Do any of you have this dance sequence under a different title and author?
If not, I'd like to claim it as my own composition.
"And We Still Dance" by Dugan Murphy (duple improper contra)
A1 Long Wavy Lines (Gents facing out; neighbor in right hand) Balance (4) -
Circulate (Ladies cross while gents turn to face in, taking neighbor's
place) (4) / Long Wavy Lines (Gents facing in; partner in right hand)
Balance (4) - Circulate (Gents cross while ladies turn to face in, taking
partner's place) (4)
A2 Neighbor Balance and Swing (16)
B1 Gents Left Hand Allemande 1.5 (8) / Partner Swing (8)
B2 Ladies Chain to Neighbor (8) / Left Hand Star Once to Retake Hands in
Long Wavy Lines (8)
The thought occurred to me today that the Rory O'More-inspired figure in
"United We Dance" by Bob Isaacs could be replaced with a circulation figure
to create a different dance with the same fun star-wave transition. I can
imagine someone before me having the same thought.
Dugan Murphy
Portland, Maine
dugan at duganmurphy.comwww.DuganMurphy.comwww.PortlandIntownContraDance.comwww.NufSed.consulting
Hey all,
Michael Karcher suggested this was a good endpoint for dance questions. I
used this simple jumble at a dance recently. I never looked into whether it
was an existing sequence, but I would assume so... -
Improper
A1. Neighbor balance/swing
A2. Ladies RH 1.5x, Partner swing
B1. LLFB, Ladies chain
B2. Left hand star, Next neighbor dosido
Anyone have this on a card?
Thanks,
Isaac
Silly question of the day: is there some expectation/standard for what a
"Trip to ..." dance contains - other than the words "Trip to" appear in the
title?
<Can you do an initial impromptu lesson that lasts
about 15-20 minutes which then flows gracefully into your first contra
dance?
Woody>
Woody, I was able to ask for a lesson at the start, but will only do it if there are not enough experienced dancers to help. I’m told to expect new dancers rolling in throughout the evening, so we will have to just teach as we go.
Seth, Yes if there are lots of beginners and too few experienced contra dancers, I plan to bring barn dances, mixers for a fun time! I’m calling a family dance earlier in the day and will have a wide selection ready for various possibilities in dancers.
Nick, Yeah, too late to add a 50 minute intro to contra session, but I’ll give them the feedback for next year. I noticed at NEFFA they had an intro session every day. I didn’t notice any intro to contra at FolkLife, but wasn’t looking for it either…..
Jim, Thanks!! Great advice.
Thanks so much everyone !
Claire
Hi everyone.
I?m looking for advice. I?m calling a FFF next Sat and live in SF Bay Area, where the average person has never heard of contra dance. I got advice from Alan Winston, who called the contra dance a couple years ago when it was a 2 day event and the contra was Sunday evening. Now it?s a 1 day festival and the contra is Sat 630-10pm. The other dance that evening is Blues/Fusion, which I expect will have a HUGE crowd. There is also a contra dance about 30 minutes South of the venue and a waltz evening 30 minutes East, so I?m not confident that a bunch of experienced contra dancers will show up. I?m sure some will, as many are also musicians who will be volunteering that day.
I have several very easy contras (low piece count, connected, easy single progression, stays in minor set, etc) and plan to slip in brief reminders during each walk through (since new dancers can join at any time in the 3.5 hours). I?m sharing the contra calling with one person, and there is a caller for a couple squares, and a caller of 3/4 time contras. I don?t know how the eve will be broken down yet, but I?m likely to call 2-3 contras in each half.
It?s in a high school gym, so I know to keep calls short and clear due to acoustics.
I?m wondering about offering a 20 minute lesson before the dance???
Thanks for any advice about free folk festivals (assuming there won?t be a lot of experienced dancer ringers). I?m just back from FolkLife and NEFFA and they are full of experienced contra dancers??
Claire Takemori (SF Bay Area)
Hi everyone.
I’m looking for advice. I’m calling a FFF next Sat and live in SF Bay Area, where the average person has never heard of contra dance. I got advice from Alan Winston, who called the contra dance a couple years ago when it was a 2 day event and the contra was Sunday evening. Now it’s a 1 day festival and the contra is Sat 630-10pm. The other dance that evening is Blues/Fusion, which I expect will have a HUGE crowd. There is also a contra dance about 30 minutes South of the venue and a waltz evening 30 minutes East, so I’m not confident that a bunch of experienced contra dancers will show up. I’m sure some will, as many are also musicians who will be volunteering that day.
I have several very easy contras (low piece count, connected, easy single progression, stays in minor set, etc) and plan to slip in brief reminders during each walk through (since new dancers can join at any time in the 3.5 hours). I’m sharing the contra calling with one person, and there is a caller for a couple squares, and a caller of 3/4 time contras. I don’t know how the eve will be broken down yet, but I’m likely to call 2-3 contras in each half.
It’s in a high school gym, so I know to keep calls short and clear due to acoustics.
I’m wondering about offering a 20 minute lesson before the dance???
Thanks for any advice about free folk festivals (assuming there won’t be a lot of experienced dancer ringers). I’m just back from FolkLife and NEFFA and they are full of experienced contra dancers……
Claire Takemori (SF Bay Area)
