <davidmillstone7(a)gmail.com>Sent: Monday, September 23, 2024 at 06:49:38 PM EDTSubject: [TradCallers] Bob Dalsemer documentary
Dear colleagues,
Harrison Keely has released a lovely 45-minute portrait of Bob Dalsemer.
https://www.youtube.com/watch?v=guQAB-lOMUA
Bob does all the talking. We see him calling dances over the decades, playing various instruments, talking about his years growing up, time in Baltimore, the move to the Folk School in Brasstown, current health challenges. It's a rich portrait. Enjoy! (And spread the word to others who'd enjoy this!)
David Millstone_______________________________________________
Trad Callers mailing list -- tradcallers(a)lists.sharedweight.net
To unsubscribe send an email to tradcallers-leave(a)lists.sharedweight.net
Hello all,
I just learned that Dan Pearl passed back in August. I hadn't heard the
news myself, so I'm guessing it might not have reached some of you.
Obituary here: https://www.shortrowefuneralhome.com/obituary/Daniel-Pearl
Celebration of his life this Sunday at the Scout House.
He will be missed.
Any suggestions on contra corners dances? None have been called at our
local dance for years now, and I want to try and re-introduce the move.
I've been calling for a few years and think it's a good time to try, but I
haven't collected any contra corners dances yet so I'd like to start with
something as straightforward as possible.
Chorus Jig seems like the natural choice, but I noticed that
basically every video I could find of it uses the same tune. How rigid is
this tradition? What if the band doesn't have this in their repertoire?
Will the contra police raid the dance hall if I call this choreography to a
different tune?
Abbie Sorg
Tucson, AZ
I like to end an evening of contras with a Sicilian circle to waltz music
and then continue directly into the open waltz. That saves time and
everyone gets a partner. Will this dance work?
CITRONELLA EVENING
Sicilian Circle to Waltz Music by SE 9-16-24
(4) Two on two dosidos opposite cpl
(4) Circle L
(4) L hands across
(4) R hands across
(4) P. mad Robin cw (end in original position)
(4) Balance ring, Petronella turn
(4) Balance ring, Petronella turn
(4) Balance ring, California twirl to face next cpl.
Based on Citronella Morning contra by Al Olson
Susan [image: 🎶] [image: ☺]
330-347-8155
woosterdance.com