Re: Shenandoah Falls
We play that tune a lot for dances, and I've never noticed any
problem with it. As a caller/musician, I usually choose a smooth
flowing A part dance to match the tune to. Similar to Richard
below, at least the way we do the B part, I often choose it to go
with a petronella dance like Citronella Morning or Salmonella.
Martha Wild
On Aug 21, 2009, at 9:00 AM, callers-request(a)sharedweight.net wrote:
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> Today's Topics:
>
> 1. Chicago Contra Dance Leadership Weekend with Lisa Greenleaf!
> (Rachel Shapiro)
> 2. The Frolic in the Fall - 9/26/09 in Harrisburg, PA
> (Dave Colestock)
> 3. Dance for Tune? Shenandoah Falls (Cynthia Phinney)
> 4. Re: Dance for Tune? Shenandoah Falls (Richard Allen Fischer)
> 5. Re: Dance for Tune? Shenandoah Falls (Jeff Kaufman)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Thu, 20 Aug 2009 20:37:43 -0500
> From: Rachel Shapiro <rachel.shapiro05(a)gmail.com>
> To: callers(a)sharedweight.net
> Cc: Edward Wallace <ewallace(a)uchicago.edu>
> Subject: [Callers] Chicago Contra Dance Leadership Weekend with Lisa
> Greenleaf!
> Message-ID:
> <dba043650908201837g136a4dbbyecf995db7b11f744(a)mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1
>
> The University of Chicago, with support from the CDSS Outreach
> Fund, is
> sponsoring a contra dance leadership weekend with an intensive callers
> workshop led by Boston caller Lisa Greenleaf the weekend of October
> 16th.
>
> *"Lisa *leads an intensive workshop
>
> designed for advanced-beginner through
>
> intermediate contra dance callers. It will focus
>
> on stage presence and teaching skills. The
>
> workshop runs Friday Night through Sunday
>
> Morning, and includes calling opportunities at
>
> the Saturday dance"
>
> callers must submit an application for this weekend in Chicago.
> There are
> only 10 slots available. the applications are due August 31 and
> can be
> found, along with the flyer, at: http://fac.uchicago.edu/
> leadership.html
>
> There will also be master musician classes with Pete Sutherland, Mark
> Roberts, and Jeremiah McLane (Three of the five members of Clayfoot
> Strutters!).
>
> There will be two dances this weekend, so even if you cant make the
> whole
> workshop, join us for a dance led by the callers on Saturday, and an
> Advanced Dance led by Lisa on Sunday.
>
> This is not to be missed. Please email with any questions (off list,
> please).
>
> See you there!
> Rachel
>
>
> ------------------------------
>
> Message: 2
> Date: Thu, 20 Aug 2009 21:23:23 -0700 (PDT)
> From: Dave Colestock <contradancerdave(a)yahoo.com>
> To: Shared Weight <callers(a)sharedweight.net>
> Subject: [Callers] The Frolic in the Fall - 9/26/09 in Harrisburg, PA
> Message-ID: <821682.14187.qm(a)web52606.mail.re2.yahoo.com>
> Content-Type: text/plain; charset=iso-8859-1
>
>
>
>
>
>
> The Third Annual Frolic in the Fall.? To be held Saturday,
> September 26, 2009 from 11am-11pm .? Location is the YWCA Camp
> Reily, just outside of Harrisburg , PA , a 5-acre camp where we
> dance in a rustic lodge with a wood floor, surrounded by Nature in
> the Appalachian Mountains of PA. ??Music from?CONTRANELLA from New
> York and Maryland, and THE AVANT GARDENERS from Virginia, calling
> by SUSAN PETRICK, from California, and DAVE COLESTOCK, from
> Pennsylvania.?
> ?
> The Frolic starts with an hour of Waltzing from 11-12, then Contra
> Dancing from Noon-11.? There will be an HOUR LONG Dance Medley, at
> about 4:30 , followed by a Pot Luck Dinner (last name A-M, dessert
> or side dish; N-Z main dish, please).? Cost is $25/person, limited
> to 100 dancers, advance registration highly encouraged, but walk-
> ins are welcome if space is available.
> ?
> Dance at the Locust Lane Contra Dance on Friday 9/25/09 with GREG
> FROCK calling to THE AVANT GARDENERS, then stay over at a local
> motel, b&b,?or camp with us on-site.? Tent camping for Fri and Sat
> nights is available for additional $15 /person.? Contact us at
> Fallfrolic@yahoo. com or visit the website at
> www.frolicinthefall .freeservers. com?? Download the registration
> form and send?snail mail by 9/13/09 , please.? Print out the flyer
> and take copies?to your local dance.? Feel free to forward this
> email, and?tell all of your friends - spread the word about the
> Frolic!
>
> ?
> Thank you, and hope to see YOU at the Frolic.?
> ?
> Can you DANCE for an HOUR???? Come to the FROLIC and find out!!!
> ?
> Thanks for your interest,
> Dave Colestock
> ?
> ?
