Hi All,
I recently had the opportunity to call a contra to a group of rank
beginners in a difficult situation: outdoors, on sloping concrete, without
amplification for either myself or the band, to people not expecting a
dance, with a band mostly unfamiliar with either contra or fiddle tunes,
who had no opportunity to practice or choose tunes. It was a staff party
with a barnyard theme. Granted, this particular good of people is
accustomed to being spontaneous and silly at times, most are in their 20's,
and it's a liberal, accepting group.
The organizers wanted to use the terms "cows" and "chickens" instead of any
other usual terms for dancers. When they arrived at the party each person
chose a name tag with either a cow or a chicken on it. They didn't know it,
but this determined which role they'd play in the dance. I arbitrarily
chose to "put the chicken on the right, because the chicken is always
right." (I keep chickens, and they ARE always right)
There was not time for much of a lesson, either. It'd have been much easier
if everyone had joined the dance at the beginning. All said, just about
everyone had a really great time, myself included. The band was hyped up to
try another dance evening later in the week, though that never
materialized.
I never mentioned gender in any way. That part just seemed to not matter.
They were dancing with their friends. It didn't matter that they weren't
experts or even very good.
I was heartened and encouraged to try something like this again, perhaps
with more widely used dancer terms.
-Amy
Folks,
When I sent out my request back in May soliciting lists of
recommended tunes for patter squares, I wrote:
> ... If you got this query via a mailing list, please send
> tune lists directly to me and *not* to the entire mailing list.
> .., I'm trying to see which tunes get mentioned
> *independently* by many recommenders, so I don't want the lists
> anyone sends me to be influenced one way or another by whatever
> suggestions other people have already sent. ...
>
> I plan to gather recommendations for the next couple months and
> to post a summary some time in July.
Now it's the end of July, and I find myself in a bit of a
quandary, since I haven't gathered nearly as much data as I'd
hoped, and I'd prefer not to have my results so far circulating
around and possibly biasing anyone else who might yet supply
input. On the other hand, I don't want to renege on providing
a summary. So what I'm going to do is take some more time
(possibly several months, at the rate things are going). But
meanwhile if anyone's impatient for a summary, you can contact
me off-list (Jim dot Saxe at-sign gmail dot com), and I'll send
a brief synopsis of what I've gathered as of today, July 31.
(Note: This will only include information from recent informants
and a few other recent sources, not all the stuff I'm still
working on from old books, articles, record catalogs, etc.)
Meanwhile thanks to the following persons who have supplied tune
lists in response either to my queries on trad-dance-callers and
the SharedWeight or (more commonly) to other requests either by
email or in person: T-Claw supplied a list of tunes that he and
other participants shared at a session called "List of Favorite
Square Dance Tunes" at the 2015 Dare To Be Square Weekend in
Nashville. Bob Dalsemer supplied a short list of tunes that
he had gathered from three Brasstown area fiddlers. He also
supplied a tune list from an unpublished manuscript by the late
D. B. Hendrix with more tunes than the ones listed in his book
_Smoky Mountain Square Dances_ (but I'm not including that list
in my "recent sources" category). I also got tune lists from
Erik Hoffman, Bill Litchman, Tony Mates, Jim McKinney, David
Millstone, Tony Parkes, Jordan Ruyle, Don Stratton, and Vivian
Williams. Thanks, all. I also got at least one well-intentioned
reply that seemed so far off target from what I requested that I
couldn't use it (thanks all the same if you know who you are).
--Jim