Greeting callers!
I am calling a friend's wedding this weekend and she requested "the spiral
dance," a circle dance where at some point one person leads everyone into a
spiral (or, optionally, anywhere around the hall?). I think I've danced it
before, but I'm having a hard time finding a name or notes on how to call
it. Can anyone share a version with me?
Thanks in advance,
Hannah Chamberlain
(outside of) Portland, ME
Hi folks,
Any favourite unusual length dances or dances that do unusual things with
timings - across the music or unusual figure lengths? I'm thinking dances
like Money musk at 24 bars and Major hey at 40 bars for instance.
Thanks,
Bob
Here is a dance of mine (which I have called several times) where partners say together, but the calls at a critical moment determines direction and distance of progression.
http://aptsg.org/Dance/dances.html#Unconsoled
I dunno nuttin but, seems tuh me, iffen a dance needs a PhD dissertation
for the explainin, maybe it otta be... given to Maistre Sam for
"safekeeping" in the secret library. :)
Reminds me of the dance, The Hobbit, which caught me eye but, for the life
of me, I can't understand how the end effects are, uh, effected. I
sometimes wondered if there's a secret decoder ring that, if worn,
illuminates everything.
Hey, Baby Rose... wanna dance?
:)
Ken Panton
Hi folks,
For those who call It's a Pirate's Life for Me, I'm wondering if you might
be able to help with a few questions?
1. I don't have language for describing the A1 very well. I get what's
happening for sure but I think there could be little tricks to help cue
dancers in flowing through all that action. Might you might have some
insight?
2. I have two B2 variations, one attributed to Lisa G and another to Seth
T. I'm wondering what B2 you enjoy calling?
ROB DSD 1.5 THEN N R shoulder round ! then onto next N
ROB Right shoulder round 1.5 /// N R Shoulder round and then onto the next
(to begin again), can also do with Als
3. Finally ... the funny question! I remember being at a dance on
International Pirate's day. I vaguely remember people yelling 'yarrrrs' at
a certain point during this dance. Have you ever experienced this??? It
seemed pretty darn fun. :)
Thoughts?
Thanks for any insight!
:) Emily in Ottawa
Hi Jim and all,
This dance intrigued me and I thought I'd try and use a program I wrote ages
ago to analyse it. It proved a bit tricky until I realized that the dance
really begins with Shadow Bal and Swing. Starting with P Bal and Swing
might be what confuses the dancers. Of course as it is a mixer, Partner and
Shadow change each time.
This link gives screen shots of the dance which illustrates Jim's points.
https://youtu.be/pWC51unqhvs
Larks shift clockwise 3 places each time, Robins 1 place. With 6 couples
dance repeats after 6 times. Over that cycle swing with everyone at A1, swing
with 3 at A2, allemand left with the other 3 at B1, chain with everyone at B2.
For an odd number of couples, will meet everyone at A2 and B1.
What makes this a mixer is that after the first time
A1 New Partner (which is the Shadow) bal and swing.
This has the effect of moving the Larks one more place clockwise and
the Robins one less place than the progression distance of the dance.
(eg 3 and 1 resp for Spilled Milk)
Any becket that starts with P bal and swing, can be turned into
a mixer by replacing with Shadow bal and swing. (It won't necessarily
have the nice flow of Spilled Milk, also if the becket is only single
progression, the Robins will stay in the same spot!).
Cheers, Bill
Hey folks,
After a number of relatively quiet caller years (parenting; pandemic), I've
started to dig deep to expand my repertoire and up my skills. It feels
like it's time for lots more dance fun! :)
One dance that I've really enjoyed is Heartbeat Contra (by Don Flaherty -
see below).
Tom Calwell called it in Ottawa way back in 2010 and at the top of the B1,
he called Al R 1.5 or ANYTHING (R shoulder round, swing, DSD).
*Do any of you throw in a 'do anything' moment in an evening of contra
programming?* I'm always looking for fun, playful moments that make dancers
smile and this feels like a lovely one. If you throw in an anything
moment, how do you choose when?
*And do you have other strategies for adding playfulness to an evening?*
I've got some dances which I find super playful and fun (e.g., Three's
Company - Altered & Alternating - Paul Balliet)
Thoughts on this?
Thanks!
Emily in Ottawa
-------------------------------
Heartbeat Contra (Don Flaherty)
A1
Bal Ring & Petronella Twirl
Bal Ring & Petronella Twirl
A2
Bal Ring & N Sw
B1
ROB Al R 1.5 *OR ANYTHING! *(Al R, Rshoulder round, swing, DSD... original
was RH round)
P Sw
B2
Cir L 3/4
Bal Ring & California Twirl
I'm in the midst of changing my email for the first time in twenty two years
(I've had invasive surgery that was more fun)
and could use a hand --
the various resources/archives/boxes/files we regularly link to on here --
any warnings on which ones I'll need to re-register/sign in/update?
I'm trying to remember all the places where this email is part of my
bonafides/access and I KNOW I'm missing a few.
For the record, the new personal one is amycannmusic(a)gmail.com,
and the other work ones (amy.cann(a)uvmusic.org and
acann(a)thegrammarschool.org) are both still valid,
it's this venerable Putney School one that's finally sunsetting.
Thanks
A
I’m new to the list and not sure if this question is appropriate, but I’d like to know if any of your contra/ECD boards have term limits and/or mandatory rotation of officers?