>
> ------------------------------
>
> Message: 3
> Date: Fri, 21 Aug 2009 09:40:36 -0400
> From: "Cynthia Phinney" <cynth(a)gwi.net>
> To: "'Shared Weight'" <callers(a)sharedweight.net>
> Subject: [Callers] Dance for Tune? Shenandoah Falls
> Message-ID: <000001ca2264$f7588cd0$e609a670$@net>
> Content-Type: text/plain; charset="us-ascii"
>
> Hello all,
>
>
>
> I've noticed on more than one occasion when Sheandoah Falls has
> turned up in
> a medley that the B-part of the dance falls apart (as in things not
> happening in the right rhythm) and I have to call constantly until
> the tune
> changes. I've seen this with more than one dance. The phrasing in
> the B-part
> of that tune is a bit different from standard. Does anyone have a
> suggestion
> of a dance that might fit well with that tune? (and/or can you
> think of
> other tunes with similar phrasing in the B-part? Could be it's just
> not a
> good standard medley tune for dancing..)
>
>
>
> What do you think?
>
>
>
> -cynthia
>
>
>
> ------------------------------
>
> Message: 4
> Date: Fri, 21 Aug 2009 09:46:45 -0400
> From: Richard Allen Fischer <richardallenfischer(a)verizon.net>
> To: Caller's discussion list <callers(a)sharedweight.net>
> Subject: Re: [Callers] Dance for Tune? Shenandoah Falls
> Message-ID: <EA96F8F8-30B6-444C-BC3D-ED4F93936B76(a)verizon.net>
> Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed
>
> I've never noticed that--as a dancer, musician or caller. Shenandoah
> Falls seems to work well with dances that have Petronella balances
> and spins in the B part. (E.g., Tica Tica Timing or Balance to My
> Lou.)
>
> RAF
> On Aug 21, 2009, at 9:40 AM, Cynthia Phinney wrote:
>
>> Hello all,
>>
>>
>>
>> I've noticed on more than one occasion when Sheandoah Falls has
>> turned up in
>> a medley that the B-part of the dance falls apart (as in things not
>> happening in the right rhythm) and I have to call constantly until
>> the tune
>> changes. I've seen this with more than one dance. The phrasing in
>> the B-part
>> of that tune is a bit different from standard. Does anyone have a
>> suggestion
>> of a dance that might fit well with that tune? (and/or can you
>> think of
>> other tunes with similar phrasing in the B-part? Could be it's just
>> not a
>> good standard medley tune for dancing..)
>>
>>
>>
>> What do you think?
>>
>>
>>
>> -cynthia
>>
>> _______________________________________________
>> Callers mailing list
>> Callers(a)sharedweight.net
>> http://www.sharedweight.net/mailman/listinfo/callers
>
>
>
> ------------------------------
>
> Message: 5
> Date: Fri, 21 Aug 2009 11:02:29 -0400
> From: Jeff Kaufman <cbr(a)sccs.swarthmore.edu>
> To: 'Shared Weight' <callers(a)sharedweight.net>
> Subject: Re: [Callers] Dance for Tune? Shenandoah Falls
> Message-ID: <20090821150229.GA5919(a)melfpelt.swarpa.net>
> Content-Type: text/plain; charset="us-ascii"
>
> Cynthia Phinney wrote:
>>
>> I've noticed on more than one occasion when Sheandoah Falls has
>> turned up in a medley that the B-part of the dance falls apart (as
>> in things not happening in the right rhythm) and I have to call
>> constantly until the tune changes. I've seen this with more than one
>> dance. The phrasing in the B-part of that tune is a bit different
>> from standard.
>>
>
> Shenandoah Falls is unusual in that some of the B-part is quite
> synchopated. The phrasing is still very regular, with well defined
> four beat chunks, but within the chunks the beat might be difficult to
> detect for some.
>
> So if you have a band that really wants to play shenandoah falls but
> you think that the group might not be able to take it in stride, you
> could call something that matches the phrasing well and lets the
> dancers reenforce each other's sense of the beat. Richard's
> suggestion of petronellas is good, as would any "balance for four,
> move for four" sort of repetition. Balance and swing would also work
> ok, as the synchopated hard to think about part comes in the middle of
> the swing.
>
> The bigger problem is that the caller generally doesn't know what
> tunes the band intends to play until the band switches tunes. So you
> generally never have an oppertunity to go "oh? You'd like to play
> shenandoah falls? Let me choose a dance that fits." Instead the best
> you can do is probably tell the band after observing the hall that you
> think it would be best if they avoided synchopated tunes like
> shenandoah falls tonight.
>
> Jeff
>
Hey Everyone:
I was wondering if anyone would be interested in calling the Gorham
contra dance on Saturday, September 12. There was a miscommunication
and I am trying to find a replacement for myself. I have called for
the dance the last three years and have had a great time. It is a
small community of people. They are open to having new callers as
well. If there is anyone interested, please contact me. I am trying
to find a replacement ASAP.
Thanks,
Jeff
The Third Annual Frolic in the Fall. To be held Saturday, September 26, 2009 from 11am-11pm . Location is the YWCA Camp Reily, just outside of Harrisburg , PA , a 5-acre camp where we dance in a rustic lodge with a wood floor, surrounded by Nature in the Appalachian Mountains of PA. Music from CONTRANELLA from New York and Maryland, and THE AVANT GARDENERS from Virginia, calling by SUSAN PETRICK, from California, and DAVE COLESTOCK, from Pennsylvania.
The Frolic starts with an hour of Waltzing from 11-12, then Contra Dancing from Noon-11. There will be an HOUR LONG Dance Medley, at about 4:30 , followed by a Pot Luck Dinner (last name A-M, dessert or side dish; N-Z main dish, please). Cost is $25/person, limited to 100 dancers, advance registration highly encouraged, but walk-ins are welcome if space is available.
Dance at the Locust Lane Contra Dance on Friday 9/25/09 with GREG FROCK calling to THE AVANT GARDENERS, then stay over at a local motel, b&b, or camp with us on-site. Tent camping for Fri and Sat nights is available for additional $15 /person. Contact us at Fallfrolic@yahoo. com or visit the website at www.frolicinthefall .freeservers. com Download the registration form and send snail mail by 9/13/09 , please. Print out the flyer and take copies to your local dance. Feel free to forward this email, and tell all of your friends - spread the word about the Frolic!
Thank you, and hope to see YOU at the Frolic.
Can you DANCE for an HOUR??? Come to the FROLIC and find out!!!
Thanks for your interest,
Dave Colestock
The University of Chicago, with support from the CDSS Outreach Fund, is
sponsoring a contra dance leadership weekend with an intensive callers
workshop led by Boston caller Lisa Greenleaf the weekend of October 16th.
*"Lisa *leads an intensive workshop
designed for advanced-beginner through
intermediate contra dance callers. It will focus
on stage presence and teaching skills. The
workshop runs Friday Night through Sunday
Morning, and includes calling opportunities at
the Saturday dance"
callers must submit an application for this weekend in Chicago. There are
only 10 slots available. the applications are due August 31 and can be
found, along with the flyer, at: http://fac.uchicago.edu/leadership.html
There will also be master musician classes with Pete Sutherland, Mark
Roberts, and Jeremiah McLane (Three of the five members of Clayfoot
Strutters!).
There will be two dances this weekend, so even if you cant make the whole
workshop, join us for a dance led by the callers on Saturday, and an
Advanced Dance led by Lisa on Sunday.
This is not to be missed. Please email with any questions (off list,
please).
See you there!
Rachel
'Tis the season, isn't it?
Linda Mrosko mentioned Newlywed Lane and Fancy Free Flirting circle waltz. Can someone please pass on the choreography to me?
I'm also looking for a dance called at Princeton Country Dancers' anniversary dance this year, a longways set dance having to do with a wolf in a barn snatching piglets...?
Thank you!
Marguerite Durant
Hi Jack,
My suggested fix is no good :-(
I think this would fix it
B2: Balance the Ring, Petronella Turn
Balance the Ring, Petronella Turn and a 1/2 more
but with this suggestion, I think it's too clockwise.
B2: LLFB, right hand balance, and square thru 2 would be nicer
Cheers, Bill
Hi Jack,
Salmonella Evening by Steve Zakon-Anderson has the same A1, A2 and B2
but B1: Balance the Ring, Petronella Twirl Balance the Ring, Petronella Twirl
Your mystery dance doesn't progress.
It would work if B2 was
Balance Ring, Petronella Twirl
Balance Ring, California Twirl
Cheers, Bill
So...I just discovered a dance in my box without a title or author on
it. Can anyone ID it for me?
A1: Neighbor Alle R 1.5
Gents Alle Left 1.5
A2: Partner Gypsy and Swing
B1: Balance Ring, Petronella Twirl right into your N's arms
N Sw
B2: Balance Ring, Petronella Twirl
Balance Ring, Pass Thru Along the Set
Amy,
I explain that we can make drawbridges when people in the middle are tall,
and demonstrate. They catch on pretty quickly. Often an adult in the line
will call out "drawbridge!" if little ones are creating a regular arch.
--Jerome
> I'm curious:
>
> Family dance callers, how do you handle the dances in which:
> -- everyone goes through an arch (or the arch is brought over folks'
> heads) at some point
> -- and you get an arch made by two toddlers (aren't they CUTE???!) with a
> whole bunch of grownups sqeeeeezing through it
> -- while the band plays the B part for the 7th time
> -- and the other sets are all done and rarin' to go?
>
> (it always happens in the set with the person who hired you, and the cute
> toddlers are always their grandkids, have you noticed?)
>
> Cheers,
> Amy
>
--
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
For the good are always the merry,
Save by an evil chance,
And the merry love the fiddle
And the merry love to dance. ~ William Butler Yeats
I'm curious:
Family dance callers, how do you handle the dances in which:
-- everyone goes through an arch (or the arch is brought over folks'
heads) at some point
-- and you get an arch made by two toddlers (aren't they CUTE???!) with a
whole bunch of grownups sqeeeeezing through it
-- while the band plays the B part for the 7th time
-- and the other sets are all done and rarin' to go?
(it always happens in the set with the person who hired you, and the cute
toddlers are always their grandkids, have you noticed?)
Cheers,
Amy